I never seem to find nearly as many Conrico pieces as I know are out there, he hides them away from the usual spots. This one however is in a place I visit regularly and is a cheerful and fun piece of writing.
Conrico, New Stadium Road, Bristol February 2022
There is a lightness and joy about Conrico’s work, and an illustrative rather than hard-core graffiti style. The colour combinations in this piece are ones he has used before and he seems to be comfortable painting with them. I am always on the look out for his work and it is great when I chance upon a new piece.
I simply had to dig this piece out of my archive because I was lucky enough to meet the artist, Ceus, earlier this week painting a new wall very close to this one in Dean Lane. I was not alone in struggling to find out who the artist was, but now the riddle, from last October, is solved. It turns out that Ceus is another Spanish street artist. He lives in Bath and doesn’t have much time to paint as he has a very busy life in the restaurant business. A nicer bloke you couldn’t wish to meet.
Ceus, Dean Lane, Bristol, October 2021
This piece is a real stunner, and it was such a shame not to be able to post it last year, but good things come to those who wait. Ceus is a really talented artist, as this piece demonstrates, and the burst of colour on a white background works exceptionally well. It is obvious now to see that the letters spell out CEUS… hindsight is a wonderful thing. I like everything about this piece, and it is a nice warm-up for the piece he painted this week, which I have to return to before it gets painted over. A gem.
I was lucky enough to bump into Mr Draws just as he was prepping for this wall; it was a busy day for artists in the tunnel. I understand that Mr Draws has a good supply of chrome in his paint store and that is why several of his pieces of late have heavily featured chrome.
Mr Draws, St Werburghs, Bristol, January 2022
Mr Draws has been favouring these larger walls lately, and seems to be enjoying the freedom that they afford. The design of this piece is relatively straightforward and the fills and drips nicely done. In common with many of his recent pieces Mr Draws has included his horizontal bars, in red, to add interest to the piece. More great work from one of the nicest artists in Bristol.
This is another piece from Dybe, part of a spate of No Frills crew collaborative efforts painted in recent weeks. I am trying to make amends for the terrible underrepresentation of Dybe’s fine work in Natural Adventures. I feel an archive trawl coming on sometime.
Dybe, M32 Cycle path, Bristol, January 2022
The most noticeable thing about Dybe’s work is that his simple letters (full caps) are always really crisply and neatly finished. Nothing here is rushed or slap-dash, and although I have never met the artist, it is clear from his work that he is conscientious. The brick wall is nicely done, but it is the white highlights that give Dybe’s letters that 3D effect and lift away from the wall. A really nicely presented piece.
In case you hadn’t guessed by now, I am on holiday in France skiing, having an incredible time. I wrote most of this week’s pieces in advance, but this one I am writing in our cosy chalet with a cup of apres ski tea (I kid you not). Why tell you all this? Well the truth is that I am not feeling very inspired to write, mainly on the back of being exhausted. This is a lucky thing, because today’s piece is by Smak, and I don’t need to say too much more than ‘Brilliant, fantastic, wonderful, tight, classy.’
Another piece from the archive, and what an absolute belter it is. Taboo is known for his rather irregular writing and cartoon character combinations, so this piece of writing in St Werburghs was a bit of a creative outlier.
Taboo, St Werburghs, Bristol, November 2019
Painted in big block letters, the word taboo, in a mixture of upper and lower case, has a clever twist from the artist, with a character lamp shining across the letters, marking out light and shade. There is so much to love about this forgotten and rather untypical piece.
As with all walks of life, there are important contributors, and in the sphere of Bristol street/graffiti art, one of these notable people is DJ perks. We don’t get to see nearly enough of his work around the place, unless you hang out at the L Dub spot, but it is not only his art, but his interest in visiting and photographing the work of others, that makes him a great contributor. Most artists, counterintuitively, don’t know much about other artists, as they (quite rightly) tend to focus on their own art and their friends. It is up to people like me and Paul H to record and write about as much work as we possibly can. DJ perks is a rare artist who bridges the gap.
DJ Perks, Dean Lane, Bristol, January 2022
This is a really nice piece of graffiti writing from Perks in Dean Lane, and demonstrates just how much his work improves from piece to piece. His work here is very clean with a fine 3D shadow and central disappearing point. It is the creative fill in his letters that is particularly noteworthy though – some really attractive stuff. Always great to see work from DJ Perks.
These pictures were taken only moments after meeting the artist, who I call Corupt, but who could equally be called Stick or @dis3kt (on Instagram) for the very first time. He was actually painting a piece opposite this one, which I will be posting in due course. There was a bit of a gathering in the tunnel on this particular day and I caught up with Rozalita, Mr Draws, DJ Perks and of course Paul H. A random gathering, no collaborations or paint jams going on.
Corupt, St Werburghs, Bristol, January 2022
Corupt has been turning out some absolute belters recently and this one fits that category easily. The colours are slightly compromised by the awful lighting conditions, but the awesome unique letter shapes and intricate fills are there for all to see. An artist who really seems to be enjoying his work at the moment.
Long since gone, but certainly not forgotten. For a short while Dasco brought something really special to the streets of Bristol. Not much remains of his rare talent, but this piece on the River Avon cycle path has not been painted over, and although I have photographed it several times, I have not posted it until now.
Dasco, River Avon, Bristol, January 2022
Perhaps not one of his best pieces, it still demonstrates his supreme graffiti writing skills, and is tidy as you like. Chrome and black work well, and is a combination that Dott Rotten has used to great effect in the past. We definitely miss Dasco, who I believe returned to Spain round the time of the first lockdown.
Paint jams can be difficult for me to cover, because there will always be several artists to write about and I am left with a bit of a dilemma; do I cover all the artists in one post or do a post for each artist at risk of leaving someone out? On this RBF collaborative wall I opted for the latter, but happily with this lovely piece by Evey I have managed to post all the pieces from the paint jam.
Evey, Cumberland Basin, Bristol, January 2022
The thing I love most about Evey’s work is the uncomplicated optimism it conveys. The colours, style and hearts in this piece ooze goodness in a difficult world, and we would do well to be reminded that there are a great many things in life to be grateful for. I think that this piece is one of my favourites from Evey, it is nicely done and the fills smooth and confident.