.
It starts looking up
each day a little longer
each more bearable
.
by Scooj
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It starts looking up
each day a little longer
each more bearable
.
by Scooj
I took this photograph as the light was fading at the end of an impromptu paint jam along the M32 cycle path. This would explain the slightly dour appearance of the piece, which is actually a bright and cheerful work from Smak.

The graffiti writing reaches the usual high standards associated with Smak, with superb fills and sharp lines that he delivers with such consistency. He has included a little character with this piece, a cat (looking a bit like a tiger) drinking milk from a bottle with a straw (a paper one I hope).
Shutters have become a much prominent feature of the city this year because of the increased frequency that shops have had to remain closed due to a sequence of lockdowns and restrictions. This has offered up an opportunity for street artists to either paint new shutters, or for older shutters to be appreciated by a wider public. I guess I am looking for a silver lining to this terrible pandemic… clutching at straws maybe.

Anyhoo, this is a wonderful addition to the shutter pieces from Pekoe, who has hit a bit of a purple patch lately. I love this portrait, the way it fills the space so perfectly, slightly off-centre and the face is in three-quarters profile, which I love. The woman’s black hair and decorations are particularly nicely done. I think that this is my favourite shutter piece of the year. Bravo! Pekoe.
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Shutting their borders
Farage doth protest too much
It’s a sovereign right
.
by Scooj
The great thing about visiting areas of Bristol one doesn’t normally go to is that you open your eyes to a whole new culture and architectural environment. So when visiting Totterdown to photograph the new Banksy recently, I was exposed to quite a few pieces and murals that I had been aware of but had never seen. One row of houses in particular caught the eye due to the very large murals on their garden-facing walls, which could be viewed from the road below. The row of houses is on St Luke’s Road.

The artist of this mural (along with several others) is Gage Graphics aka Ollie Gillard and who writes graffiti under the name Serif. This is an outstanding mural that shows a section cut through the ground, exposing different rock strata that lead up to the root system of a tree. The tree is bending in an autumn breeze and fits perfectly between two windows. All the while a milky daytime full moon looks on. What a wonderful thing to have on your house, and a fabulous gift for the citizens of the area to enjoy.
My heart sings when I find a new Rusk piece, especially when I discover it without knowing about it in advance. It feels like quite a long time since I last saw one of his pieces of graffiti writing so this was a real bonus.

The colour scheme in this one works incredibly in my view with the green matched with the yellow and oranges, and the way he has integrated them is so easy on the eye. Surprisingly, the pink and black 3D shadow works really well too – who’d have thought? Some expert white highlights and blue drips finish the piece nicely. A pleasure.
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Inept government
indecisive and clueless
pretend competence
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by Scooj
Slakarts has been very busy lately, especially with his three-quarter cartoony profile throw up pieces, so it was great to come across this rather more traditional-looking piece from him in the tunnel recently.

Slakarts’ work is very distinct and rather different from most of the character pieces you see around Bristol. This particular face is rather austere and serious and contains some nice detail, such as the lines around the eyes. Some great shading and spots round this piece off nicely. I definitely feel a Slakarts gallery coming on very soon.
Underneath Brunel Way in the damp and tortured light conditions is this rather lovely tribute piece by Ments to a person called Sam, you can probably make out the letters.

This is quite an unusual piece by Ments and I think is in part quite experimental. His work is usually organic in nature with fluidity being a central effect. In this piece however, Ments has introduced some quite solid forms and even what appears to be a rock foundation – a more geological approach perhaps. The bright colours speak of joy and happiness. This is a wonderful tribute piece beautifully thought out and painted.
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Never, ever shop
when empty stomachs rumble
way too many treats
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by Scooj