I haven’t seen much from Ugar recently other than this chrome piece at Dean Lane. I like the way that writers are constantly practicing and refining their lettering and details.
I have only met Ugar one time, and it was in this exact spot, I think that he favours the relative safety of spraying at Dean Lane. I have seen his work at The Bearpit, but only collaborations with Kid Crayon.
The unmistakable seismic tag of Jee See. This is just a quick one in Dean Lane skate park. I am interested in this tag, because he uses different 3d skadows for divverent letters, so the SEI shadow downwards, the SMI shadow to the right and the C shadows upwards, which makes for an interesting perspective. Helpful to me to in learning how to work these shadows.
I understand the Jee See used to be a teacher, so there is really nothing to stop me picking up a can and getting busy. I get inspiration from artists like Jee See who find spots around the city and practice their work.
A collection of street art/graffiti art by Deamze
All photographs taken by Scooj
On my way home from my spray art lesson in the Upfest shop garden with Loch Ness, I made a quick diversion into Dean Lane because not to do so would be negligent. There were one or two new pieces, but best of all was bumping into Slim Pickings as he was finishing off a piece. The subject of this post is actually an old one of his from December last year which I thought I’d share, now that I am building an understanding of his work.
When Slim Pickings writes, and he has been spraying for 30 years, he sticks to the same motif with clean simple lines. The letters are TES (thank heavens I got there in the end – Slim Pickings put me through the ordeal of guessing the letters). He gave me plenty of tips about 3D work and told me that often, when he decorates the letters with patterns and the like it is often because he has some spray cans with a little bit of paint in them to finish off.
Because Slim Pickings works with the same letters, he knows exactly how much paint of each colour he will need. Kind of handy if you are travelling light. Besides being a really nice guy, I think his work makes complete sense to me and is always tidy and clean. Hats off to the man who until a couple of months ago was off my radar…d’oh.
This is one from the archive byWhysayit, who now calls himself something entirely different, and who I am unable to find on Instagram any more. Out of convention and organisation of my blog and tags, I will continue to call him Whysayit or YSAE, which is what the letters spell out in his writing.
A quick one on the side of what used to be Meat Liquor on the corner of Thomas Street and Stokes Croft. Although it is quick, it is nicely worked and the lines are clean, only the white filling is a bit dodge…maybe he was running out of paint/time.
I realise that some of you might think that I am overdoing it a bit with the Oner thing – this is my fifth post from this writer since mid-May – but I think that both his artistry and productivity deserve it.
At first glance the piece may look a bit messy, but there is lots that is good about it. His lines are clean and he has cut in the edges of his letters really skillfully so that each is distinct from the next. His shading regime has been reversed on the ‘e’ with the dark pink at the top and the light pink underneath. He has added in some nice drip decoration and if you look closely you can see some subtle bubbles on his dark pink. I think I could learn a lot from this writer.
Once you recognise an artist’s work and know who they are, it feels like you suddenly see their stuff everywhere. Certainly that is the case with Slip Pickings. I think I have seen his work for several years, but never posted any of it until recently. This particular piece I think is a real gem.
The forgiving shape of his letters combined with the blue cloud background and green bubble design and graded filler makes for a piece that is very easy on the eye. Even if you are not a fan of writing, it is easy to appreciate how nicely done this piece is. More to come, new and old from this No Frills artist.
I have really only been featuring work from Biers for about a year or so, since I first started to recognise his work. I have since met him several times and have enjoyed our conversations. Having contact with street artists is important in getting a better insight into their work and what makes them tick.
I know from Biers’ Instagram account that his food is important to him, as is his black book in which many of his pieces begin. Seeing his sketches gives me a real feel for his style, and for me, it is the ‘B’ that always stands out in all his work and so it is in this one.
I am really enjoying the work of Oner at the moment. He is certainly prolific and is capable of slapping up quick throw ups as well as taking a little more time to create some rather nice writing like this piece in Dean Lane.
There is something very easy on the eye about this writing, maybe it is the cartoon style or the colours or the fill styles and patterns, but whatever it is I really like it. At his best, which in my opinion this piece is, Oner is capable of turning out some really great work.
What a lovely collaboration between two artists that are highly regarded in Bristol, but whose work I don’t often get to see, Ulow and Hemper. The character on the left is by Ulow and is expertly painted. It is impossible not to marvel at the subtle shades he uses and the folds in the material – a sophisticated cartoon style character.
On the right is a wonderful piece of writing from the master Hemper. I wonder if he needed an extra foot of height on this wall. I have found it hard to find out too much about Hemper, but keep coming across his work from time to time. I have found the best way to find out more about the artists is through a serendipitous meeting while they are at work. This has not yet happened between me and Hemper, although it has with Ulow.
Natural adventures 