507. M32 cycle path (2)

This is an old one by 3Dom that still remains rather majestic despite some weathering. It can be found on the cycle path that runs alongside the M32 between the two roundabouts and is fairly inconspicuous.

3Dom, M32 cycle path, Bristol, May 2016
3Dom, M32 cycle path, Bristol, May 2016

Although an old piece, it has many of the dream-like oddities that are common to 3Dom’s work. I am really rather fond of this one.

506. M32 roundabout J3 (23)

This is a happy piece by The Addicted Doodler and was part of a bigger ASK crew jam back in sunny June of this year. It was one of the most memorable collaborations of the year and In my view utterly brilliant. Other artists included Aspire, Kid Crayon and SPZero76.

The Addicted Doodler, M32 roundabout, Bristol, June 2016
The Addicted Doodler, M32 roundabout, Bristol, June 2016
The Addicted Doodler always makes me smile with his strong colours and shapes. And just looking at this piece, I think he is responsible for a whole load of unattributed pieces in my archive of pictures. Probably time to do some more digging.

505. Raleigh Road, Tobacco Factory (5)

This is a beautiful piece of art that I think had been painted for Upfest 2015, although I am not certain. I took the photographs a little while ago, and the wall has since been painted over.

Andrew Burns Colwill, Raleigh Road, Bristol, April 2016
Andrew Burns Colwill, Raleigh Road, Bristol, April 2016
The work is by Andrew Burns Colwill, a Bristol fine artist whose watery paintings have an incredible serenity and dream-like quality about them. I didn’t know much of the artist until I read his extraordinary bio on his website, and it really is worth a quick click and read.

Andrew Burns Colwill, Raleigh Road, Bristol, April 2016
Andrew Burns Colwill, Raleigh Road, Bristol, April 2016
Of course, I particularly like this piece because it has fish in it and I am very fond of fish. (Note to self – do a street art fish special some time). Andrew’s touch is delicate and detailed, and beautifully captures the movement in the piece. One of my favourites of the year.

504. Armada Place (4)

Some more writing today, this time from one of the less prominent graffiti artists in Bristol, ‘Subtle’. On first appearance this looks like quite a raw piece of work and could easily be missed, but on closer inspection, it is a fine sophisticated piece of writing.

Subtle, Armada Place, Bristol, January 2016
Subtle, Armada Place, Bristol, January 2016
Nothing much lasts very long on these hoardings, and I would guess that I only ever capture about 20% of what appears here, which gives you some idea of the volume of spraying that happens every week across Bristol…certainly way too much to write about it all. I am pleased to have photographed this when I did though.

503. City Road (4)

I have known about this piece for a while, but just never knew where it was. To my huge excitement and fulfilment I found it recently, while looking for another piece nearby. This is by one of my favourite street artists, Aspire, who is better known for his amazing birds.

Aspire, City Road, Bristol, October 2016
Aspire, City Road, Bristol, October 2016

I don’t know who the subject of the piece is, but I would guess a prominent local musician or blues artist perhaps. It seems slightly peculiar seeing work by Aspire that is not a bird, but I consider it to be equally good, and I would like to see more of it.

Aspire, City Road, Bristol, October 2016
Aspire, City Road, Bristol, October 2016

The piece has been here for a while and is slightly worse for wear, but it has persisted and survived untagged…often the mark of a respected artist.

502. Armada Place (7)

This is a stunning, collaboration between Sled One and Epok, two of the best wildstyle writers about. It is easy to see the Sled One element…if you look carefully you can make out the letters SLED. I had to look hard though for Epok – I knew it was a collaboration because he had signed the piece. I think his lettering is in the grey-green underlayer – certainly this part is more in his style.

Sled One and Epok, Armada Place, Bristol, June 2016
Sled One and Epok, Armada Place, Bristol, June 2016

What I love most abut this piece is that it is on a modest hoarding with low footfall. This piece was done for the love of it. The colour palettes are brilliant and the whole thing quite beautiful. These things are so easily overlooked or dismissed…it is a pity.

501. M32 Roundabout J3 (22)

This is a beautiful bit of wildstyle writing from 3Dom. His wildstyle form tends to be quite organic and ethereal, more in the style of Ments, rather than the hard, clean, sharp geometric writing associated with his Bristol peers Deamze, Sokem, Epok and Voyder, to name just a few.

3Dom, M32 roundabout, Bristol, March 2016
3Dom, M32 roundabout, Bristol, March 2016

This piece was from a little while ago and has been painted over several times since. It is nice to have a record of it though. It was part of an ASK crew paint jam in March, and his piece here is sandwiched between Voyder on the left and Sled One on the right. Nice work.

500. Raleigh Road (3)

Opposite the Tobacco Factory car park, you (used to) come face to face with this building and a wonderful Thierry Noir pair. When I took the photographs, I hadn’t seen any of his work before, but on my escapades to London I have become more familiar with his very distinctive work.

Thierry Noir, Raleigh Road, Bristol, June 2016
Thierry Noir, Raleigh Road, Bristol, June 2016

These pieces were sprayed for Upfest 2015 and have since been over painted with a large Brexit commentary piece which was part of Upfest 2016 – I will post this newer piece soon.

Thierry Noir reminds me a lot of artists like Matisse, or the Stravinsky fountains outside the Pompidou centre in Paris, whose work contained bold and contrasting colours on simple figures and forms. Great stuff.

499. The Bearpit (28)

Every now and again you come across something quite different. Something that stands out from the crowd. This lovely colourful piece was at the end of one of the pedestrian tunnels at The Bearpit. It is by an artist I know nothing about, and I haven’t seen her work before. Her name is Georgie or Georgieartist as she signs herself and I think she comes from the West of England somewhere.

Georgie, The Bearpit, Bristol, April 2016
Georgie, The Bearpit, Bristol, April 2016

Her Facebook page demonstrates some of her work and how she creates it, it is well worth a good look. She has strong political convictions and I like that in a street artist, however this piece seems to be simply full of Bristolian joy. I love it. ‘Lush’ is a very Bristolian word which kind of means great or brilliant, but is usually used in the familiar vernacular. ‘That’s gert lush that is’.

498. Bolton Road (2)

Bolton road is a small alleyway branching off the Gloucester Road in the St Andrews area of Bristol. This always seems an unlikely place to find street art, but this is Bristol, and you never seem to be too far away from something a bit special.

Epok, Bolton Road, Bristol, February 2016
Epok, Bolton Road, Bristol, February 2016
This is a nice piece by Epok with all the usual traits of his work, that is, the angular and distorted letters, highly designed look and wonderfully complementary colour scheme. I am puzzled though by the space lady in the picture, and I am not surre if there was a collaborator or whether this is Epok’s work too. There are no other obvious signatures and I have exhausted searches on the interweb.

Epok, Bolton Road, Bristol, February 2016
Epok, Bolton Road, Bristol, February 2016
The lane is very difficult to take decent pictures in because it is so narrow, and sometimes there are awkward shadows cast across the walls. I have had these images a while, and ought to venture back to see if the piece is still there.

Epok, Bolton Road, Bristol, February 2016
Epok, Bolton Road, Bristol, February 2016