3252. Brunel Way bridge (65)

There is no stopping Nevergiveup, AKA Followmyrabbits, AKA Eldey (is that LD?), and that is a very, very good thing. I think that the tireless painting of rabbits all over the city over the last two to three years has added to Bristol’s character and amplified it’s rich street art culture, making it more accessible to more people. Some people (other than people like me) actually collect rabbits.

Nevergiveup, Brunel Way, Bristool, October 2020
Nevergiveup, Brunel Way, Bristool, October 2020

It is always fun to find another rabbit, although there are so many it can be difficult sometimes to remember if you have seen it before. I am pretty certain that I haven’t posted this one before, and I can tell it is a recent one, because he hasn’t been writing Eldey on his rabbits for all that long. As always perfectly executed, and potential for a Thursday doors post too..

3251. Brunel Way bridge (64)

As I see it, Slim Pickings (TES) creates his pieces in two forms; a high-end version of his letters with immaculate fills and clean lines and considered colour schemes and his throw-up versions that are a little bit more ‘street’ if you get my meaning. This one falls ever so slightly more into the second category.

Slim Pickings, Brunel Way, Bristol, October 2020
Slim Pickings, Brunel Way, Bristol, October 2020

I have to say that I am not too keen on the salmon pink colour and I think the ‘stitch’ lines on the edge of the letters make the piece a little untidy in my opinion. I ought to add that I might be overthinking this and being slightly picky. I always welcome Slim Pickings’ letters in whatever shape or form they come in.

3250. Turbo Island

Well I’m not sure how I missed this one first time round, but I just had a little potter around in my archives and once I found it I couldn’t really ignore it. It is a tidy collaboration from Mr Klue and DNT, who quite often get together to paint, from those heady days before coronavirus was a thing in the UK… remember that?

Mr Klue and DNT, Turbo Island, Bristol, February 2020
Mr Klue and DNT, Turbo Island, Bristol, February 2020

I can’t decide whether the shopping trolley is really annoying or actually adds a little bit of character to the photograph. No matter, it is there. The very ‘DNT’ monster embedded within the Mr Klue writing is a window into the artist’s mind and like so many of his characters is part organic, part mechanical. It looks likes the puffs of yellow smoke are puffing out of one of the legs of the character. A nice collaboration.

3249. St Werburghs tunnel (199)

I can totally see that Morny’s murals might not be to everyone’s taste, they are just not as polished as some of the stuff you see in Bristol, but I absolutely love them. While the characters may have a soft edge, the messages don’t, and Morny is not one for holding back.

Morny, St Werburghs, Bristol, September 2020
Morny, St Werburghs, Bristol, September 2020

We have a great many global crises to contend with at the moment, but the dominance of the coronavirus pandemic may have masked other environmental and political issues such as climate change and migration. The Tories are not known for their compassionate approach to migration, preferring an Australian style hard line. This piece from Morny is calling them out.

I think that this might be the best piece I have seen from Morny, it has a lot of emotion and is a very powerful image. You don’t have to have sharp lines and solid fills with patterns to create a great piece. I love this.

3247. Brunel Way bridge (63)

There are two graffiti writers that I am really enjoying seeing at the moment and they are Phour and Pl8o, both emerging as great writing talents to add to the long list in the city. This is a recent piece by Pl80 on the long wall facing the river.

Pl8o, Brunel Way, Bristol, September 2020
Pl8o, Brunel Way, Bristol, September 2020

Pink is a colour that seems to be coming back into fashion and as with other pink pieces about the place it works very nicely indeed with blue. The 3D shadow is nicely done and the red details and yellow stars work very nicely in this piece. Probably Pl8o’s greatest asset though is the shape of the letter/number combination he uses it is very pleasing to the eye and full of lovely curves.

3246. Brunel Way bridge (62)

This is the second piece I have posted by Mudra, but it was the first that I photographed, and as with any first discovery I am rather fond of this modest piece. Bold and yet subtle colours have been used to create this funny looking portrait of a moustached man.

Mudra, Brunel Way, Bristol, September 2020
Mudra, Brunel Way, Bristol, September 2020

There is something aboout the simplicity of the piece that makes it all rather interesting. In particular, I can’t keep my eyes off the dark pink nose. Like the last piece I posted, this one also has a little @ with a hat, which I am assuming is Mudra’s tag. Lovely stuff from the Bristol newcomer.

3245. St Werburghs tunnel (198)

It would seem that this piece from Smak was painted at the same time as Inkie and Tizer painted it recently and that there was something of a paint jam going on. I think that Hemper and one or two others might also have been involved. I have to admit that paint jams in the tunnel are not my favourite because the poor lighting never does justice to the artwork.

Smak, St Werburghs, Bristol, October 2020
Smak, St Werburghs, Bristol, October 2020

As always the work of Smak is of a consistently high quality and there is a lot here to admire in both shape and colour. Each letter is painted with care and attention and there is a phenomenal amount of detail and design behind each one. Another great piece of graffiti writing.

3244. John Street (8)

I would like to capture more of Conrico’s work than I do, but he tends to paint a lot in places that I don’t go to very often or at all, so it is always great to find a piece like this one in an archway in John Street.

Conrico, John Street, Bristol, September 2020
Conrico, John Street, Bristol, September 2020

This open air gallery is one of the most refreshing things to happen on the legal wall side of things to happen in Bristol for a long time, and I hope that when the development is finished that the gallery is continued, although I am not optimistic. The piece itself is a little bit weird and I am not too certain what is happening. The central character with big hair appears to be telling the bugs not to touch the light, or he is being warned not to touch the light. Either way, touching the light seems to be a bad idea. This is an unusual pieceand I’d love to know more about the story behind it.

3243. St Werburghs tunnel (196)

What a lovely surprise to come across this Tizer piece so soon after his last visit to Bristol. I rather hope that this is going to become a bit of a ‘thing’. This one was painted alongside Inkie and is in the expected writing/character format that Tizer favours.

Tizer, St Werburghs, Bristol, October 2020
Tizer, St Werburghs, Bristol, October 2020

The colours are a little comprimised due to the lighting in the tunnel, particularly on the left side of the piece where the yellow tones start to dominate. Consistent with his way of working, I suspect that the piece is freestyled, which gives the letters a freedom that some rather more formulaic writers might struggle with. The multi-coloured fills are superbly well done and the female character on the left is sporting a fine pair of specs. More please.

3242. Mina Road (6)

It seems that Silent Hobo is on a bit of a roll at the moment, especially in the St Werburghs area – I am guessing that he must live nearby judging from the number of new pieces in recent months.

Silent Hobo, Mina Road, Bristol, October 2020
Silent Hobo, Mina Road, Bristol, October 2020

I spotted Silent Hobo painting this piece as I was driving home a couple of weeks ago, but there weren’t any parking spaces nearby and I was in a bit of a hurry, so regrettably I didn’t get a chance to stop for a chat. I returned the following day to take these pictures.

Silent Hobo, Mina Road, Bristol, October 2020
Silent Hobo, Mina Road, Bristol, October 2020

This is an outstanding and uplifting piece, bringing an ordinary and drab doorway to life with a stunning coastal view that dreams are made of. How much we all yearn to get away from it all in these pandemic days. Silent Hobo offers just a tiny moment of escape with this mural. I love, love, love this – if only more drab doors and walls were decorated in this way.