I have a feeling that this wonderful collaboration by 3Dom and Epok has been here for a little while, but it is a spot I visit infrequently and so cannot be sure. The wall, underneath Brunel Way is one which I find particularly difficult to photograph, due to the light reflections that encroach from the sides.
3Dom, Brunel Way Bridge, Bristol, March 2019
On the left is a rather large fly by 3Dom with an urban/industrial landscape on its back. The wings are beautifully crafted and the whole insect nicely proportioned…quite what the story is I am not sure.
Epok, Brunel Way Bridge, Bristol, March 2019
The right hand side of the collaboration is a piece of graffiti writing from Epok. I never get tired of his beautifully designed asymmetric writing that seems to combine graphic design and street art so perfectly. This is a fine collaboration from this ASK duo.
Yet another amazing surprise from a week or two back walking on my way to work was this magnificent collaboration by DNT and Hazard. Previously this wall had hosted a fine collaboration by Soap, Hazard and Tasha Bee.
Hazard and DNT, Stokes Croft, Bristol, March 2019
I haven’t seen any animals by Hazard before, only pictures of people’s faces, so this was definitely a lovely new insight for me. The Tiger’s face is brilliantly painted using as spectrum of white through to black spray paints, and it works perfectly on this wall.
Hazard and DNT, Stokes Croft, Bristol, March 2019
The whole piece is brightened up with colourful writing by DNT on then left and Hazard on the right. The only thing I am n ot certain about here is whether Hazard’s name was by her or DNT. If it was by Hazard, then this is another first for me. Turbo Island is becoming a really great spot once again thanks to the efforts of PRSC and others who are working hard to make use of this wall.
Well what a lovely surprise from a few days ago. I took a quick trip to St Werburghs tunnel and right next to one of the Fiva (Fiver) pieces was this fabulous Robot face by Snub23.
Snub23, St Werburghs, Bristol, March 2019
I have only known Snub23 to come to Bristol for Upfest, so it was extra special to find a piece here at this time of year. Snub23 adopts two instantly recognisable styles… this one of cartoon-style robots and sci-fi scenes and his geometric patterning which is similar to the work of Bristol’s Paul Monsters. Sometimes he combines both styles in a single piece. Brilliant to find this nice piece.
My oh my! A couple of weeks ago this utterly remarkable collaboration by Smak and Sled One appeared on the hoardings in Nelson Street which have in recent times been a bit of an ASK playground. It is quite one of the best collaborations I have seen for a long while, and I don’t think that Bristolians, in the main, realise just how privileged we are to have art this good decorating our streets.
Smak, Nelson Street, Bristol, March 2019
On the left of the wall is a magnifcent oriental style leopard in rampant attitude rather menacingly advancing towards a poor unsuspecting child.
Smak, Nelson Street, Bristol, March 2019
This is one of the finest character pieces I have seen by Smak, and it seems that he is planing on doing more, which is great news.
Smak and Sled One, Nelson Street, Bristol, March 2019
The whole collaboration is set on a grey background and shares a general colour palette of greys, reds and yellows.
Sled One, Nelson Street, Bristol, March 2019
To the right of the wall we are spoiled by a magnificent story from Sled One, where a crane is delivering a little baby suspended in a cloth from its beak. It looks like the baby is prepared to take on the leopard as it is armed with a samurai sword and is wearing a mask. Even the red decorations on the grey patches of the piece ooze class.
Sled One, Nelson Street, Bristol, March 2019
This is not the first time that Sled One has incorporated a samurai into his work and is would appear to be a theme he enjoys. This is a world-class collaboration that we in Bristol are lucky to have and I thoroughly recommend that anyone living in Bristol makes a detour to Nelson Street to see it if planning a shopping trip to the centre.
I was alerted to this wonderful piece by Kid Crayon through Instagram and naturally tried to get to see it as quickly as I could. The piece was part of a collaboration with Subtle but alas, Subtle’s half had been painted over by the time I got down to Cumberland Basin.
Kid Crayon, Brunel Way Bridge, Bristol, March 2019
I am guessing that Kid Crayon rather likes this tone of pink, because it features a lot in his work. Either that or he ordered way too much pink and is wading his way through it.
Kid Crayon, Brunel Way Bridge, Bristol, March 2019
Once again, Kid Crayon has turned out yet another impressive piece and rather wonderfully incorporated one of his characters into the ‘O’ of Crayon, and it is great to see his trademark floating Crayon making a comeback. So very good.
Blink and you might miss it! Sited right next to one of the best collaborations in this part of Bristol that I can remember, between Smak and Sled One (to follow very soon), is this beautiful cat stencil by the utterly awesome Kin Dose.
Kin Dose, Nelson Street, Bristol, March 2019
Continuing on from his Upfest utility box theme, Kin Dose has blessed those right in the centre of Bristol with this little gift. Looking rather innocuous and disguised as a bit of tagging many citizens will have walked by without noticing this charming piece. Suggestion… get yourself down there and take a look.
There is one artist in Bristol whose work is guaranteed to bring a splash of colour and an interesting perspective and that is Tom Miller. This piece has appeared recently opposite the Riverside Garden Centre and is a bit of a stunner.
Tom Miller, Jessop Underpass, Bristol, March 2019
There is a bicycle theme on the left hand side which is full of movement and which appears to metamorphosise into a fairly typical abstract explosion of colour and form the further to the right of the piece you look.
Tom Miller, Jessop Underpass, Bristol, March 2019
The transition is worked so skilfully and perhaps exaggerated by splitting the piece up into three sections (I had to do this because the fence where it is painted is so long.
Tom Miller, Jessop Underpass, Bristol, March 2019
Ever since I first saw my first Tom Miller piece I have marvelled at his extraordinary talent and how he has brought his unique brand of surreal fine art into the street. In my view an artistic genius.
OK, so Mr Klue is on a roll and there seems to be no stopping him recently. No sooner do you discover a new piece, when it appears that he has already been out and done another one. Of course, this is a good thing, because I find his particular brand of abstract art most attractive.
Mr Klue, St Werburghs, Bristol, February 2019
This one in St Werburghs tunnel is typical of his current preferred colour palette of blues, light greens and whites on a black background. Always great to see his work.
I’m not sure that I’ve posted anything from Ryder for a little while, but that ends here with this recent piece on the M32 roundabout which appears to have been sprayed during something of a paint jam at the end of February.
Ryder, M32 roundabout, Bristol, February 2019
High quality letters as always which I’ll have to leave you to feast your eyes on because I have to get togged up for skiing… sorry about that.
Natural adventures 