2447. St Werburghs tunnel (98)

I am currently away in Cornwall on my annual sea fishing trip, and am finding it really difficult to keep up with these posts, so today’s contributions might be a little rushed.

Fiva, St Werburghs, Bristol, August 2019
Fiva, St Werburghs, Bristol, August 2019

This is yet another exceptional piece of writing from Fiva, where has superimposed two writing styles on top of each other and used different colours where the letters overlap. It is a very clever piece, skilfully painted, but I’d expect no less from this artist.

Fiva, St Werburghs, Bristol, August 2019
Fiva, St Werburghs, Bristol, August 2019

It is great also to see him include one of his characters on the left hand side of the piece. All very good indeed.

2446.M32 roundabout J3 (167)

Recently some rather uplifting and optimistic small pieces have been appearing on the M32 roundabout by an artist called Eden. This is yet another artist new to me and one I know very little about.

Eden, M32 roundabout, Bristol, August 2019
Eden, M32 roundabout, Bristol, August 2019

This rather subtle and understated piece is easily missed but once found is not easily forgotten. The bright colours give the viewer the sense that there is optimism for our planet, which is what I got out of it anyway. A simple design which is competently painted and which has given me pause for thought every time I have walked past. Nice one Eden.

2444. Dean Lane skate park (246)

Photographed on a sunny afternoon, this is a beautifully thought out piece of writing by Cassette in the fine tradition of using a different style for each letter. Particularly pleasing is the way the artist has crafted the ‘SS’ in the form of a snail and the ‘TT’ as a couple of  palm leaves.

Cassette, Dean Lane, Bristol, August 2019
Cassette, Dean Lane, Bristol, August 2019

This is the second time I have seen work from Cassette in Bristol this summer, and both pieces were on this wall. The other was of a very nicely painted whale. I believe the artist is from the Southwest, but it is nice to see that he finds time to visit Bristol from time to time.

 

2443. M32 Spot (49)

Well, here is something a little different from Nightwayss down at the M32 Spot. One of the columns transporting us to a warm skateboarding scene, an appropriate piece for this spot which is a DIY wet-weather skate park.

Nightwayss, M32 Spot, Bristol, August 2019
Nightwayss, M32 Spot, Bristol, August 2019

These columns are such a difficult place to paint a meaningful story, but Nightwayss does it with great skill and assurance, and just for good measure he includes one of his monkeys (as if he wouldn’t). This is a refreshing and wonderful piece from this prolific Bristol artist.

Nightwayss, M32 Spot, Bristol, August 2019
Nightwayss, M32 Spot, Bristol, August 2019

2442. St Werburghs tunnel (98)

Not long ago, this rather fun collaboration appeared at the farm end of St Werburghs tunnel. It is painted by Daz Cat on the left and CD on the right and while I am familiar with the former, I have never come across CD before this and another collaboration between the two. Perhaps he was just visiting Bristol.

Daz Cat, St Werburghs, Bristol, August 2019
Daz Cat, St Werburghs, Bristol, August 2019

I am used to seeing cats and dogs by Daz Cat, but even though I know he has done giraffes before, this is the first one I have seen and whaty a nice tidy piece it is too. There is an interesting ‘fairy tale’ type character in the centre of the piece nestling in the curled neck of the giraffe. A curious image, but rather compelling.

CD., St Werburghs, Bristol, August 2019
CD., St Werburghs, Bristol, August 2019

On the right hand side is a rather tight piece of a grimacing face having a smoke, with excess smoke wafting around the whole wall. The colour pallette is nicely balanced and it is amazing how well light blue and pink work together – I used to have a light blue fleece with pink trim that I bought in Jasper, British Colombia and it was my favourite item of clothing for many years. I can’t put my finger on it, but there is something about this work that I really like – maybe it is the rather surreal nature of the piece, I don’t know. A nice introduction to CD’s work.

2441. Alma Street, Weston-super-Mare

All artists derive their influences from somewhere. Sometimes these influences are overtly acknowledged and deliberately expressed in their work, and this stencil by JPS is one such example. There is more than a simple nod to Banksy in this piece called ‘balloon girl’.

JPS, Alma Street, Weston-super-Mare, August 2019
JPS, Alma Street, Weston-super-Mare, August 2019

There used to be a stencil of balloon girl (with red balloons) in Park Row in Bristol, but I don’t think it is there any more. I think, more than any other artist, Jps’ work is often mistaken for the work of Banksy, and it is not hard to see why. Love this piece.

2440. Meadow Street, Weston-super-Mare

EEEK! What a wonderful anamorphic spider stencil from JPS in Weston-super-Mare. This piece is one of three small stencils adorning a shop front on Meadow Street. The remarkable thing about JPS’ art in WSM is how incredibly fresh most of it looks, and how few of the pieces are tagged.

JPS, Meadow Street, Weston-super-Mare, August 2019
JPS, Meadow Street, Weston-super-Mare, August 2019

The patterns on this spider and the shadows it appears to cast on the wall make this, for me, an outstanding stencil. I am guessing that all the little bristles on the legs were painted by hand, as I don’t think that even JPS would have the patience to cut each of those on the stencil. A seriously classy small piece.

2439. Rear Oxford Street, Weston-super-Mare

I recently took a trip (mainly to give the dog somewhere different to experience) to Weston-super-Mare, and it hadn’t changed much from the last time I visited a couple of years back. What I was able to do however was explore the town for JPS street art, and naturally this is the place to do it.

JPS, Rear Oxford Street, Weston-super-Mare, August 2019
JPS, Rear Oxford Street, Weston-super-Mare, August 2019

In my view, JPS doesn’t come to Bristol nearly enough, but WSM is his manor and that is where so much of his work is. I think this piece of a youing skateboarder is reasonably recent, but I have no real way of knowing. I understand that JPS now lives in Bavaria, but I am sure that he returns now and again to his old stomping ground.

JPS, Rear Oxford Street, Weston-super-Mare, August 2019
JPS, Rear Oxford Street, Weston-super-Mare, August 2019

This piece, like all of his stencils is beautifully intricate and has been specifically placed to give the impression that the child is skating over the street sign. This is just the first of many posts I will be bringing to Natural Adventures over the coming days/months from WSM featuring JPS, Fawn and PZY.

2438. Upfest 2018 (160)

Way back at Upfest 2016, I bee W was the first street artist at a festival that I had the courage to speak to, shortly before I spoke with Dice 67 (who I later went on to conduct my first, and so far only, interview). Turns out that the vast majority of street artists are lovely people and even at festivals make time for a quick chat.

I bee W, Upfest, Bristol, July 2018
I bee W, Upfest, Bristol, July 2018

I bee W is a stencil artist whose stencils are often placed on carefully crafted or textured backgrounds and so become part of something bigger than the stencil alone. There is a story here, but I’ll be damned if I know what it is. A lady in a bikini bookended by a pair of seahorses. It is a pretty piece albeit slightly surreal. I have a few more of his pieces lurking in my archives, so I’ll have to dig them out.

That rounds off this series of ten Upfest 2018 catch up posts, but I’ll be doing more over the autumn and winter as there are still so many I haven’t yet posted.

2437. Upfest 2018 (159)

This is a magnificent piece by Deeds, so full of movement. Really stylish and classy. Although I am familiar with the name of the artist, he has been spray painting with stencils since the 1980s, I am not very familiar with his work.

Deeds, Upfest, Bristol, July 2018
Deeds, Upfest, Bristol, July 2018

In this piece The stencil of the horse appears to have been done in staggered sections to give it that feeling of movement, and the bright blue strips just seem to emphasise it. In the WIP shot above, you can see that he worked on the piece from the top down on the already prepped red background. A classy piece.