In this piece on the long wall under Brunel Way, we see Claro_que_sssnoh doing what Claro_que_ssnoh does so well – that is create distinctive interesting writing that creates a wonderful pattern of shape and colour.
Claro_que_sssnoh, Brunel Way, Bristol, October 2021
His work usually spells out HONS and his combination of curvy and straight lines are decorated with lines, patterns and dots in equal measure. In this piece it is the colour palette that is most notable, brightening up this drab and dingy corner. Painted as part of an HMR paint jam, it was the pick of the bunch alongside Dabuten Tronko.
I posted a piece by Biers last week, that was actually painted after this one in Dean Lane, both representing a bit of a come back from this No Frills artist. Thanks to Paul H, I now know that Biers is writing WD40, it would have taken me a long time to work that out on my own.
Biers, Dean Lane, Bristol, October 2021
This piece comes with a little bit of text saying: “I can’t wait to feel the weight of nothing on my shoulders” – a message that certainly chimes for me. The letters/character combination is tight as always, and the ‘0’ lends itself to all sorts of character opportunities which Biers has grabbed in this instance. It is so good to see his work appearing again.
This piece is from another birthday celebration, this time for Nightwayss. I am sure that these birthday jams are becoming more of a thing than they were a few years ago. Maybe there is a safety in numbers thing or perhaps there are simply more friendships emerging from the growing pool of talent in Bristol.
Morph, Sparke Evans Park, Bristol, September 2021
This small piece is by Morph, who more commonly paints at the M32 Spot, is beautifully painted and really powerful, which is made all the more impactful by its modesty. A young woman dressed in a kimono is brandishing a gun and there are target sights dotted around the piece. Disturbing, edgy and beautiful all in one piece. Very nicely done.
I took these pictures a little while back, and the beautiful collaboration featured is by DFC1848 and Peanutsdeli, painted as part of the DJ Perks 50th birthday paint jam. I am very familiar with DFC1848’s work, but this is the first time I have seen anything by Peanutsdeli, but on this evidence I’d love to see more.
DFC1848, Ldub, Bristol, September 2021
The central characters are a familiar sight on Natural Adventures and DFC1848 has switched things up a bit by positioning the second character upside down and separating the two with a yellow “f”. Stepping back, you can see the whole thing spells out DFC. Nice tidy work.
Peanutsdeli, Ldub, Bristol, September 2021
The centrepiece is bookended by two remarkable characters by Peanutsdeli. These mischievous little folk are great fun and beautifully painted. They represent that clever crossover from illustration to street art. The characters would not look out of place in a children’s story book.
Peanutsdeli, Ldub, Bristol, September 2021
I will definitely keep my eyes peeled for more from Peanutsdeli, but I don’t think he paints much in Bristol, and I am guessing he is probably from the Cheltenham/Gloucester/Stroud area. Lovely work and a fine collaboration.
Farrah is an artist who I have only been aware of only for a short time, after her stunning Upfest piece from earlier in the year. Since then, I have noticed a lot more of her work about the place, possibly because I am now following her on Instagram and have been looking out a bit more.
Farrah, Richmond Street, Weston-super-Mare, September 2021
This outstanding mural in Weston-super-mare was part of the Westonwallz initiative, ably assisted by Upfest, and is called Oxygen. Definitely a topical piece given the COP26 talks at the moment. Farrah’s works are inspired by the natural works an have a calm and inspiring quality about them. This particular piece seems a little incongruous sited above a pizza and kebab joint, but perhaps it brings with it a touch of class, which is never a bad thing. A stunner, for sure.
You will be seeing a lot of work by John D’oh on Natural Adventures over the coming weeks, for which I make no apology. I love his stencils and the contemporary commentary accompanying them that give us a sense of time and place, important for chronicling our political and societal landscape.
John D’oh, Princess Street, Burnham-on-Sea, September 2021
This piece in Burnham-on-Sea was painted a little while back, but seems so very timely, and the message is clear, it is just such a shame that we need reminding. Greta, behind the mask, has been instrumental in galvanising the popular discourse on climate change and I’m sure she will not stop now. If anything the hard work of putting pressure on governments, and holding them to account, begins now.
To use urban slang, this piece is sick (metaphorically and literally) and is a long awaited resumption to spraying walls by Biers (who goes by several other names, but Biers is the one I use).
Biers, River Avon, Bristol, November 2021
I find it hard to read exactly these letters, but I am confident that Paul H might be able to enlighten me. This is a tight piece; the letters are bold and clean, the fills nicely horizontally graded, the white accents neat and tidy and the character clean and simple. Overall this is the work of a talented and experienced graffiti writer and it is great to see him getting busy again.
I simply don’t get round to posting as much of the work I see as I would like to, and this is one of several recent Mudra pieces I have photographed and actually managed to write up. This one is notable for its location, because I haven’t seen many Mudra paintings on the north side of Bristol, apart from under the M32, alongside the river Frome.
Mudra, M32 Spot, Bristol, November 2021
Mudra has a style and tone that is quite easily identified, but it is his @ signature that confirms the artist. Mudra likes to use these soft blues reds and pinks in his work and he uses a lot of soft curves too. This piece is some kind of alien or monster, not unlike something that Nugmoose might create. A nice column piece.