6592. M32 Spot (197)

Logoe, M32 Spot, Bristol, December 2024
Logoe, M32 Spot, Bristol, December 2024

Logoe has been back in town again, and what I particularly like about this piece is that he has taken the whole long board over. Sometimes this space is occupied by two artists and occasionally by three, but in this instance Logoe has hogged the whole thing, and has certainly eked out his letters to fill the space on the right. I left the chair in front of the piece, because I felt it added a bit of artistic interest.

Logoe, M32 Spot, Bristol, December 2024
Logoe, M32 Spot, Bristol, December 2024

Script writing is something of a speciality for logoe, and his joined-up letters appear very much as they might on a page. The fill drifts from bright yellow on the left to pale orange on the right, and the whole thing is liberally sprinkled with little oval dots running horizontally just above the midline. Set on a blue background, the whole thing looks lovely.

6591. Brunel Way (305)

Face 1st and Zake, Brunel Way, Bristol, December 2024
Face 1st and Zake, Brunel Way, Bristol, December 2024

True to his word, Face 1st said that despite moving to Herefordshire, he would be back in Bristol to have a paint from time to time, and who better to team up with than his PWA partner in crime Zake, who thrives on collaborations. This is a combination piece, with Face 1st’s writing wrapped around an unusual portrait by Zake.

Face 1st and Zake, Brunel Way, Bristol, December 2024
Face 1st and Zake, Brunel Way, Bristol, December 2024

Face 1st has enjoyed using the block letters idea, which he has used quite a lot to good effect, and here, they frame a rather sinister portrait from Zake. Seeing Zake’s characters with hair always adds a little bit of weirdness, especially in this piece, where the face is green and the hair purple. Although I photographed this collaboration not long after it was painted, the dampness of the wall has caused some damage on the character’s nose. I am so glad to see Face 1st popping down to see us.

6588. St Werburghs tunnel (463)

Mr Klue, St Werburghs, Bristol, November 2024
Mr Klue, St Werburghs, Bristol, November 2024

It has been a very good year for Mr Klue, who has been both productive and creative. This new piece in the tunnel differs from many of his others in the use of several colours in a single piece.  Perhaps it was a dregs piece, or maybe he simply wanted to switch things up a bit.

Mr Klue, St Werburghs, Bristol, November 2024
Mr Klue, St Werburghs, Bristol, November 2024

The letters KLUE are about as obvious as you are going to seen in a Mr Klue piece of abstract graffiti writing. The top edge of the piece is noteworthy too, with his piece bleeding into the cream background. The photographs don’t really do this one justice, as I remember thinking when I saw it how stunning the colours were. All good stuff.

6586. Sparke Evans Park (111)

Sworm, Sparke Evans Park, Bristol, November 2024
Sworm, Sparke Evans Park, Bristol, November 2024

This is the second piece by Sworm that I have posted from this wall in the last couple of weeks, and although they were painted several months apart, I photographed both at the same time. While his first piece concentrated on the most extraordinary explosion of colour, this one turned the attention to the form of the letters.

Sworm, Sparke Evans Park, Bristol, November 2024
Sworm, Sparke Evans Park, Bristol, November 2024

Sworm paints only occasionally in Bristol, but it is great to see his work, because it is, in my view, really classy. The letters here are not uniform, but instead they blend in well together, filling all the gaps between them. The mid-line running through the letters and the subtle contrast in shades of cream create a lovely 3D effect. This is a really neat and tidy piece from a talented graffiti writer.

Sworm, Sparke Evans Park, Bristol, November 2024
Sworm, Sparke Evans Park, Bristol, November 2024

6585. Greenbank (144)

Klashwhensober, Greenbank, Bristol, November 2024
Klashwhensober, Greenbank, Bristol, November 2024

Klashwhensober gets a lot of practice with painting walls, which directly leads to improvements in his work. Over the last few years he has managed to develop his style, which has gradually developed into a sophisticated blend of writing the letters SOBER with animated fills that ooze out from them.

Klashwhensober, Greenbank, Bristol, November 2024
Klashwhensober, Greenbank, Bristol, November 2024

This piece illustrates really clearly how the fill tells its own story, or has its own place, and you could almost imagine a scene unfolding, but you only get to see that scene within the confine of the letters. There is always a lot crammed into Klashwhensober’s work, perhaps an indication of a busy mind. This is a nicely executed and finished piece.

6584. Dean Lane skate park (788)

Ceus, Dean Lane, Bristol, November 2024
Ceus, Dean Lane, Bristol, November 2024

I love Ceus’ work. His writing has a flow about it that is welcoming to the eye, and there is often a hint of wings in his work, a regularly occurring theme. If I am brutally honest, I don’t very much like primary colours in street art… for some reason the red, blue and yellow thing leaves me cold.

Ceus, Dean Lane, Bristol, November 2024
Ceus, Dean Lane, Bristol, November 2024

I usually praise Ceus’ colour palettes, and I love some of the softer, subtle colours he often uses, but the adoption of these primary colours dominates the form so much and makes the whole thing feel rather clunky. Maybe it is just me and the embedded memories of childhood building blocks… who knows? Aside from the colours, this is a classy, as always, piece for graffiti writing from Ceus.

6583. St Werburghs tunnel (462)

Kid Krishna, St Werburghs, Bristol, November 2024
Kid Krishna, St Werburghs, Bristol, November 2024

Kid Krishna is a very versatile artist whose portfolio includes the simplest roller-painted pieces through to complex graffiti writing with the inclusion of characters and objects, blended to perfection. This piece is one of his more complex pieces and speaks of a very busy mind – there is a lot going on here.

Kid Krishna, St Werburghs, Bristol, November 2024
Kid Krishna, St Werburghs, Bristol, November 2024

The cryptic writing spells out CRIE, although I confess that I have difficulty seeing it. The colour palette, as always is thoughtfully put together, and the whole piece has an organic feel to it. Even the background is treated to a bit of ‘cracked-wall’ magic. I have noticed that of late he has been including a ‘No Frills’ stamp on his work, and I guess he is now a welcome addition to the crew. It is difficult to convey what a superb piece of graffiti writing this is, largely because it is unconventional and doesn’t really obey any rules.

6580. Sparke Evans Park (110)

Werm, Sparke Evans Park, Bristol, November 2024
Werm, Sparke Evans Park, Bristol, November 2024

The Sparke Evans Park wall tends to look rather nice in the autumn and winter, with the browns and golds of the leaf litter beneath it. These colours provide a nice backdrop, and consciously or otherwise, this piece by Werm has picked up on those seasonal surroundings. The other good thing about this wall in the duller months is that it is possible to photograph it without shadows from trees being cast, resulting in horrible dappling.

Werm, Sparke Evans Park, Bristol, November 2024
Werm, Sparke Evans Park, Bristol, November 2024

The writing, spelling out WERM, is one of the best examples of bilateral symmetry in writing you are likely to see. The symmetry becomes even easier to make out because of the colour regimes Werm has selected, breaking it down into sections, thus making it easier for the eye to make comparisons. The dark green background is just right too. Nice work.

6578. Frome Side (45)

Mr Klue, Frome Side, Bristol, November 2024
Mr Klue, Frome Side, Bristol, November 2024

This large piece by Mr Klue is unusual in that it isn’t in St Werburghs tunnel, his favoured spot. It was painted as part of a paint jam themed along the lines of a cartoon film ‘Ninja Scroll’ as determined by World Wall Stylers.

Mr Klue, Frome Side, Bristol, November 2024
Mr Klue, Frome Side, Bristol, November 2024

Although there is little to link this piece to the film, except perhaps the letters, which I can’t read, it was very much in keeping in terms of palette selection with the other artists in the paint jam. I do like it when Mr Klue ventures beyond his safe space of the tunnel, as it gives his truly unique abstract writing more of a chance of being seen by more people, although that isn’t necessarily the case under the M32.

6576. Greenbank (142)

Subtle, Greenbank, Bristol, November 2024
Subtle, Greenbank, Bristol, November 2024

With this magnificent piece, we welcome back Subtle, who has been away from our streets for far too long, indeed the last piece I posted by the artist was way back in March 2022. He has marked his comeback with a really strong statement piece… no need for fancy embellishment or fiddly bits. This burner is far from subtle.

Subtle, Greenbank, Bristol, November 2024
Subtle, Greenbank, Bristol, November 2024

The chrome letters SUBTLE sit boldly on a dark background, and although there is a drop shadow, it is almost as dark as the background and difficult to see (more so in the photographs). I sincerely hope that this isn’t a one-off and that we get to see more of his work, and just to remind you what his work looks like, here is an updated gallery for you to enjoy.