I was really taken by this fantastic work by Belgian artist Din Din who describes herself as a ‘one woman artistic movement’.
On Saturday afternoon, when I watched her working, she was putting down the stencil at the bottom of the piece. I noticed that she used plastic stencils and asked her if she used them because they were stronger (seemed sensible to me), but she answered that with the plastic stencils you can work in the rain…so she came well prepared for a festival in Britain then!
On her website it looks very much like she did two other stencils in the area during her visit to Bristol, so I will have to hunt these down.
There is something about the piece that reminds me a little of Tian’s works that he pasted up around Stokes Croft during his ‘tour’ earlier in the year – photographic works with monochrome tones.
A wonderful piece to see and to get a glimpse of the artist at work.
One of the first pieces I saw that had already been completed by the time I arived on Saturday, was this fine and controversial work by Pegasus.
It is highly accomplished stencil work that one expects from Pegasus and the content of his work is often edgy and possibly uncomfortable for some. I imagine that any work representing Mother Teresa (a Saint) is going to be tricky.
I love this piece. It is quite shocking and at the same time so beautifully put together. I think this might be his first visit since his Trump/Hitler conflation in Greville Road, back in April 2016…another controversial one.
I still haven’t worked out how I am going to present all of the works that I captured and admired during Upfest over the last few days, but I have to get cracking because there is so much wonderful stuff to share.
This post has four works produced by Bristol street artist Angus over the duration of the weekend. It was a pity that I didn’t get to meet Angus, it just seemed that we were in different places at different times. I’m sure we will catch up soon. The first image is his ‘showcase’ piece that was on his designated board and is quite stunning.
Another couple of pieces sit either side of a large wall by Inkie (coming soon) at the Southbank Club on Dean Lane. On the left is a great face in reds and blacks…
Angus, Dean Lane, Upfest, Bristol, July 2016
Angus, Dean Lane, Upfest, Bristol, July 2016
…and on the right is a door that says it all really.
His fourth piece was in one of his favourite spots on Raleigh Road, where this recent work which I wrote about, resided.
I like this work a lot, with Muttley from Whacky Races, a message that he has been working with for a while, and some great colours and design. His work just gets better and better.
What a busy couple of days it has been – a lot of walking and looking at hundreds of new pieces in South Bristol. Many of the works created are temporary and will be removed after the festival, some have been allocated prime sites and will remain for at least a year, others have been surreptitiously slapped up in interesting places and will have variable lifespans.
I will start my posts of Upfest with some wonderful pasteups by Phoebe New York (aka artist Libby Schoettle). I was especially pleased to see her work here in Bristol as I have only recently become aware of her and how brilliantly refreshing she is. A simple idea really well executed.
I particularly like the edge of her work, both in the content and statements, but also in the locations she chooses. I am a fan, and I expect there are more than just these two examples from Upfest in Bristol. I will be hunting for more.
Upfest is a truly spectacular festival and I feel honoured as an adopted Bristolian that people have come from all over the world to participate over the last two days. There is still one more day to go, but it is a working day and I suspect things will be a lot quieter. I have no idea how I am going to post all the amazinf things I have seen this weekend – I’ll just have to see how it goes.
Upfest have chosen Gemma Compton as their promotional ‘face’ of upfest 2016, and what a very fine choice indeed. Her work is used on their twitter account profile and on the main website homepage. On an altogether larger scale, she painted the outside of the Upfest shop on North Street. The work was completed on about 11 June, and really brightens up the shopfront.
All of the work she has done for Upfest 2016 uses these wonderful ‘Spode’ colours and contain her signature motifs of birds, butterflies and flowers. It says in her Upfest artist profile that her inspirations have come from an upbringing in the Cotswold’s and her love of nature.
I love all the work she has done for the Upfest ‘brand’ this year, and am really looking forward to seeing her working at this year’s festival.
John D’oh is a political stencil artist, and he has been oh so very busy recently. This recent piece, in a little alcove on North Street, really chimes with me. It is a promotional piece for the upcoming Upfest event and in fact there are two of the stencils side by side in this location. Technically, this piece is excellent.
The best bit about this piece is that it features a guy called Jeff, who sells ‘The Big Issue’, a magazine I have referred to previously in my posts. He is my local seller, and I like to buy my copies from him. He can usually be found in Stokes Croft, in North Bristol, but this stencil is in North Street (rather confusingly) in South Bristol.
There was a nice feature in the Bristol Post (I cannot find a link) about the stencil and how pleased Jeff was to be the subject of it. I’ll have to talk to Jeff about it next time I see him. Great work, with a great subject promoting a great event.
It recently occurred to me that I am going to have to work through my backlog of Upfest 2015 pieces, because it will not be too long before they get replaced during the 2016 extravaganza and appear a little out of date. July 23-25 will see an influx of 300 artists showing off their talent, and I have to say I can’t wait. Among them will be Louis Masai, a London based artist who is renowned for his beautiful animal works.
Louis Masai gained an art degree from Falmouth in Cornwall, and has been living in London since 2010. More about him from his own website. This is a beautiful picture of two macaws (I seem to have posted a lot of these lately) and a clear and simple message that they belong in the wild and not in cages. I can go with that. His work is outstanding and his presence in Bristol this year will be a real bonus.