The turnover of work in St Werburghs tunnel is quite eye-watering. I don’t visit very often, but every time I go, pretty much everything is new. I went down there deliberately this time to find this piece by Hazard.
Hazard, St Werburghs tunnel, Bristol, January 2018
It is hard not to be utterly captivated by her work (hers is on the right) which usually features a female portrait, either face on or profile, with beautifully ornate hair and head decorations.
Hazard, St Werburghs tunnel, Bristol, January 2018
I am not too sure who the piece on the left is by, but the contrast in styles is really interesting and in fact both work quite well together. I’m not sure that this was a collaboration, but I might be wrong. A fine piece.
There is a comment below from Tasha Bee who painted the lady on the left, she says it was a collaboration, and seeing the joint signature now, it all seems obvious.
I have driven past this piece dozens of times and caught a glimpse of it out of the corner of my eye, but parking is tricky. Finally I found some time to double park, nip out and take these pictures.
Decay, Old Ashley Hill, Bristol, January 2018
It is a wonderful piece by Decay and one that is likely to be around for some time as it looks like a private commisssion. Many of his pieces, particularly in the centre of town get oversprayed, so it is nice to have a spot where it will be around for a while.
Decay, Old Ashley Hill, Bristol, January 2018
Decay is the master of these abstract designs and his work is easy to identify due to its distinctive shapes and use of the colours red, white, grey and black. This one is a stunner.
Sitting snugly next to an Elvs work is this great chrome piece by Rusk, set on a black background and decorated with pink and purple bubbles. A friend of mine, who is a designer, asked me what is this thing for drawing arrows on the end of graffiti letters all about. Is it simply a design feature? who first did it? does anyone know? I don’t know the answers, but they do feature in most wildstyle writing.
Rusk, M32 roundabout, Bristol, January 2018
Rusk as always has smashed it with this piece, which is rather different from some of his work I have been posting recently. Maybe I’ll ask him about the arrows next time I see him.
This is the front entrance to one of the most remarkable buildings in Bristol. It was the Edward Everard Printing Works and is tucked away in the narrow (and perhaps inappropriately named) Broad Street. Edward Everard was a well known and prosperous Bristol printer who commissioned Henry Williams to build the print works in 1900 and the pre-Raphealite art nouveau facade was by William Neatby.
Much of the original building was demolished, but this facade remains and the building has been used as as offices by the NatWest bank, although judging by the chain and padlock on the gate it doesn’t look much in use at the moment.
Edward Everard building, Broad Street, Bristol
The beautiful craftsmanship on the gates is really worth a closer look – some fabulous oak and mistletoe designs and a very grand E.
Edward Everard building, Broad Street, Bristol
The entrance arch and gates are impressive, but it is the stunning facade above them that sets this building apart from all others. More about this building on the Bristol past website.
What a lucky bunch we are in Bristol to have so so many talented street artists walking among us. This is a magnificent collaboration by two Bristol old-timers (I don’t think they’d like me to call them that…probably, but it is more a mark of respect). The gorilla is by 3Dom and the writing by Epok.
3Dom and Epok, Dean Lane, Bristol, January 2018
The gorilla is so unusual, I don’t think I have seen something by 3Dom like this before, and I’m not sure I would have known it was by him were it not for Instagram. I am fascinated by the chain and the gold medallion with the letters ASK on it. It is as fine a piece of craftsmanship as I have seen, so beautifully done and right out of the Cheo book of chains.
3Dom and Epok, Dean Lane, Bristol, January 2018
The Epok writing is equally impressive, and again a little different from the usual angular and geometric pieces I am used to seeing, this is a little softer and so beautiful, a masterful piece.
3Dom and Epok, Dean Lane, Bristol, January 2018
The two pieces coming together in such stark contrast are one of many tributes to the extraordinary Acid Collapse (Treze)who lost his fight against cancer very recently. I posted a piece by Acid Collapse in 2016, and I consider it to be one of the finest pieces I have ever seen. A huge loss.
I’m carol/ zurik . I’m treze’s wife and he wanted to upload this last photo that he never had until a few days ago. I just want to let u know that he didnt have any pain and everything was peaceful and quick as he wanted it. We fight together all this 3, almost 4 years against his cancer and in this time he was not just brave, he never, never complain about his illness, always looking the possitive side of everything. A lot of u who can get to know him and admire his work from the last 4 years until now (what he said it has been his best years ever), need to know that this work was made it with conviction and passion every time he has a day without chemo. He was a strong man who made everything what he wants: travel around the world painting , working on his tatoos , walk on the mountain and the street, and as he used to said: do stuffs .But the most important for him was to take care of you: his friends. I know the pain that u are feeling and as i promess to him i am here for u. Thank u for ur support and i am sure this is the best way to say goodbye to one of the most happy, humble, talented and friendly person in the world. He never lost the battle, he was a figther but he took in his mind the peace to accept what was inevitable until the last moment, and made it leaving everything behind closed and done. Always love u my guillem. With love: ur carol. #trezeforever
I have said it before (and I have said that before too), but I will say it again – I am really enjoying the work of Elvs. Having only comparatively recently established who he was, I seem to be finding a lot of his work, either contemporary or in my archives.
Elvs, Raleigh Road, Bristol, January 2018
This is a recent piece in Raleigh Road that really stands out. The fade of shading through the piece is masterful and I rather like the yellow frame and green patterning that his letters ‘ELVS’ are sitting on. The pink and black accents lift the edges of his letters expertly. A fine piece of writing.
It is great to see the reappearance of these bunny rabbits in The Bearpit. Having spent a while populating Bristol with monsters, NEVERGIVEUP has returned to his rabbits, which were the first pieces of his that I became aware of last year.
NEVERGIVEUP, The Bearpit, Bristol, January 2018
These stylised rabbits are clean and characterful and always add a litlle bit of fun to The Bearpit.
It is becoming increasingly clear that The Bearpit is suffering once again from a drug and drink problem, with quite a sizeable community of homeless people gathering here with the cold weather. By no means are all homeless people drug addicts or alcoholics, but The Bearpit is a bit of a honeypot for both, which creates a slightly uneasy atmosphere at times. The long term solution has to be to do something about the housing crisis and providing these homeless people with a roof over their head and some dignity. From there they can try to stitch their lives back together. Sadly they will be persecuted as being the reason places like The Bearpit are ‘no-go’ areas rather than being a symptom of far greater problems created by extreme austerity.
Natural adventures 