I am Stephen. I live in Bristol, UK. I decided to shorten my profile...to this: Wildlife, haiku, travel, streetart, psychogeography and my family. Not necessarily in that order.
Although I can’t be sure, I think this ephemeral portrait might be the work of Annika Pixie… it certainly has many of the ingredients that are common to her work, the lightness of touch and delicate nature of the subject, but I have not seen her paint many walls like this one.
Annika Pixie, Brunel Way bridge, Bristol, August 2019
As I write this, my curiosity got the better of me and I had a look at Annika’s Instagram feed, and sure enough there is a little video of this piece, filmed in only the way she can do such things. I love her touch, which is full of subtlety and magic and in such stark contrast to the macho work one is used to seeing. Nice one Annika.
The long wall at Dean Lane plays host to a great many great collaborations, and this one is no exception. Two of there artists, Rusk and Turoe One are familiar to me, but the third, Kasoe (Gatoloco) is reasonably new to me .
Rusk, Dean Lane, Bristol, August 2019
Starting off the collaborative wall is the familiar writing of Rusk which has been really beautifully done. His horizontal shading gives the whole piece the effect of being a glistening gold bar or something like that, and the depth created by his 3D shading is really well done. The whole piece is set on a cosmic background with a bit on an electric storm going on. Great stuff as you’d expect from this artist.
Turoe One, Dean Lane, Bristol, August 2019
Next up is a terrific Iron Man character piece by Turoe One, an artist who has been decorating walls for more than 30 years, but whose work has been almost off my radar until recently (how does that happen?). There is little to say about the Iron Man figure other than it is utterly awesome.
Gatoloco (Kasoe), Dean Lane, Bristol, August 2019
On the right hand side of the collaboration, and perhaps a little bit discrete from the other two is this very distinctive and beautifully painted writing from Gatoloco who writes Kasoe. There are elements of other styles in this piece, such as 3D shading reminiscent of Inkie, but the whole thing has a strong and clear identity and is very easy on the eye. I have seen at least one other piece from Gatoloco and will be looking out for more.
Rather difficult to photograph, but easy to spot and be curious about is this striking mermaid created from foam insulation material, by Bristol installation artist, Duncan McKellar. What I love most about his pieces is that they are placed in busy parts of the city and challenge people to stop and think and look and laugh and be curious, rather than burying their faces in their cell phones.
Duncan McKellar, High Street, Bristol, August 2019
This is a clever ‘sculpture’ because it takes a little while to ‘get your eye in’ and interpret what you are looking at, then once you have got it, it is impossible not to see it. I am never quite sure with Duncan McKellar’s work whether it is done with the permission of Bristol City Council, or whether it is ‘guerilla art’. I rather hope it is the latter. I really love this.
Duncan McKellar, High Street, Bristol, August 2019
Mr Penfold is a designer who paints quite a few commissions in and around Bristol, and his characteristically colourful patterns are unmistakably his work. I think that his art tends to divide opinion a little, but I have to say that I am always rather pleased to find a piece by him.
Mr Penfold, King Street, Bristol, August 2019
This one on King Street is a favourite spot for the artist and is a replacement for a piece he painted there a while back. The most annoying thing about it is that the red wheelie bin is permanently parked right in front of it and it is very hard to get a clean shot (you can see I failed miserably). The colours that Mr Penfold selects always reminds me of confectionary, in particular liquorice allsorts, you can probably see why. There is an interesting feature on the wall just to the right of Mr Penfold’s piece, which is the letters St N P, carved into the stone wall of. I don’t know if this is some kind of stone mason marking or a signpost or something else… answers on a postcard please.
This is the second part of a four-way collaboration in the foot underpass at New Stadium Road between T-Rex, Tasha Bee, Decay and Ryder. The first half (the boy’s end) was posted here. As I always say about this location, the light was not helpful for getting good photographs, but you can still see the quality of the work.
T-Rex, New Stadium Road, Bristol, August 2019
On the left is a beautifully colourful piece of writing from T-Rex with some wonderful and varied fills and her trademark dinosaur character rounding off the ‘X’.
Tasha Bee, New Stadium Road, Bristol, August 2019
On the right is a very nice piece by Tasha Bee (Keep it Colourful) which reaches the very high standard I am used to seeing from her. Tasha Bee’s work never disappoints, and although she pretty much always paintsthese soulful styalised portraits, each one is an absolute beauty. All in all, it looked like these four artists had a great day out.
Wowzer… this is quite the best piece I have seen by Pekoe yet. It is beautiful and I truly believe that in this piece we are witnessing an artist reaching a new level, I see it as a really significant piece. The blue-faced portrait has something very special about it, the expression, the tone, the confidence and of course that amazing hair.
Pekoe, Brunel Way bridge, Bristol, August 2019
In this piece I feel that Pekoe’s naive style has transformed into something altogether more sophisticated and mature, and I love it. I would like to think that a lot of thought, care and effort went into this piece, it certainly looks really tight.
Pekoe, Brunel Way bridge, Bristol, August 2019
The patterns in the hair are so typically Pekoe, but the addition of three layers of base colour add an extra dimension. The eyes too work well with several dots in each creating a glassy effect, very clever. There is so much to like about this work. Bravo Pekoe!
Hurrah, it is that time of year again when Feek gets to work on the large ramp at Dean Lane skate park in preparation for the Dean Lane Hardcore (DLH) event. I don’t know if he takes it upon himself to decorate this ramp or whether he is invited to do it, but whatever the reason it is an annual August highlight at Dean Lane.
Feek, Dean Lane, Bristol, August 2019
This year’s monster is painted in a dark blue colour, quite an unusual colour for street artists, and sports a fine row of sharp teeth and bloodshot eyes in yellow and pink… why not. Although the monster is quite fierce, it also has a warmth about it.
Feek, Dean Lane, Bristol, August 2019
The observant among you will have noticed that the bloodshot eyes spell out Dean Lane Hardcore, so there is no mistaking that this was prepped for the event. I’m glad I got to see it in pretty much pristine condition, because the skaters scuff it up pretty quickly and after the event these pieces can look quite tired. More from Feek below:
Feek, Dean Lane, Bristol, August 2018Feek, Dean Lane, Bristol, August 2017
It is good to see that Mr Draws is getting out a bit more again after a comparatively quiet period. This rather low-key piece in St Werburghs tunnel is a nice take on his DRAW lettering, with a reversal of the letter D. This is quite a common effect used by writers but is always fun and effective.
Mr Draws, St Werburghs, Bristol, August 2019
Rather strangely, the subtle colours used here by Mr Draws come out better in my photographs than some of the other more vibrant adjacent pieces. Usually the poor lighting in the tunnel brings out a lot of amber and orange colours, but this piece is mercifully spared from that fate. Mr Draws would seem to be enjoying his wobbly white outline, which he has used in several of his more recent pieces and is rather effective. I guess that getting a good wobbly line is probably as difficult as getting a good straight line.
Natural adventures 