Month: August 2019

2391. Dean Lane skate park (241)

Hurrah, it is that time of year again when Feek gets to work on the large ramp at Dean Lane skate park in preparation for the Dean Lane Hardcore (DLH) event. I don’t know if he takes it upon himself to decorate this ramp or whether he is invited to do it, but whatever the reason it is an annual August highlight at Dean Lane.

Feek, Dean Lane, Bristol, August 2019
Feek, Dean Lane, Bristol, August 2019

This year’s monster is painted in a dark blue colour, quite an unusual colour for street artists, and sports a fine row of sharp teeth and bloodshot eyes in yellow and pink… why not. Although the monster is quite fierce, it also has a warmth about it.

Feek, Dean Lane, Bristol, August 2019
Feek, Dean Lane, Bristol, August 2019

The observant among you will have noticed that the bloodshot eyes spell out Dean Lane Hardcore, so there is no mistaking that this was prepped for the event. I’m glad I got to see it in pretty much pristine condition, because the skaters scuff it up pretty quickly and after the event these pieces can look quite tired. More from Feek below:

Feek, Dean Lane, Bristol, August 2018
Feek, Dean Lane, Bristol, August 2018
Feek, Dean Lane, Bristol, August 2017
Feek, Dean Lane, Bristol, August 2017

 

2390. St Werburghs tunnel (92)

It is good to see that Mr Draws is getting out a bit more again after a comparatively quiet period. This rather low-key piece in St Werburghs tunnel is a nice take on his DRAW lettering, with a reversal of the letter D. This is quite a common effect used by writers but is always fun and effective.

Mr Draws, St Werburghs, Bristol, August 2019
Mr Draws, St Werburghs, Bristol, August 2019

Rather strangely, the subtle colours used here by Mr Draws come out better in my photographs than some of the other more vibrant adjacent pieces. Usually the poor lighting in the tunnel brings out a lot of amber and orange colours, but this piece is mercifully spared from that fate. Mr Draws would seem to be enjoying his wobbly white outline, which he has used in several of his more recent pieces and is rather effective. I guess that getting a good wobbly line is probably as difficult as getting a good straight line.

2389. M32 Spot (46)

Daz Cat is knocking himself out with some really wonderful and creative work at the moment and this fine lion column piece at the M32 Spot is a prime example.  The quote at the bottom would have remained a mystery to me, but luckily Paulh121 wrote up this piece on his instagram feed and had this to say (sorry Paul for borrowing your words, I hope you don’t mind):

‘Ye Are Many They Are Few Ye Are Many’ and so says @dazcatgraff and indeed so did English poet Shelley back in 1819 when the poem ‘The Masque Of Anarchy’ from which this quote has been taken, although it wasn’t published until 1832.

Daz Cat, M32 Spot, Bristol, August 2019
Daz Cat, M32 Spot, Bristol, August 2019

The piece itself is full of movement, emotion and I might say rage, perhaps a commentary about the terrible times we live in, and the catastrophic and selfish Prime Minister who will lead us to misery for the many and prosperity for the few. Even if the piece has nothing to do with that, it at least inspired me to say it.

Tackle shop

 

Intimidating,

exciting ‘Aladdin’s cave’

full of shiny things.

 

by Scooj

2388. Frogmore Street (9)

I love this beautiful stencil by JPS for so many reasons. Firstly, and I make no bones about this, it is bloody brilliant. Secondly, it was the art of JPS (and Kid Crayon) in this area that led me down this path of discovery several years and as a result has brought me a great deal of happiness.

JPS, Frogmore Street, Bristol, August 2019
JPS, Frogmore Street, Bristol, August 2019

The cat is on the side of the King’s Shilling in Frogmore Street and is adjacent to his gladiator piece and round the corner from his ‘Big Deal’ stencil… a proper little JPS hotspot. My only complaint is that he doesn’t do nearly enough work in Bristol, and we have to wait literally years for him to come and paint.

JPS, Frogmore Street, Bristol, August 2019
JPS, Frogmore Street, Bristol, August 2019

The cat is, as I said at the top, beautiful. So elegant and full of poise, and it could easily be mistaken for a real cat at a glance. The other clever thing I should point out, that once spoken about cannot be taken back (spoiler alert), is that the markings on the cat’s flank spell out JPS.

I know of at least one other JPS cat which is in West Pallant in Chichester, an altogether more colourful cat. I love, love this stencil and am pleased that JPS made a recent visit to Bristol to spray it. It is especially good that it is very close to where I work and I can see it as often as I choose. Thank you JPS.

JPS, West Pallant, Chichester, August 2016
JPS, West Pallant, Chichester, August 2016

 

2387. New Stadium Road (17)

Oh I really hate the light in this bridge/tunnel it is almost impossible to get decent pictures of anything, especially near the edge of the wall. Even though the picture doesn’t do it justice, I still felt it was worth sharing this recent collabortation between Decay and Ryder with you.

Decay, New Stadium Road, Bristol, August 2019
Decay, New Stadium Road, Bristol, August 2019

Decay as you know already is simply smashing it out of the park with every piece he does at the moment, and although the general shape of his writing is reasonably consistent from piece to piece, the colour palette and shadings and backgrounds continue to amaze.

Ryder, New Stadium Road, Bristol, August 2019
Ryder, New Stadium Road, Bristol, August 2019

I haven’t posted anything from Ryder for a while now, even though he has painted quite a lot recently, no reason, it just hasn’t happened… I’ll have to raid my archive and unlock a few I think. This small part of the collaboration hosts a couple of Ryder’s trademark character ‘Rs’ one of which is shooting laser beams across the whole thing.

These pieces are two of a larger collaboration which included Tasha Bee and T-Rex (to follow).

2386. Dean Lane skate park (240)

This is a favourite spot for small pieces under one of the ramps at Dean Lane skatepark and has recently been painted by Pekoe. I have an awful lot of time for her work and am really enjoying seeing the journey she is on and the improvements she is making.

Pekoe, Dean Lane, Bristol, August 2019
Pekoe, Dean Lane, Bristol, August 2019

This piece demonstrates so well her naive art style which is in fact more complex than might first meet the eye. She is known for producing female portraits with ‘big hair’ which is always carefully thought out and beautifully executed. There is obvious emotion in this piece too with the word ‘cry’ written over the top and tears on the girl’s face. All good, although the location merans that its longevity will be very limited. Glad to haver captured it.

2385. Dean Lane skate park (239)

The No Frills crew have been pretty busy this summer, and this is the latest of several recent collaborations in Dean Lane. The common contributor with all the collaborations appears to be Biers (AKA Jimothy Kool Aid), who writes ‘Oh Yeah’ and combines the letters with a characer.

Biers, Dean Lane, Bristol, August 2019
Biers, Dean Lane, Bristol, August 2019

The left hand side is by Biers and the character is a rather fun and young-looking Mick Jagger. The writing is tight and just what you’d expect from Biers, nicely thought out and the colours are great.

Slim Pickings, Dean Lane, Bristol, August 2019
Slim Pickings, Dean Lane, Bristol, August 2019

On the right there is a ‘TES’ from Slim Pickings with a magnificent fill that transitions between orange with red spots to red with orange spots, a technique I have seen him use before to great effect. Another nice collaboration from this pair.

Thursday doors – 15 August

Doors 80 – Some Bristol graffiti doors

Another quick one from me this week. These doors were snapped during a street art hunting walk about a month ago in the St Paul’s area of Bristol:

Blending in with the background, Door, St Paul's, Bristol, July 2019
Blending in with the background, Door, St Paul’s, Bristol, July 2019
Nude door, St Paul's, Bristol, July 2019
Nude door, St Paul’s, Bristol, July 2019
Site Safety door, St Paul's, Bristol, July 2019
Site Safety door, St Paul’s, Bristol, July 2019
DBK door, St Paul's, Bristol, July 2019
DBK door, St Paul’s, Bristol, July 2019

I said this was a quick one, and so it is.

Please go take a look at the Norm 2.0 blog – the originator of Thursday Doors where there are links to yet more doors in the comments section at the end.

Have a great end of week and weekend.

Scooj

 

2384. M32 Cycle path (33)

I know that skulls are not everyone’s cup of tea, but in the street art world they are a common subject for many artists from many genres. Laic217 rather specialises in demonic skulls or in distorted faces, but in my view, rather than being something creepy, thay are actually often quite humorous and light-hearted. This piece however is dark, whichever way you look at it.

Laic217, M32 cycle path, Bristol, August 2019
Laic217, M32 cycle path, Bristol, August 2019

Laic217 has used the pink eyes before to great effect and they convey a sense of absence of soul, demonstrating just how important eyes are in making judgements. One of the things I love most about Laic217’s work is his attention to the fabrics worn by his characters. He puts a lot of thought into every fold of their clothing, and this aspect of his work just gets better and better. A steady piece along the M32 cycle path.