Elvs is another very consistent artist whose work continues to brighten up our Bristol walls. With this recent piece he includes a fabulous character which some might recognise from the TV cartoon series Top Cat, I think it is Brain or Fancy.
The writing is vertically striated with three colours, pink, purple and yellow and spells out ELVS as you’d expect. The whole piece is framed nicely on a blue patterned background bounded with a yellow border. A fine piece from Elvs.
Oooh, I haven’t seen anything from Hire for quite a long time, so to come across this in Dean Lane was a very pleasant surprise indeed. Of all the artists in Bristol that have changed their format or styles, I think Hire wins the prize for reinventing himself. There are traces of his older work, which the trained eye might see, but overall the new style, and different letters, seem like a new artist has hit the town.
His letters spell out ODIAH, rather than HIRE, and I don’t know if it means ‘oh dear’ or spells something in his Polish language – a quick look at Google Translate tells me not.
The piece itself is out of this world. Crisp, clean letters in black on a dark blue background, with a cream border, and some supreme letter shapes. This is a welcome return from Hire.
This is the third component of an extraordinary collaboration by Smak, who painted this writing on a shared pink background along with Ments and Sled One. What made this super-extraordinary was that on the same day this was sprayed, the other side of the wall was being painted by 3Dom, Feek, Piro, Epok and Sepr. For followers of street/graffiti art, this was a truly momentous occasion.
As we are accustomed to seeing from Smak, this is a highly accomplished piece of work. The blend of angular letters combined with spheres and a fluid metallic look to some elements makes for a fascinating and creative piece. There is so much skill, experience and patience in this piece, a triumph.
Many of the old classic Disney films would have a weird and frankly rather disturbing sequence, often adopting a different illustrative style to the rest of the film. Ryder has brought one of those to light with this magnificent pink piece at the M32 Spot. Who can forget the drunken pink elephant hallucination scene from Dumbo? – what was that all about in a children’s cartoon?
Ryder has done a magnificent job with his elephant characters and an equally disturbing set of faces incorporated into his RYDER lettering. Part of a collaborative wall, this is a wild and stunning piece of graffiti writing and shows off Ryder at his very best.
Although not a frequent painter, Ments is quite regular, so one’s year is nicely sprinkled with these fine organic pieces. This one was painted as part of a three-way collaboration, including Sled One and Smak from a couple of weeks ago.
Ments has adapted his style a fair bit over the past year and although still organic and irregular in structure he has moved to a more fluid and metallic look and feel. His pieces are a thing of abstract beauty, and still spell out MENTS. The white triangle reminds me a little of a Voyder piece in London from a few years back. All good.
This is the second piece I have posted by Smoke Perfume, and it is painted slap bang over his previous piece on this wall which I posted here a few days ago. I was fortunate enough to run across him as he was about half-way through his work.
There is something rather nice about getting work in progress (WIP) shots, because it gives you an insight into how the artists go about building up their work. Even though I have been trying to teach myself to spray paint, I still find the process counter-intuitive, but that probably stems from the fact that I have no training in art or design whatsoever.
I am not too sure what the letters spell out, but I am pretty certain it is neither Smoke nor Perfume. Rather like the Serm piece next to it, the organic purple and yellow lettering is embellished with white smoky flames. I’ll be on the look-out for more from Smoke Perfume.
I often use the word ‘modest’ when describing Hemper’s work, but I use it in the sense that he turns up and paints with the minimum of bluster. His graffiti writing is always outstanding and often very showy, like this one, but somehow he just gets on with it and keeps a low profile. That he doesn’t have an Instagram account probably reinforces my perception of his modesty.
This is a special piece, painted next to and at the same time as a Benjimagnetic BEN that I posted a few days ago. Each letter is discrete in colour and decoration, but there is a stylistic flow that carries through from left to right. The letters spell out HEMS and splash this wall with colour and joy. This is high-end graffiti writing at its beat.
As gentrification marches on apace, there is a bit of a squeeze on the number of walls that artists can paint, and in North Bristol this is has been exacerbated by the loss of The Bearpit, which has become an inert, dead urban space that people pass through. Utilitarian and functional, but perceived to be safe, and the homeless people have been moved on to be homeless somewhere else. I have a feeling that the discredited Rudi Giuliani, who was praised at the time, moved the ‘bums’ out of Manhattan, without actually addressing the issue of homelessness. Perception is everything for politicians. Smoke and mirrors.
The point I was clumsily trying to make is that the M32 Cycle path is unlikely to be developed any time soon and has become more popular than ever for street artists and graffiti writers, whit a much higher turnover than a few years ago.
This is a very nice piece by Benjimagnetic, which has replaced a rather ordinary throw up that had trashed the Halloween piece from Smak last year. Benjimagnetic has been turning out pieces with alarming regularity lately and I am struggling to keep up with posting them, but at least I can now read them (I think) because mostly they say BEN. Always good to find a new Benjimagnetic piece.
Many street artists and graffiti writers have dual or multiple personas when they throw paint at a wall. There are many reasons for this, for example sometimes it is to obfuscate their identity as most of this activity isn’t strictly legal, other times it is to separate out professional from personal identities. Here we have an artist who I have met before under a different name, but here he is with his new moniker ‘SERM’.
I was fortunate enough to bump into SERM when he was half way through painting this piece and we chatted for a little while. It is interesting to see how he works and that the little smoke wisps along the top of the piece are one of the first bits he paints, which is counterintuitive for a non-artist like me.
This is a very nice piece of writing with some great colour selections and the yellow 3D shadow works particularly well. I hope this is the first SERM of many.
This is a really nice example of two artists who like to paint together switching things up a little. Kool Hand and Daz Cat have painted a lot together, but not so much over the last six months or so. When they collaborate, Daz Cat normally paints a character and Kool Hand provides the writing.
In this recent piece in the tunnel, the leopard on the left is by Kool Hand and is superbly done, I think it might be one of his best characters yet and Daz Cat has thrown up the letters DKAT. It must be fun painting with friends and playing with styles and methods and it certainly keeps things interesting for the likes of me.
Natural adventures 