1256. Stokes Croft corner wall (4)

On one of the most iconic walls in Bristol, there are always things to look out for around the large yellow and black Stinkfish face of a girl. One reasonably recent addition is this incredible bust (if that is the right term). Unfortunately I don’t know who the artist is, but it is a beautiful addition to this space.

Unknown artist, Stokes Croft, Bristol, January 2018
Unknown artist, Stokes Croft, Bristol, January 2018

I don’t come across very many sculptures on my Bristol street art sorties, so it was a real pleasure to find this. It is perched high up, and I’m not sure that it is seen by many. You have to look up and observe.

Unknown artist, Stokes Croft, Bristol, January 2018
Unknown artist, Stokes Croft, Bristol, January 2018

Up close you can see that it is a nicely worked piece. Any ideas about the artist would be most welcome.

1255. Leonard Lane (14)

Leonard Lane is one of my favourite spots. somehow it feels more exclusive than some of the other more popular spots, and it is tucked away in the deepest heart of old Bristol. The Lane has become more popular with ‘established’ artists in recent weeks, with both Decay and John D’oh making themselves at home in this narrow space.

Skor85, Leonard Lane, Bristol, January 2018
Skor85, Leonard Lane, Bristol, January 2018

Now it is the turn of Skor85 and this curious piece. What I like about her work is its dream-like stories that unfold in front of you. This one involves two people rather happy about something and high fiving. Meanwhile, the lady with her bunny ballet outfit brandishes a cutlass and the man is holding a dead rabbit. What on earth… . It doesn’t matter. I love this piece, which is nicely framed too. It would be great to see more of this kind of work in the heavily tagged lane.

1254. Moon Street (41)

Clearly Whysayit spent a little more time on this lovely piece in Moon Street than he has done on some of his other graffiti writing. One of the things I really like about this writer is that he can produce work on a spectrum, from scrawly tagging through to quick throw ups and to something like this which is a nicely executed clean piece.

Whysayit, Moon Street, Bristol, January 2018
Whysayit, Moon Street, Bristol, January 2018

The colours are excellent, the green hovering beautifully on top of the pink. The fill is clever too, starting as spots on the left, transforming to stripes on the right. Whysayit has also created a real feeling of depth to this piece. There is so much more to graffiti art than simply disguising letters.

1253. M32 roundabout J3 (61)

I have become rather fond of Elvs pieces recently. I enjoy their symmetry and the Gothic styling. and the colours he uses. This is a recent example of his work on the roundabout of the M32.

Elvs, M32 roundabout, Bristol, January 2017
Elvs, M32 roundabout, Bristol, January 2017

I believe he comes from Cardiff, but tends to make fairly regular visits to Bristol to seek out some walls. He is in my view one of the best DBK artists…DBK seems to have such a broad spectrum from fairly hopeless taggers at one end right up to rather classy graffiti artists like Elvs. Nice new year piece.

1252. M32 roundabout J3 (60)

I don’t know an awful lot about Lopes…I think I have sen his name once or twice around Bristol, but can’t be sure. His burner here is nicely executed, but it is the Kid Crayon character to the left that makes this wall.

Kid Crayon and Lopes, M32 roundabout, Bristol, October 2017
Kid Crayon and Lopes, M32 roundabout, Bristol, October 2017

I am not sure if this was a deliberate collaboration or if Kid Crayon added his work afterwards. I suspect the latter. However it came about, the KC character with his funny accent in the speech bubble adds so much to the writing of Lopez, bringing the most out of it by drawing attention to it.

Kid Crayon and Lopes, M32 roundabout, Bristol, October 2017
Kid Crayon and Lopes, M32 roundabout, Bristol, October 2017

This is a witty and fun piece and so very typical of the understated brilliance of Kid Crayon. Perfect.

1251. The Bearpit (116)

More monsters from NEVERGIVEUP in The Bearpit. Although this one has been around for a while, I am posting it now because I didn’t want to flood the blog with too much of his work at once.

 

NEVERGIVEUP, The Bearpit, Bristol, October 2017
NEVERGIVEUP, The Bearpit, Bristol, October 2017

I enjoyed his monster phase and his incredible work rate, however over the winter he seems to have slowed down a little and reverted to spraying bunnies. I am looking forward to seeing what direction he takes in the spring.

1250. M32 cycle path (11)

This wall really belongs to Deamze. I don’t know if other artists leave it to him out of respect, or whether I only ever get to see it when his work is there. Either way, I have only ever seen pieces by him here.

Deamze, M32 cycle path, Bristol, October 2017
Deamze, M32 cycle path, Bristol, October 2017

Deamze likes to do his graffiti writing alongside a character on this wall, perhaps it has something to do with the proportions. In this piece he uses subtle tones across the work and created a focal point with his red ASK.

Deamze, M32 cycle path, Bristol, October 2017
Deamze, M32 cycle path, Bristol, October 2017

The character is Homer Simpson, and it is beautifully crafted although the hands and tongue are not in keeping with the Matt Groening creation. A good piece from Deamze.

1249. Moon Street (40)

This is the second of two pieces by Rezwonk in Moon Street and one which on first glance looks like a simple geometric pattern scrawled on a gate. Looking more closely, there is probably more to it.

Rezwonk, Moon Street, Bristol, October 2017
Rezwonk, Moon Street, Bristol, October 2017

The patterns are composed of five lines, always in the same order, a little bit like holding five biros in your hand and making patterns or letters  – the kind of things you did at school. Another layer of sophistication here is that the lines are contained within a circle although the circle isn’t outlined. I am not certain, but I wonder if the patterns are letters…if they are, I can’t work them out. My favourite touch though is the five bar gate at the bottom right, almost like a checklist that the five colours have all made it onto the piece. A lovely abstract piece.

Rezwonk, Moon Street, Bristol, July 2017
Rezwonk, Moon Street, Bristol, July 2017

 

1248. The Bearpit (115)

This is a lesson in always making sure you get a photograph of a new piece when you can, even if the photograph is compromised by poor light conditions or weather of street furniture etc. If you don’t snap it up straight away, then the next time you see it it may be tagged.

Laic217, The Bearpit, Bristol, October 2017
Laic217, The Bearpit, Bristol, October 2017

This piece by Laic217 appeared in The Bearpit in October after something of a quiet period in his street work. I managed to photograph it, but the morning sun was casting a shadow across the wall. I figured I would return to get a ‘clean’ picture. The next time I visited however the smiley face had been tagged, albeit rather tastefully, with a tribute. Annoying as it might seem, this is all part of the street/graffiti art scene.

Laic217, The Bearpit, Bristol, October 2017
Laic217, The Bearpit, Bristol, October 2017

As always I like this work from Laic217, and hope he keeps it up. I have been enjoying the incredible progress he has made in the time that I have been doing this and get pleasure from seeing the direction his work goes in.

1247. Rivington Street, New York (1)

This large and impressive wall in Rivington Street is by KaNO. Such a magnificent cartoon character in a very distinctive style, it should come as no surprise that KaNO freelances as a character designer for such studios as Warner Bros, Cartoon Network, and Hasbro.

Kano, Rivington Street, New York, October 2017
Kano, Rivington Street, New York, October 2017

KaNO was born and raised on the streets of New York and was influenced by cartoon characters on the TV. He then went on to study art and design and animation. His full biography can be found on his website, along with some fabulous galleries of studio and street art.

Kano, Rivington Street, New York, October 2017
Kano, Rivington Street, New York, October 2017

This really is a wonderful piece from a greatly talented artist.