6774. M32 roundabout J3 (659)

Sait Bare, M32 roundabout, Bristol, February 2025
Sait Bare, M32 roundabout, Bristol, February 2025

I believe that this piece by Sait Bare is another contribution to the World Wall Stylers Space Jam themed paint jam on the M3 roundabout. The piece is unusual in so much as Sait Bare usually writes SAIT, but in this piece he spells out BARE.

Sait Bare, M32 roundabout, Bristol, February 2025
Sait Bare, M32 roundabout, Bristol, February 2025

The most distinctive element of Sait Bare’s work is the background setting, which offers decorated cloudy plumes drifting off in all directions. The irregular letters are nicely decorated with the continuing theme of cloudy plumes, in the themed colours of pinks, purples and lilacs. A deep drop shadow lifts nicely the letters from the space background. I wonder if it is time for a Sait Bare gallery – watch this space.

6773. Sparke Evans Park (125)

Hire and Ceus, Sparke Evans Park, Bristol, February 2025
Hire and Ceus, Sparke Evans Park, Bristol, February 2025

It looks like Hire and Ceus have formed a partnership, with a couple of recent collaborations, and although their styles are very different, it somehow feels right that these two should team up. This piece in Spark Evans Park was painted as part of the Space Jam themed World Wall Stylers challenge for February.

Hire, Sparke Evans Park, Bristol, February 2025
Hire, Sparke Evans Park, Bristol, February 2025

To the left is one of the letter variants that Hire uses, ODIAH, which although carrying many of the artist’s characteristic elements, is softer than some of his writing of the past. Great colours, and a subtle outline glow, are augmented by a central section of characters and the Space Jam logo. I am not sure who painted the characters, but they are brilliantly done.

Ceus, Sparke Evans Park, Bristol, February 2025
Ceus, Sparke Evans Park, Bristol, February 2025

Ceus, whose style is altogether more ‘heavenly’, has created a fabulous piece of writing with some of the best fills I have seen from him. The CEUS letters are largely pink and lilac, but are complemented with some red and purple touches. The whole piece is a thing of beauty. I have a feeling that the characters might have been painted by Ceus, as the clouds are in the shape of wings, which is a trademark element used by him. A fine collaboration.

6772. M32 Cycle path (284)

Hemper, M32 Cycle path, Bristol, February 2025
Hemper, M32 Cycle path, Bristol, February 2025

Here we have yet another creative piece coming off the Hemper production line, which has gone into overdrive of late. If the cheeky worm piece didn’t spell out Hems, I’m not sure that I would ever have been able to trace it back to him. It is so different to his writing work.

Hemper, M32 Cycle path, Bristol, February 2025
Hemper, M32 Cycle path, Bristol, February 2025

This alley is always pretty grotty, with a fair amount of fly-tipping that goes on here, as you can see from the pictures. At least we can rely on street artists brightening up the walls at the very least. Hemper has worked hard, not only to create a cheery worm spelling out Hems, but also provides a clean and happy background to round the piece off nicely. It is fast becoming impossible what Hemper might dream up next, and I am very much enjoying the ride.

6771. M32 roundabout J3 (658)

Noise, M32 roundabout, Bristol, February 2025
Noise, M32 roundabout, Bristol, February 2025

I’m not quite sure what links there are in this piece by Noise to the World Wall Stylers’ theme of Space Jam, but it was painted alongside Zake who recreated some characters from the film, and this piece reflects the colour scheme adopted.

Noise, M32 roundabout, Bristol, February 2025
Noise, M32 roundabout, Bristol, February 2025

Noise has a very distinctive style and usually presents chunky letters spelling out his name. In this piece, the letters are a little skinnier than usual, but unmistakably in his style. The colour selection for this paint jam, isn’t particularly helpful, with everything being a little bit dark and quite ‘heavy’ is that makes sense. A curious interpretation of the theme.

6769. River Avon (78)

Sub, River Avon, Bristol, February 2025
Sub, River Avon, Bristol, February 2025

Alas, we leave France today, our skiing adventure over for at least another year, but it will be good to get home and reunite with our son who has returned from his travels in Thailand. I haven’t left myself much time to write today’s posts, as we have an early transfer down the mountain to Chamberis airport. I will start with this piece from the ever-improving Sub.

Sub, River Avon, Bristol, February 2025
Sub, River Avon, Bristol, February 2025

Big bold black letters (only three of them) have customary deep drop shadows in grey, creating a chunkiness Sub specialises in. Some random pink splatters break up the large black surfaces. A wispy blue background finishes the piece nicely, with a few subtle spots mixed in. Sub is a very busy boy.

6768. Peel Street Green (37)

Hemper, Peel Street Green, Bristol, February 2025
Hemper, Peel Street Green, Bristol, February 2025

Hemper continues with his odyssey through various styles and ideas, so much so that I am beginning to wonder whether some of his new pieces can possibly be by him, such as this curious combination piece in Peel Street Green.

Hemper, Peel Street Green, Bristol, February 2025
Hemper, Peel Street Green, Bristol, February 2025

It looks like there is a message here ‘open your mind’ and perhaps that is a mantra he is working with currently. The letters are in the style of the monster energy drink logo, and the character looks like he has been drinking a little too much of it. It is so refreshing to see Hemper pushing so many boundaries, not only creatively, but also energetically. A wonderful and weird piece.

6764. Sparke Evans Park (124)

Lupa, Sparke Evans Park, Bristol, January 2025
Lupa, Sparke Evans Park, Bristol, January 2025

I have a feeling that this might be Lupa’s most sophisticated I have seen to date. Her familiar letters are given the solid fill treatment, with some decorative cracks. This is augmented with some circular patterns and accent lines placed in all the right places.

Lupa, Sparke Evans Park, Bristol, January 2025
Lupa, Sparke Evans Park, Bristol, January 2025

I have said it before that there is an authenticity to Lupa’s work that forgives the rough edges of her style. Big letters from a big personality, and something about her work that always makes me smile. Looking forward to loads more from Lupa in 2025.

6763. Ikea

Zake and Soap, Ikea, Bristol, January 2025
Zake and Soap, Ikea, Bristol, January 2025

Three artists have come together to paint this wall, but I am not sure who one of them is. Zake and Soap are obvious candidates but I don’t know who painted the boat and sea. I fear I ought to do a little more research, but am short of time.

Zake and Soap, Ikea, Bristol, January 2025
Zake and Soap, Ikea, Bristol, January 2025

Zake has painted a ‘standard’ face with a big expression and plenty of shading which provides depth and character to the portrait. The way the face appears in the sky makes me feel like it could be a sun character. Soap has painted some beautiful letters, where the ‘O’ is a character from Adventure Time, or some other animation of that genre, which seems to be something he really enjoys including in his work. Nice work from the PWA crew.

6762. St Werburghs tunnel (479)

Goober and Maes, St Werburghs, Bristol, January 2025
Goober and Maes, St Werburghs, Bristol, January 2025

As you will know, I am on holiday. Writing posts can be a challenge while away. Routines are disrupted and inevitably trying to snatch a moment to write posts can be tricky. I am writing this after a long day of skiing, in preparation for tomorrow when I will be skiing… get the picture? This piece is a nice collaboration from Goober and Maes.

Goober and Maes, St Werburghs, Bristol, January 2025
Goober and Maes, St Werburghs, Bristol, January 2025

I have not posted much from either artist, but have plenty of their work, particularly from Maes in my archive. The collaboration works well, with Goober’s superb exploitation of the ‘OO’ opportunity, and some particularly imaginative letter shapes from Maes, whose work is on a huge improvement trajectory. Looking forward to posting more from both artists.

6761. St Werburghs tunnel (478)

Hemper and Hypo, St Werburghs, Bristol, February 2025
Hemper and Hypo, St Werburghs, Bristol, February 2025

Hemper and Hypo have been smashing it recently, and this is a wonderful recent collaboration in the tunnel. I fear that while I am away in France I will be missing a whole bunch of their work.

Hemper, St Werburghs, Bristol, February 2025
Hemper, St Werburghs, Bristol, February 2025

Hemper, like Kid Krishna, has had something of a lifestyle change and has come out of it all guns blazing. This is a combination piece of writing and little blue characters, which might have been a joint effort from both artists. Vibrant and energetic.

Hypo, St Werburghs, Bristol, February 2025
Hypo, St Werburghs, Bristol, February 2025

After a quiet January, Hypo too has been in outstanding form through February and this is yet another fine piece from him, with great colour transitions and his familiar  HYPO moniker. An outstanding collaboration.