Very occasionally we are lucky enough to find pieces by Piewaste. His work tends to blend in with its surroundings, and it can be quite easy to pass on by without noticing it – unless you are like me, and wired to sniff out such pieces wherever they might be.
Piewaste, M32 Cycle path, Bristol, January 2025
Piewaste has written three thin-edged letters (WSE) interspersed with two pink-filled letters (AT) to spell out WASTE, but all elements of this writing kind of disappear unless you are concentrating. The three green-bordered letters are filled with an incredible scene, as if you are looking through letter-shaped windows. This is a brilliant piece that is so modestly presented. This is why I like to keep my eyes open and really study what is around me.
Mr Two Gram and Desi, Sparke Evans Park, Bristol, January 2025
Wherever you find a piece by Desi, you are likely to find a Mr Two Gram piece nearby. Like many partners (Ryder and T-Rex, Bloem and Sub), they paint alongside one another all over town, leaving their ‘household’ stamp.
Mr Two Gram, Sparke Evans Park, Bristol, January 2025
I haven’t posted many pieces by Mr Two Gram, but have dozens in my archives, so I need to do a little better at posting them. His writing is distinctive, and depending on the size of the wall carries variants of his name. I suggested to him once that he might like to try character pieces, and although receptive to the idea, I haven’t seen anything in that direction.
Desi, Sparke Evans Park, Bristol, January 2025
This pairing was of course one part of a larger collaboration celebrating Desi and Even’s birthday and carried a theme of Studio Ghibli – a Japanese animation studio, hence the cartoon cat. Desi, who often writes VEIL, has painted a combination piece, which is quite unusual and something that would be great to see more of. Reflecting back to when I first started seeing Desi’s work, there has been a constant improvement, and this piece is truly one of her best, with tidy, clean letters and fabulously presented fills.
I caught up with Fade a couple of days ago, and he observed that I hadn’t posted much of his and Dibz’ work lately, He was right, but fortunately this collaboration was already in my pipeline, and is a timely reminder of their fantastic work. I would add that they have had a generally quiet start to the year, but are picking up the pace a bit now.
Fade, Dean Lane, Bristol, January 2025
Unlike most of their collaborations, the three elements are a little bit fragmented. The writing from Dibz and Fade is distinct and there is no general colour theme, and the tank is a little bit out of context. Fade has gone for some beautifully finished letters, in the corners of which are a bunch of explosions. The writing is set on a nighttime cloudy sky.
Fade and Dibz, Dean Lane, Bristol, January 2025
That brings me on to the tank, which I assume is a joint effort. I don’t quite know what the tank represents, but I guess you could take your pick – Gaza, Ukraine or even a metaphor for Trump’s wreckless and aggressive international policies. Maybe it is just a nice picture of a tank.
Dibz, Dean Lane, Bristol, January 2025
Dibz’ outstanding writing has a camouflage thing going on, but it is subtlely applied, and contrasts beautifully with the orange (but it looks like copper) 3D drop shadow. This wall has been a great place for Dibz and Fade to showcase their work, and recently, they have painted it again (keeping the tank intact) – to come soon.
Bnie, Smak and Elvs, Unity Street, Bristol, January 2017
This is the third piece ‘rediscovered’ from dipping into my archive, and it is a fine collaboration from Bnie, Smak and Elvs. Once again, I am mystified by how it got left behind in the archive, but at least I am rectifying the situation by publishing it now.
Bnie, Unity Street, Bristol, January 2017
Bnie’s work is always a joy. Her letters somehow work really well for graffiti writing – some combinations work much better than others. Here she has paid particular attention to some highly intricate fills, which I can only think were achieved using stencils. However they were realised, they are wonderfully technical and beautifully presented.
Smak, Unity Street, Bristol, January 2017
The middle piece is by Smak, whose work pretty much defines the ‘Bristol school’ of graffiti writing. Superb colours and a strong sense of flow through the piece, combining curves and straight lines skilfully. Simply an outstanding writer.
Elvs, Unity Street, Bristol, January 2017
To the right is a fine piece by Elvs, whose work is so unique and distinct. He has worked so long and hard on his letters ELVS, that I would love to see what he could do with some other letters in his style – that would probably present a serious challenge and take him a little out of his comfort zone. Brilliant work from all three graffiti writers, demonstrating what their art form is all about.
I know exactly why I never posted this piece at the time I photographed it. Although I was blown away by it, I didn’t know who the artist was, and so it remained in my archive unseen. I have revisited it several times over the years, but now feel confident enough in suggesting it is by Hemper.
Hemper, M32 roundabout, Bristol, March 2016
The location, the ASK tag, and the possibility that the disguised letters may spell HEMS and the sheer quality of the piece draws me to the conclusion that it is by Hemper. Whoever the artist, it remains one of my favourite pieces of crazy graffiti writing ever. Everything about it is near perfect, from concept to execution. Those stones/bubbles must have taken an age to paint, and the black ‘web’ draped around the letters is exceptional. The work of a genius.
Every now and again, I like to delve into my archives to see if there are any pieces that somehow were overlooked at the time, and I am always surprised by what I find. The next few posts are from 2016 and include this beautiful magpie by Aspire.
Aspire, City Road, Bristol, March 2016
Aspire was one of my favourite Bristol artists in Bristol, and his depictions of birds in particular struck a chord with me as a trained naturalist. For a few short years, his work brightened up our streets before he packed his bags and moved to London, where I am told the streets are paved with gold. Fortunately, Aspire does return from time to time, but I miss his portfolio of stunning birds and their surroundings. As well as being a superb portrayal of a magpie, we also see evidence of his pixel clusters, something of a trademark for the artist. Those were the days!
Donz is an interesting graffiti writer whose combination of letter shapes and, in particular, colour selections and fill patterns is quite unique. His work is further highlighted in this piece with the incorporation of a clean contrasting background buff.
Donz, L Dub, Bristol, February 2025
The letters in this piece spell DONZ, and are beautifully contained within a clean black border. I think that what sets his work apart is his approach to his fills which are not blended, but rather, they are applied in contrasting splodges and decorated with complementary little circles. All I can say is that this is a very Donz look. We also have an introduction to the Art Beat Crew (ABC), which I haven’t noticed before.
The great thing about a new graffiti spot, such as the long hoarding at Greenway Bush Lane, is that you can spread your wings a little and occupy as much space as you like without the awkwardness of painting over someone else’s work. Sub has ‘gone for it’ with his large SUB letters and a couple of smaller signatures, just in case you weren’t sure who he is.
Sub, Greenway Bush Lane, Bristol, January 2025
Sub continues to develop his writing, and his familiar chunky letters and deep drop shadow (in two shades) are going from strength to strength. The pink plasma strip runs nicely through the letters, which in their monolithic form are rather flat. To me, it feels like he is locked a little into his format, and to go to the next level, he might need to try something different, and then import his discoveries back into his customary style. Having said that, he seems to be very happy doing what he is doing, and that is the most important thing.
Hannah Adamaszek, High Street, Rochester, January 2025
In January, I happened to find myself in Rochester, a lovely city that I have never been to before, where I was running a workshop. As is my wont when I am ‘on tour’, I got up early and strolled around town for an hour or so exploring. I was not expecting to find artwork from Hannah Adamaszek, but there it was, on a roadside sign – unmistakably Hannah.
Hannah Adamaszek, High Street, Rochester, January 2025
Not only has Hannah Adamaszek painted the road sign for Seven Chakras Yoga Studio, but she has done a great job with decorating the columns of the small shopping arcade area, with some lovely Swiss cheese plant leaves, the trusted favourite of street artists everywhere.
Hannah Adamaszek, High Street, Rochester, January 2025
I can only say that this was a super surprise and bonus on my Rochester Adventure, and confirmation that my street art radar is fully active and in good working order.
Mind 49, St George skate park, Bristol, January 2025
I missed this piece by Mind 49 last year, so it is looking a little worse for wear, although, given that it is in a skate park, it has worn well. I love the way that it has been painted onto a cracked ramp, which makes it feel like an organic part of the park, that it has always been there, kind of.
Mind 49, St George skate park, Bristol, January 2025
Mind 49 has been one of the great talents to emerge from the Bristol scene and has developed from a precocious talent, via an activist, into a fine painter of photorealistic portraits. Here, the beautiful profile with soft tones marking out light and shade of the face contrasts with the half-finished look of the shirt and hat. A truly fabulous piece.
Natural adventures 