Category: 5. Street Art

1109. First Street Garden, New York (1)

Each morning when visiting NYC, I took a stroll for about an hour before the rest of the family got up, and went on the hunt to find some graffiti/street art. I didn’t think for one minute I would find so much. This piece was one of several in a little alleyway off East First Street.

Stem, First Street Garden, New York, October 2017
Stem, First Street Garden, New York, October 2017

This piece is by an old school New York graffiti artist called Stem. It is just possible to make out his name from the wildstyle writing. This is a really lovely piece that oozes a New York style one is so accustomed to seeing in books, documentaries etc.

Stem, First Street Garden, New York, October 2017
Stem, First Street Garden, New York, October 2017

There was a nice man who chatted with me about this piece and some of the others in this little lane. He seemed to know a lot about them. He also suggested I visit the ‘wall of fame’ in Harlem, which I did with limited success.

 

 

1108. SoHo, New York (1)

Another wonderful surprise waiting for me in SoHo was this beautiful collaboration between Stik and LA, which was part of the L.I.S.A project (Little Italy Street Art), sprayed in 2016.

Stik, SoHo, New York, October 2017
Stik, SoHo, New York, October 2017

The vibrancy of this piece works brilliantly, with all the brightly coloured swirls from LA contrasting with the elegant simplicity of the Stik figures serenely holding hands. A perfect match. I know little about LA, but I believe he is a local artist and he certainly seems to like his squiggles. Stik is of course simply one of the best there is.

Little Italy, New York (1)

The afternoon we arrived in New York, my children were very hungry, and we had to hunt down somewhere to eat pretty quickly, because you know what hungry teenagers can be like. The first restaurant we stumbled across was this nice ‘shabby chic’ place called Osteria in Mott Street (311), Little Italy.

Nick Walker, Little Italy, New York, October 2017
Nick Walker, Little Italy, New York, October 2017

Distracted by the children’s needs, I hadn’t properly looked at the piece on the side of the building. Once they had ordered their food, I nipped out to take a look and snap these shots. Of course I recognised the work immediately as being that of Bristol artist Nick Walker. Strange that I should cross the pond, and the first artwork I should see would be someone I have written about extensively. The international nature of street art.

Nick Walker, Little Italy, New York, October 2017
Nick Walker, Little Italy, New York, October 2017

This piece incorporates the pin-striped gentleman creating a heart made up of a mist, but take a closer look and the mist is actually numbers in a font Nick Walker has used before in other works. This was a great start to what turned out to be a wonderful trip.

 

1106. The Bearpit (104)

Here we have another Bearpit piece by the irrepressible NEVERGIVEUP, whose monsters just keep on giving. In this piece there is an inclusion of the Clifton suspension bridge, but I am not certain that he sprayed this or whether it was a part of an existing mural. Somehow the style doesn’t look like his.

NEVERGIVEUP, The Bearpit, Bristol, September 2017
NEVERGIVEUP, The Bearpit, Bristol, September 2017

As with all his monsters, NEVERGIVEUP creates a textured effect on the skin using concentric contours, in this case in red and yellow, dotted around the skin of the creature. I always like it when characters are themselves spraying. An archetypal piece from this artist.

1105. The Bearpit (103)

Without doubt, this is one of my favourite pieces of recent weeks. Bright and garish, I first saw this when driving around The Bearpit roundabout, and made a mental note to take a closer look next time I walked into work. Fortunately this large wheatpaste was still there, and I was able to look at it more carefully and find out who it was by.

Christian Hooker, The Bearpit, Bristol, October 2017
Christian Hooker, The Bearpit, Bristol, October 2017

The artist is Christian Hooker who judging from his Instagram account handle is from New York (@nychooker). Quite what he was doing here I don’t know but I am really pleased that he visited the city and even more pleased that he left us a couple of gifts.

Christian Hooker, The Bearpit, Bristol, October 2017
Christian Hooker, The Bearpit, Bristol, October 2017

The pasteup itself is mocking Trump (I guess) and he posted it on Instagram under the heading ‘subvertising’ which is a term new to me, but I really rather like it. It is, a little like Lemak’s work, a stencil piece that has been printed off and pasted up. I simply love it. Having just visited NYC, I was a little disappointed not to see any of his work. Maybe next time.

1104. The Bearpit (102)

No prizes for guessing the artist who sprayed this in one of the tunnels in The Bearpit. It is a political piece with the slogans ‘I resist’ and ‘eat the rich’. The work depicts a hero figure (batman) saying ‘pay me I’m yours’ which is a fairly direct reference to corruption. if none of that helps with identifying this artist, then the organic style and tentacles should.

Object..., The Bearpit, Bristol, July 2017
Object…, The Bearpit, Bristol, July 2017

It is, of course, by Object… and if the piece itself didn’t tell you that, then the signature at the bottom would have. I like his pieces. Edgy and no beating about the bush. Part of the fabric of The Bearpit.

1103. Raleigh Road, Vector (15)

This was a truly sublime piece that went up in Raleigh Road back in July this year, a little while before Upfest. It is always great to see dog street art, and this piece is a real treat. It is by Nilko White, a french artist from Paris, who I guess was taking a trip to the UK and teamed up with some local artists, maybe Hempster (the writing to the right of the dog) and found this hoarding to decorate.

Nilko White, Raleigh Road, Bristol, July 2017
Nilko White, Raleigh Road, Bristol, July 2017

It is a really great piece and quite different from much of the stuff we see in Bristol. It took me a while to find out who the artist was but Instagram (as is so often the case) came to the rescue. I’m not too sure what the Staffordshire terrier is about, but there is a story here. Maybe these are dogs the artist knows. A refreshing piece.

1102. Bedminster

I took this picture a couple of months ago in Bedminster, and of course it is instantly recognisable as a piece by Laic217. All the signature elements are there, a portrait, distortion, this time through broken glass, the bucket hat and smiley.

Laic217, Bedminster, Bristol, July 2017
Laic217, Bedminster, Bristol, July 2017

it was after seeing this piece, that the frequency of work Laic217 was churning out decreased markedly. I am pleased to say that he appears to be back up and running and firing on all cylinders.

Laic217, Bedminster, Bristol, July 2017
Laic217, Bedminster, Bristol, July 2017

Although this is not my favourite of his pieces, it is striking, and the colours really stand out.

1101. The Bearpit (101)

On Friday 28 July, the day before Upfest, I strolled to work via The Bearpit, which I like to do as often as I can. Clearly one of the Wheatpasters who regularly visit Bristol for Upfest, Losthills, had been hard at work, and this was the first of many of his pieces that I saw this year.

Losthills, The Bearpit, Bristol, July 2017
Losthills, The Bearpit, Bristol, July 2017

It is a cheeky little paste up (which of his isn’t a little cheeky?) of Jake the Dog, living the dream as an Empire soldier from the Star Wars films. The piece is full of humour and is a cheerful thing to see on my pedestrian commute to work.

1100. Dean Lane skate park (85)

A familiar piece in a familiar place from a familiar artist. This is a beautiful abstract piece by Shab, sprayed in one of his favourite spots in Dean Lane skate park. I do like it when artists kind of ‘claim’ a spot, although it is not so good when they guard it jealously.

Shab, Dean Lane, Bristol, October 2017
Shab, Dean Lane, Bristol, October 2017

Always pleasing on the eye, Shab’s work holds a kind of mystery for the viewer, and a fascination too. Of course, the eye usually plays a part in his work, and adds some realism to this abstract world. Such subtle colours in the eye, set against the black and white surround.

Shab, Dean Lane, Bristol, October 2017
Shab, Dean Lane, Bristol, October 2017

I have always liked and probably always like the work of this highly respected Bristol master.