The primary reason for pieces being left behind in my archive is that I couldn’t identify the artist at the time of taking the photographs, and then the moment passes and that is that. I am sure that my archives are full of gems, and if I had more time I would mine them out on a regular basis, but at the moment that is not possible. And while I am spending time digging out archive images, I am not posting the New Year pieces, which makes life difficult. Anyhow, this is an absolute beauty from Vozie back in April last year.
Vozie, Greenbank, Bristol, April 2022
Vozie has a great eye for her colour combinations, and has chosen some great letters for writing. The ‘V’ at the start is a strong letter and allows for all sorts of variations, and the ‘O’ and ‘Z’ also allow a certain amount of play. Vozie is clearly very accomplished and her fades, highlights and borders are always on-point. This is a lovely piece painted pre-Truss (remember her?).
Todoaciem, New Stadium Road, Bristol, April 2023Todoaciem, M32 Cycle path, Bristol, October 2022Todoaciem, Sparke Evans Park, Bristol, May 2022Todoaciem, Sparke Evans Park, Bristol, March 2022Todoaciem, Alfred Street, Bristol, September 2021Todoaciem, Sparke Evans Park, Bristol, May 2021Todoaciem, New Stadium Road, Bristol, November 2020Todoaciem, Brunel Way, Bristol, December 2020Todoaciem, M32 roundabout, Bristol, December 2020Todoaciem, Sparke Evans Park, Bristol, November 2020Todoaciem, New Stadium Road, Bristol, September 2020Todoaciem, New Stadium Road, Bristol, June 2020
Bogat is an artist who is underrepresented on Natural Adventures, so this flurry of pieces that I photographed in March last year should go some way to addressing this. Although I took the pictures in March 2022, some of the pieces in the M32 J2 tunnels may have been there for a while.
Bogat, Brunel Way, Bristol, March 2022
Bogat, who often painted alongside Asre, has a thing for open-mouthed portraits and the occasional octopus. The piece above, from Brunel way, is rather nicely done, with some nice shading on the octopus and its tentacles providing some depth. I rather like the bubbles rising off the writing, too, and filling the black space.
Bogat, M32 roundabout J2, Bristol, March 2022
The rest of the pieces were photographed in the tunnels of the M32 roundabout junction 2, a few hundred meters North East of the junction 3 roundabout, which is a much more popular spot.
Bogat, M32 roundabout J2, Bristol, March 2022
These tunnels are quite narrow, and dark, making photography something of a challenge. Somehow I managed to capture these pieces reasonably well, perhaps because they are in a portrait orientation rather than landscape.
Bogat, M32 roundabout J2, Bristol, March 2022
It feels good to have posted these pieces, even if they have been collected together into one post. If I didn’t do that, then there is a real possibility that they would remain in the archives forever.
I rarely miss posting anything by Hire if I can help it, so I was surprised to find this outstanding piece from this gifted artist in my March archive. On the upside, I guess, I am sharing it with you now. Even though I am currently going through an unpublished back-catalogue of street art, there is at least 50% still unpublished, which gives me a minor panic attack.
Hire, Dean Lane, Bristol, March 2022
The striking colours used in this piece are divine and the writing itself, spelling HIRE, is outstandingly painted. The fine lines cutting through the middle of each letter is what elevates this writing from the good to the exceptional. This is an absolute belter of a piece from a lovely artist.
Another fine piece that got overlooked in my February postings last year is this magnificent work from Saor. On a dull winter day, the orange elements of the piece really cut through and draw the eye in. The piece was painted alongside NTS crew mate Mudra.
Saor, Dean Lane, Bristol, February 2022
I may have said it before, but Saor’s style reminds me quite a lot of Epok’s work (what has happened to Epok – I wonder). The concept is highly designed and very cleanly finished, almost as if it was painted with fine brushes. I particularly like the shadow behind the right-hand side of the orange letters. As always from Saor, a nicely conceived piece, brilliantly executed.
Face 1st, Kool Hand and Soap, Sparke Evans Park, Bristol, January 2022
I think that 2022 was the most prolific year for Bristol street/graffiti art ever. More artists joined the already large cohort, and it would seem that many of them painted more often than before. Of course, this is counterbalanced a little by the departure of some artists, and others going to ground for sustained periods. Overall, though, it was a bumper year. What this means is that there are way too many great pieces that were left ‘on the cutting room floor’, so the next few posts will be an attempt to dig out some of the pieces I simply didn’t have time to post during the year. Starting in January 2022 with this splendid collaboration between Face 1st, Kool Hand and Soap.
Face 1st, Sparke Evans Park, Bristol, January 2022
I have a feeling that the reason I didn’t post this at the time is that my first round of photographs were sun/shade impacted – this is a spot to be photographed on dull days. To the left is a typically happy piece from Face 1st, that really set the tone for the joy he spread for the rest of the year.
Kool Hand, Sparke Evans Park, Bristol, January 2022
The middle section was painted by Kool Hand, with this really on-point crocodile holding a marker pen. I was chatting with Face 1st earlier this week, and he said that he felt that this piece really demonstrated how Kool Hand had moved up a level, and I would definitely agree.
Soap, Sparke Evans Park, Bristol, January 2022
Finally, (and it is always finally, because Soap always paints on the right-hand side of a collaboration) we have a superbly expressive piece of writing from Soap, one of his very best, in my opinion, with stacks of movement and interest. Even if you can’t quite read his letters, he has signed the piece with his tag three times for good measure. I am so sorry you have had to wait a whole year for this one.
This is an absolute beauty from Kosc, who has been dazzling us all year with his outstanding craft and innovation. The stylised portrait and writing piece has overtones of American art deco about it and reminds me of the Chrysler building in New York.
Kosc, M32 roundabout, Bristol, December 2022
The grey and white colour selection is a combination that works really well together, creating a metallic appearance through the whole piece. Set on a muddy green background, the piece is modest and yet highly impressive. Another outstanding piece from Kosc.
Klashwhensober, St Werburghs, Bristol, December 2022
I think that it is probably safe to say that Klashwhensober has had a great year and that he is likely to have been Bristol’s most productive graffiti writer in 2023. I have been doing a bit of a trawl through my archives, and will shortly be sharing a host of pieces by Klashwhensober that never made it into this blog.
Klashwhensober, St Werburghs, Bristol, December 2022
This recent piece in the tunnel, spelling SOBER, is a stunner in which Klashwhensober has gone for a vertical split with the colouring (that faithful combo of pink and blue), and a smoking ‘volcanic’ rift between the two halves of the piece. This is beautifully painted and presented and offers real depth and movement. Fine work indeed. Look out for a Klashwhensober post in a few days.
It was dark, and I was Christmas shopping when I passed by this shutter piece by Taboo in Nelson Street. I haven’t seen the piece in daylight since, so I don’t really know if the colours are a true representation in these pictures.
Taboo, Nelson Street, Bristol, December 2022
Taboo does paint rather a lot of shutters, and it would seem that he enjoys it, although it can’t be easy to do them, because of the textured surface. In common with several of his works, Taboo has incorporated a trippy Mickey Mouse character into his unruly letters. There is always so much to look at and admire in Taboo’s work, and I love the smiley peeping the first letter and the long ghoul-like fingers. I have been bamboozled by the letters, and am not too sure what they spell, APOS or OPOS maybe? A nice piece nonetheless.
There was a little bit of an RBF crew party in the tunnel just before Christmas, with a great turnout, and one of the artists, whose work I have not seen much of, is Wispa. Her writing and character might have been the pick of the bunch on account of the snowman, I mean who can resist this guy at Christmas?
Wispa, St Werburghs, Bristol, December 2022
Wispa is clearly an accomplished writer who typically writes WISP and occasionally adds a character, and with this piece she has smashed both. The letters are nice ones to play with, and give plenty of scope for fills, curves and straight lines. The triple border works really well, picking out the letters and helping them to stand out from the wall.
Wispa, St Werburghs, Bristol, December 2022
Raymond Briggs, may he rest in peace, would have loved this faithful rendition of his loveable character, right down to the cross-hatching on his hat and scarf. This is a fabulous Christmas piece from Wispa. I hope she comes back to Bristol soon with more great work.
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