The Paintsmiths tend to paint commissions, perhaps the most memorable recent example being the Donald Trump Boris Johnson kiss. Grotesque. This time they have created something altogether more palatable.


The Paintsmiths tend to paint commissions, perhaps the most memorable recent example being the Donald Trump Boris Johnson kiss. Grotesque. This time they have created something altogether more palatable.


If my virtual pile of ‘to do’ images was somehow converted into real actual photographs, it would be a very very big stack of pictures indeed. Lurking deep in this pile there are still some images of work done by Tian earlier in the year when he was on his ‘UK tour’.


When I saw this I thought of Klue…ok so I begin with a really cheesy pun, but starting off a post can be difficult you know, so any way in is a welcome way as far as I can see. This is a lovely little piece by Mr Klue, tucked away in the borderlands between St Pauls and St Werberghs.

There are many things I love about photographing street/graffiti art and one of them is that I am constantly discovering new (to me) artists. Although he is well established, I have only recently registered the utterly incredible Ments.

Well Feoflip really is the man of the moment. Before Upfest 2016 I hadn’t seen any of his work, or if I had, it had passed me by. Now it seems I can’t go anywhere in Bristol without stumbling upon one of his incredible pieces.


This is another intricate piece from Dibz dating back to June this year. Dibz lives locally and tends to save his spraying for the walls at Dean Lane skate park. I recently featured another of his works from an adjacent wall.

On a shop front in North Street, there is this tiny micro-stencil by John D’oh. It is really beautiful, and something of a departure from his more political art. Saucy, and I love it.

I can’t go too long without posting a piece by Sled One. If I only had to write about only a handful of graffiti/street artists in Bristol, Sled One would be right up there. His versatility is extraordinary, his colour pallets always superb and he seems to spray pretty much anywhere he can in Bristol.

This is a quick wildstyle piece which just shows off all his talents. I truly believe that Sled One will become a Bristol legend. He is already making such a mark. Just enjoy this artist. I do
My favourite piece of the 2015 Upfest was the incredible geisha by Dan Kitchener on the wall of the Salvation Army shop. It was fantastic then to have DanK return to Bristol this year. His spot was slightly off the beaten track, and I didn’t find him until the Sunday when it was all a bit drizzly.

Dan Kitchener had pretty much stopped spraying for a while and was leaning over the lift and chatting to a friend when I took a couple of the pictures. He really wasn’t too impressed with the weather.

The piece, once it was revealed, turned out to be something of a reflection of the weather in which it was produced. In fact much of Dan Kitchener’s work creates the effect of wet night time scenes viewed through a car windscreen…or that is how it feels to me.

Looking closely at the woman with the umbrella, allows you to see that part of the picture away from all the distraction around it, and it is just beautiful. Step back and add in all the bright lights and you have the most vibrant scene.

I am always so impressed with his work, and I could look at these scenes he creates for hours, studying all the details and effects. It is hard to believe that he paints these things with spray cans. Yet another artist at the very top of his game.

This brilliant swirling ‘Bristol’ by Voyder really felt like the signature piece for this year’s Upfest. Visitors to the festival were queuing up to take selfies and group pictures in front of this piece. I wonder how many of them knew it was Voyder’s work – it matters not, they saw it for what it is, a joyful celebration of Bristol art.

Voyder is a prolific graffiti artist and many of his pieces seem to be inaccessible, especially if you aren’t prepared to enter derelict sites, so it is especially nice to have one of his pieces in an area with high footfall. Around the time of upfest, Voyder was spraying quite a lot of these ribbon effect pieces, most memorably the Lichtenstein piece neat the Tobacco Factory, now long gone. This is just more stunning stuff from one of the best Bristol writers.