Ah what joy, a fabulous new piece from Hazard in the middle of St Paul’s. I understand the piece has been painted in lieu of the St Paul’s carnival, which of course won’t be happening this year.
Hazard, Wilder Street, Bristol, May 2020
Hazard has painted a stylish and colourful face with an incredibly ornate headdress loaded up with feathers and flowers. It is a really stunning piece and sits right up there with some of her very best work.
Hazard, Wilder Street, Bristol, May 2020
I sometimes have to pinch myself when I see her work here in her home town, we are truly blessed and privileged to see her pieces around us and in our manor. I suspect that unlike much of her work, this one will be around for a long while. An outstanding beauty from Hazard.
What a very pleasant surprise finding this piece was. I haven’t seen a new piece from Angry Face for a few years, so stumbling across this one in the middle of the M32 roundabout a few days ago was a really great feeling. Of course it is all over Instagram now, but when I saw it I didn’t know about it and there is always something special about that feeling of discovery.
Angry Face, M32 roundabout, Bristol, May 2020
Angry Face is one of those artists whose work delivers what it says ‘on the tin’, in his case… an angry face. Sometimes his work can be a bit rough and ready, but this one is rather neat and has some really nice detail. What you are guaranteed to get with this artist is a bit of edge. Really looking forward to seeing more from Angry Face soon.
Doors 108 – a continuation of graffiti/street art doors
Let me open a small window into the world of Scooj during lock down. I am a civil servant and have been working full time throughout the coronavirus outbreak, indeed work has been somewhat busier than normal because of the virus and the communications work I do.
Mrs Scooj also works in the civil service, so we have both been working from home, pretty much flat-out for the last ten weeks or so. My wife drew the long straw and works in the study with our main desktop and I am working in the dining room.
Our teenage children are both at home and keeping them motivated is a real struggle and heaps a whole ton of additional pressure on all of us. Although we have has a few flare ups (inevitable in these circumstances) we have had some really good quality moments together as a family which I am sure we will all treasure. However, spare time just seems to evaporate.
All this is a bit of a long-winded way of saying that once again you are going to have to put up with archive images of doors, because although I do have some new door photographs, I can’t get anywhere near the desktop PC to prepare them for Thursday doors. So old graffiti/street art doors it is going to have to be. I hope you enjoy:
Laic217, Wilder Street, Bristol, January 2017Andy Council, North Street, Bristol, January 2017Face the Strange, Upfest, Bristol, July20163Dom, John Street, Bristol, May 2016Sweet Toof, St Andrews Road, Bristol, January 2017Angerami, Upfest, Bristol, July 2016Laic217, King Square Avenue, Bristol, February 2017Jonesy, Leonard Lane, Bristol, August 2015
That’s all folks for another week. I hope you aren’t getting too tired of these urban graffiti doors. I hope I get a bit of time to share some more regular doors next week.
Take care, wherever you are.
If you have made it this far, you probably like doors and you really ought to take a look at the Norm 2.0 blog – the originator of Thursday Doors where there are links to yet more doors in the comments section at the end.
There is something about kingfishers and artists. They seem to represent beauty and freedom and perhaps the slightest connection with nature that our urban societies have, in the main, lost.
Kin Dose, North Street, Bristol, May 2020
This shutter piece had been commissioned and painted during lock down, and I have a feeling that Kin Dose also painted the adjacent shop shutter at the same time, although I have not managed to photograph that yet.
Kin Dose, North Street, Bristol, May 2020
The whole piece has a feeling of vibrancy and movement about it. The abstract background of pinks, blues and whites setting up a rich frame for the kingfisher itself. The bird is exquisitely painted (it is not the first time Kin Dose has painted a kingfisher in Bristol) and a massive asset to this end of North Street.
I took a little tour of Bristol hot spots yesterday and there is a lot of new work to write about and post but I fear I will not get to share it all immdeiately. This piece was from a few days ago and is tucked under a railway bridge on Stapleton Road. It is of course by Face 1st.
Face 1st, Stapleton Road, Bristol, May 2020
This is a nice ‘traditional’ Face 1st piece with a pretty face and the word FACE spelled out in the hair. The colours are bright and the piece cheerful. You have to be quick though at the moment as turnover is very high. Another recent piece by the artist at the M32 roundabout lasted only moments… I missed it.
What I love about John D’os work is that it lays down a historical (usually political) narrative of our time. This is the second version of this stencil in the area, I posted the other one a while back, and it records with an element of humour the madness of the run on loo paper at the start of lock down. As an additional note, you can’t move in supermarkets for bog roll at the moment, so what was the panic all about?
John D’oh, M32 Spot, Bristol, May 2020
I like the retro look of the piece and of course the setting in amongst an array of contemporary tagging. More to come from John D’oh who was a little busier than some other artists during full lock down, taking his allotted hour of exercise on the streets and walls we know so well.
I can definitely say that is has been a joy to start finding new pieces dotted around Bristol, and I expect a surge of street/graffiti art over the coming weeks as artists come out of full lock down. Some will inevitable end up in my archive for another day, but I will try to post as many as I am able.
Daz Cat, M32 cycle path, Bristol, May 2020
This is a super-quick one from Daz Cat in bright and cheerful colours. I really rather like it, and although it is definitely a little bit rough around the edges, it is a striking piece (and one I can use for a future Thurdsay doors post).
Well, after a few weeks of riffling through my photograph archives due to the impacts of the coronavirus which slowed output of street art, I am pleased to say that things are improving. Artists are returning to walls being miindful of social distancing and over the last few days I have managed to take photographs of contemporary pieces, and where better to start than with a rabbit from Nevergiveup (@followmyrabbits).
Nevergiveup, Dean Lane, Bristol, May 2020
This particular fellow is a Cabbit ot Rarrot and is a bit of a reshaping of the usual rabbit character into a carrot. Why? I have no idea, but probably becausee he can. This piece was one of several from the artist in a Dean Lane session recently and how refreshing it is to see new vibrant art happening again on the streets of Bristol.
On Jamaica Street, opposite the PRSC outdoor gallery is this curious paste up by qWeRT. This is quite different from the googly-eyed character that we are used to seeing, and something of a rarity (unless I have mistaken the artist, which is always possible).
qWeRT, Armada Place, Bristol, May 2017
Looking a little bit more like something from Face the Strange, another wheatpaster, the piece is of a suited man with robotic extensions for a head and arms. I passed by that way yesterday and even though the piece is two years old it is still there. not too tatty either. An interesting paste up in a great spot.
Something a little different from Slim Pickings in May 2017 in which the artist is experimenting with a straight-line version of his ‘super tag’. The piece demonstrates the versatility of the artist, and is something of a rarity.
Slim Pickings, Dean Lane, Bristol, May 2017
I must confess however that I am not wholly convinced by the success of the experiment, and while it is nice to see something different I feel that Slim Pickings just hasn’t quite carried it off with the same panache that he manages with his more usual curvy variant.