This is a very neat and tidy ‘quick one’ from Ryder, which I suspect was painted at the same time as the recent collaboration with Decay, which can be seen in the background of the feature image.
Ryder, M32 Spot, Bristol, November 2019
I always expect tidy writing from Ryder and this is a lovely example, I would however like to see a few more of his larger considered pieces like the ones he produces for Upfest. A hugely talented graffiti writer whose work is right up there with the best in Bristol.
Yet another fine PWA (Pirate Wall Art) production from Soap and Face 1st down under the M32 along the cycle path. I think that this is quite a good wet-weather spot, because there is a small overhang to protect the wall and artists from the rain.
Soap, M32 Cycle path, Bristol, November 2019
On the left is a ‘traditional’ soap face, with two mouths agape. Looked at onother way, the shape can be seen as a kind of skull, with the mouths forming the eyes or eye sockets – that’s what I see at least.
Face 1st, M32 Cycle path, Bristol, November 2019
On the right is a Face 1st ‘beauty’ in a rather unseemly situation, vomiting toxic looking stuff. Now I’ve noticed that in recent weeeks Face 1st has been animating his faces with things like this, to tell more of a story than simply creating a pretty thing to look at. His faces are beginning to convey sadness, frustration, disgust, nausea and so on. An interesting development and great to see.
I like treasure hunting, especially when each time you find a treasure, like this one by Mutatee, it comes as a wonderful and fulfilling surprise. I think that hunting for and photographing street art is a wholesome substitute for trying to generate likes on Twitter or Facebook or getting that micro-buzz of endorphine every time you receive a message on your mobile phone.
Personally, few things irritate me more than people’s phones buzzing, ringing, twittering, ding-a-linging upon which they’ll abruptly end a conversation, leave the room (metaphorically), check the offensive communicator (Star Trek reference) and only then return to the conversation saying ‘where were we?’ (we?… I’ve been here all the time you idiot). You know the kind of thing. Grrrr. Ranty bit over, I’m not too sure where it came from but it felt great to get it off my chest.
Mutatee, Moon Street, Bristol, November 2019
Back to Mutatee – she is the bringer of my little endorphine snacks and this little charmer high up on a wall in Moon Street is one of a bunch dotted about the City – I recently spotted another one that I’ll have to photograph next time I pass by on foot – so many more to come from this creative and imaginative installation artist.
Another quick one this week. A selection of doors photographed during a lunchtime walk a week or two ago. The Harbourside area is made up of a mixture of old warehouses, boat yards, Victorian residences and rather expensive new builds. It is a fascinating area and just to make it extra good, you are only ever a stone’s throw away from the water.
Here we go…
Two red doors, the Harbourside, Bristol, November 2019Red door, the Harbourside, Bristol, November 2019A rather grand entrance, the Harbourside, Bristol, November 2019Boat Yard door, the Harbourside, Bristol, November 2019Ugly, sad door, the Harbourside, Bristol, November 2019Somewhere there is a door, the Harbourside, Bristol, November 2019
More doors from Bristol next week – maybe…
Meanwhile, please go take a look at the Norm 2.0 blog – the originator of Thursday Doors where there are links to yet more doors in the comments section at the end.
Oh what a beauty… a little piece of heaven just dropped onto the wall beneath Banksy’s Mild Mild West, and it is an absolute humdinger by Hazard. Painted only last week, Hazard has smashed it out of the park (to use a modern phrase – my kids would be laughing if they read this, but not much chance of that ever happening).
Hazard, Stokes Croft, Bristol, November 2019
I love Hazard’s work, and it is great to see that she is capable of so much more than her trademark portraits. This piece is so good in my view that I actually think it is my favourite of hers… ever. She has captured the colours and proportions of the pigeon perfectly and has somehow created an irridescence on the bird’s breast with greens, whites, yellows and purples – what a job eh? And.., the flowers, flipping heck, the flowers!
I think I might be able to call myself a pigeon fancier, at least this pigeon.
I believe that there is some explanation on the fence in front of this piece, but it wasn’t there when I took these pictures, so I can’t tell you what it says.
Another visit to Bristol from Elvs and this time bringing several wonderful shades of pink. I think that this was painted as part of a collaborative section of wall in St Werburghs tunnel, but I’m not sure ay all who painted the rather fun Pink Panther on the left.
Elvs, St Werburghs, Bristol, November 2019
Elvs has such a unique style which if you look at analytically is based on a solid block of letters and a 3D edge (in black) upon which fine line detail has been added and of course a masterful horizontally graded fill. Seems straightforward, but I’m sure it has taken years to perfect. A really classy piece of writig.
Well, so long as Slim Pickings keeps churning out his magnificent TES pieces, I’ll continue to post them. As always his work is clean, sharp and he has some decent colour selections although I fear there might be just a little bit too much contrast between the letter colours and the green and yellow background.
Slim Pickings (Tes), Dean Lane, Bristol, November 2019
I have a great many pieces by Slim Pickings in my archive and I’m just waiting for a lean period to publish them (the chance would be a fine thing). More to come in due course – maybe I feel a gallery coming on…