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Vast autumn storm clouds
dragging moisture from the sea
wet and waterlogged
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by Scooj

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Vast autumn storm clouds
dragging moisture from the sea
wet and waterlogged
.
by Scooj

I am happy this year that I have done Halloween justice, which is not always the case. This piece on the not-so-long-anymore hoarding at Greenbank is by occasional visiting artist Olek McBolek, who has painted on this stretch once or twice before, which is impressive given that his locations listed on Instagram are Glasgow and Berlin. I imagine he has friends in Bristol.

This is a really good Halloween piece combining the emblematic and obligatory pumpkin sitting above a mass of skeleton remains, which have been very well painted and represented. There is a strong and confident style here that reflects an artist in full control. The letters spell S8E, commonly adopted in his work, although I don’t know what they mean. A pleasant surprise find.

It is not so long since Halloween, and this year I seem to have quite a lot of festive pieces to share, and not at the end of November or December. The reason for these more timely posts is that the artists were out a little earlier this year with many painting their Halloween pieces in mid-October. This pair of pieces by Lupa and Desi were painted as part of a large gathering of the RBF crew who were joined on the day by a Birmingham all-female crew called FKB (Full Kulla Burners).

On the left of this pair is a great piece from Lupa, whose carefree approach makes for easy viewing. With her work, I always get the feeling that she is relaxed, and painting within her limits for the sheer joy of it, and I really like that about her work. As usual, Lupa has had a bit of fun with the ‘U’ in her name and has presented her letters in her customary style while adopting the paint jam colours of the day.

To the right, Desi has painted a lovely VEIL piece which seems to be her preference these days – I haven’t seen a DESI for a while. I particularly like the screaming ghost face in the second heart. Great letters and some interesting fills. It is weird that the gold colour has picked out the markings on the wall, almost looking like Desi has painted the markings deliberately, a mechanism that many artists use to give the impression they are painting on a wall instead of on a flat surface. Great work from these two.

I try to keep my finger on the pulse with artists who are breaking onto the Bristol scene, one of whom is Jevoissoul. There is no mistaking that he has made his mark very quickly, with several pieces scattered in the Dean Lane and Brunel Way areas, leading me to think he probably lives in south Bristol somewhere, reinforced by his use of the BS3 postcode which takes in the Bedminster area.

I have posted two quick pieces from smaller spots in the skate park. I think that Jevoissoul will produce plenty of these character faces, practising his skills and technique, with a view to producing some rather more expansive and creative pieces – something he has already started to do.

Whilst not particularly exceptional, I am posting these as a benchmark from which to measure his progress over time. I’m looking forward to the journey.
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Fending off arrows
flying from all directions
when will it all stop
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by Scooj

Laic217 has been rather busy in October, which is music to my ears. He has been an ever-present on Natural Adventures, and been something of a tour de force when it comes to painting unsettling skeleton characters or distorted faces.

Tucked away at the far-right of the long wall in Sparke Evans Park, this piece tells its own story of a skeleton wearing a face mask of a face, if that makes any sense. The skeleton is smoking – a common theme in much of Laic217’s work. There is a confidence and swagger about his work which has been earned with many long hours spent honing his skills. This is a wonderfully assured and beautifully executed piece by Laic217.

I have known about and photographed this piece by Sled One for quite a long while, but have had to wait until now to get anything worth posting. The problem is that it is painted on a wall in a yard that is used to store building materials including large wooden cable bobbins that were placed in front of it obscuring the view of the artwork. On my most recent visit, I was able to move the bobbins a little bit out of the way, and get the best pictures I am likely to get.

The piece reminds me a little bit of The Luck Dragon in the film NeverEnding Story. It is a typically creative and imaginative character piece by Sled One, but painted in a place I wouldn’t ordinarily expect to find a Sled One piece to be. Beautifully painted and finished, the piece is one of Bristol’s hidden gems.

I continue to be bewitched by Mr Crawls’ work. I have always been attracted to character artists who present variations on a theme – Mr Crawls, Mr Underbite, Asre, Morag, Hire’s rabbits, to mention but a few. There is something comforting about the familiar and enjoyable about the pimping that familiarity, if that makes any sense at all.

This penguin piece is only a couple of hundred yards away from his first penguin piece on a column of the M32 Spot, but is just as much fun. There is something endearing about this penguin, maybe it is that he is a penguin, or maybe it is the woolly hat, either way this character is a winner. I am enjoying the Mr Crawls menagerie very much.

More from the RBF Halloween paint jam, from a week or two back, this time featuring Mena, Bnie and Wispa, in what was a fabulous turnout from the ladies and which seemed to bring the best out of each and every one of them.

To the left is a beautiful script piece by Mena, who I haven’t seen much of in recent months, so this was a genuine treat. This piece is simple yet stylish and beautifully executed and I think she is at her best when she paints these thin script letters. I fear that I have a great many unpublished pieces by Mena, and must spend a little time going through my archives and unearth them.

There is little more that I can say about Bnie that I haven’t said many times before. I consider this to be an outstanding piece of graffiti writing. Brilliant letter shapes, superb rich fill and all beautifully finished. I rather like the addition of the orange spherical things, as a nod to Halloween, but I think the lettering is so strong that even if they hadn’t been included, this would have stood out.

The energy that Wispa brings to her work is exceptional, not only in its presentation, but also in her incredible and seemingly inexhaustible journeying around the country to paint. The letters, spelling WISPA, are dazzling, being so full of energetic fill patterns and colours. It all looks very complicated, but I expect in her head it is all rather straightforward and obvious. The ghost character which looks like Caspar the Friendly Ghost, is the perfect foil to the busy writing. What an absolutely excellent trio of Halloween pieces.
Doors 241 – Todi doors, Umbria, Italy (Part III)
Once again I find myself under a little time pressure, so I will be brief for today’s door collection. This is a further set of doors from Todi, the first of several towns and cities we visited back in July this year. There is no theme to this selection, I am presenting them in chronological order, which perhaps gives you a sense of just how many great doors there are in this town.






That’s it for this week. Short and sweet I’m afraid. Next week will be the last set of doors from Todi and after that I move on to another Umbrian gem. Have a great weekend.
If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.
by Scooj
