4335. Jamaica Street (25)

Jamaica Street is one of the more vibrant and interesting streets in Bristol; it is a spur running off Stokes Croft at Turbo Island and is well known for its addiction clinic, and the People’s Republic of Stokes Croft. There is a row of houses that over the years have been heavily tagged, adding to the rather grubby feel of the place, but recently Hazard has been commissioned to paint the front of these houses, in an effort to breathe new life into and respect for the area. Her subtle pieces are just the ticket, and thoroughly uplifting. They are, however, also almost impossible to photograph. I managed to capture one recently and am sharing it with you now.

Hazard, Jamaica Street, Bristol, March 2022
Hazard, Jamaica Street, Bristol, March 2022

In addition to her remarkable portrait pieces, Hazard has a supreme talent for painting flowers, and she has worked wonders with these roses and other leaves/flowers on this building. This work reminds me of the kind of decorative painting you see on buildings on the continent, but is much less common here in the UK. Superb work that is utterly uplifting in a place that benefits so much from kindness, love and decency.

I am now getting a little nervous in case this isn’t by Hazard, because I can’t find any verification on the interweb. I am sure I shall be corrected if it isn’t by her.

Shooting star

.

Brilliant moment

razor slash through the night sky

and orange sparkles

.

by Scooj

4334. Brunel Way (148)

If you see the word ‘Milk’ written in a streaky script style on a Bristol wall, the liklihood is that is is by Wxttsart. In recent months the number of these pieces has swelled significantly, and Wxttsart would appear to be a rather busy man.

Wxttsart, Brunel Way, Bristol, March 2022
Wxttsart, Brunel Way, Bristol, March 2022

This fine piece is on the long wall under Brunel Way, and showcases Wxttsaet’s fine skill as a graffiti writer. His style is unorthodox, and very much his own, and is beautifully worked. What is quite clever about his work is that at first glance it looks a bit untidy, but on closer inspection it is very carefully crafted and finished. Watch out for more milk art in coming weeks.

Neil

.

We were not good friends

but your passing has shocked me

to the very core

.

Your mid-life crisis conduct

hard to forgive, even now

.

by Scooj

4333. M32 roundabout J3 (400)

It is fitting that the 400th piece I have posted from the M32 roundabout should be by one of Bristol’s most established and respected artists, Andy Council. This is a superb piece that was part of a collaborative effort alongside Hemper.

Andy Council, M32 roundabout, Bristol, March 2022
Andy Council, M32 roundabout, Bristol, March 2022

Andy Council’s work is easily identifiable by its composition. His creations usually feature an animal that is made up of component parts; he used to paint small buildings and architecture, but these days he uses ‘blocks’ threaded together, almost like a child’s toy. He manages to turn a 3D concept into a completely credible piece of wall art – amazing really. This beast looks a little bit like something from a horror film. Always good to see Andy Council’s imaginative work.

4332. M32 Cycle path (169)

One of the most noticeable things about Bristol street and graffiti art over the past two years has been the sheer volume of new artists either trying their hand at spaying walls or moving to the city famed for its graffiti culture, either way, it all adds to the vast melting pot we are privileged to observe.

Bogat, M32 Cycle path, Bristol, March 2022
Bogat, M32 Cycle path, Bristol, March 2022

This is the first of many pieces, I’m sure, by Bogat to appear on Natural Adventures, but already I have several more lined up and in the archive. I am rather drawn to this style of street art, faces and portraits are always interesting. Bogat is ideally suited to columns and doors, because his work is often vertically drawn out and sometimes bleeds onto the ground. This is a birthday shout-out to his fiend and painting pal Asre (another new artist to Bristol).

This piece is on one of my favourite doors which has hosted many artists – I feel a special post coming up featuring this door. So much more to come from Bogat.

Thursday doors – 31 March 2022

Doors 179 – Doors from the Temple Meads area of Bristol

I managed to take a short trip to some streets I rarely visit over the weekend, and while I was there I took a few door photographs.  The area lies between Temple Meads railway station and St Phillip’s Marsh and is mostly turned over to light industry that must have built up around the station over the years. Much of the area is fairly run down, and there are bridges and tunnels underneath the railway all over the place.

Black door, yellow steps, Temple Meads, Bristol, March 2022
Black door, yellow steps, Temple Meads, Bristol, March 2022

Door and beautiful arc awning, Temple Meads, Bristol, March 2022
Door and beautiful arc awning, Temple Meads, Bristol, March 2022

Door with fancy stonework, Temple Meads, Bristol, March 2022
Door with fancy stonework, Temple Meads, Bristol, March 2022

No way in through this door, Temple Meads, Bristol, March 2022
No way in through this door, Temple Meads, Bristol, March 2022

Secure door, Temple Meads, Bristol, March 2022
Secure door, Temple Meads, Bristol, March 2022

Not a door, but one of many tunnels in the area, Temple Meads, Bristol, March 2022
Not a door, but one of many tunnels in the area, Temple Meads, Bristol, March 2022

So there we have it for another week – my work is still extraordinarily busy, so not too many words or research accompanying the pictures. May I wish you all a very happy week until next time.

If you have made it this far, you probably like doors, and you really ought to take a look at the No Facilities blog by Dan Anton who has taken over the hosting of Thursday Doors  from Norm 2.0 blog. Links to more doorscursions can be found in the comments section of Dan Anton’s Thursday Doors post.

by Scooj

Soaked

.

Wettest of wet rain

the kind that penetrates clothes

and dampens the skin

.

by Scooj

4331. Horfield skate park (9)

John D’oh definitely has a clever approach to his craft. He manages to present a blend of humour and politics in his work, using lots of different stencil techniques and influences to get his messages across. Sometimes he leans heavily on pathos, sometimes deep criticism and at other times wit, and in this stencil, he deals with a very serious issue with the latter approach.

John D'oh, Horfield skate park, Bristol, March 2022
John D’oh, Horfield skate park, Bristol, March 2022

I very much like the fact that he visits this skate park from time to time, partly because it is reasonably close to where I live, but also because it is an infrequently visited spot by artists and turnover there is very low.

This peace dove has had its work cut out over the last few years, and is once again called upon to intervene. We need all the peace we can muster at the moment. A beautifully crafted and sensitively pitched humorous stencil piece from John D’oh.

4330. Dean Lane skate park (476)

I am coming to the conclusion that I have already said as much as I can about the work of brilliant graffiti writer Dibz. I have run out of superlatives, something that actually happened years ago. Dibz is an artist that I like to try and post every time that I photograph his work, because it demonstrates the high end of graffiti writing in the city, but this frequency makes it difficult to write anything interesting or original.

Dibz, Dean Lane, Bristol, March 2022
Dibz, Dean Lane, Bristol, March 2022

This is one of the best walls in the whole of Bristol and one which Dibz favours. His wall preparation has paid off, with the grey-blue backwash providing a perfect neutral setting for the antics of Disney’s Merlin and his owl from the cartoon film The Sword in the Stone – a film I have never seen.

Dibz, Dean Lane, Bristol, March 2022
Dibz, Dean Lane, Bristol, March 2022

The writing is outstanding, the colour transitions perfect, the spray cans inspired and the characters crisp, sharp and engaging. This is a masterclass from one of Bristol’s very best.