Well another weird and wonderful creation from Stupid Stupid Meathole this time on the M32 roundabout. This piece is similar to one he sprayed in Dean Lane but somehow looks a little better in this environment…maybe it is the wall itself that helps it to stand out.
I like his work very much, even if it is a little peculiar. There is some good humour underlying the grotesque nature, but most of all it is utterly unlike anything else on the Bristol scene at the moment. Original work.
Between Mr Draws and Object… The Bearpit is just about keeping alive, although I did notice some Panskaribas pieces on my way into work earlier this week (to follow). This is a quick one from Mr Draws and draws (no pun intended) on his staple decorated lettering.
The colours and patterns make this writing easy on the eye, but it is not to everyone’s taste, and sometimes those who like to sit in judgement on such things can be a bit rude about his work. I’ll have none of it. He brightens up our streets and has no pretensions at all. Perhaps some would prefer clinical fine art, commissioned and safe, but that does not pick up on the diversity and full spectrum of the discipline.
OK, so I’m cheating a little bit. Some of you might have seen this piece in my Thursday Doors post last week, but it is deserving of a mention in my street art section too. A ‘belt and braces’ approach to sharing this one.
It is, of course, a collaboration between PWA members Soap and Face 1st and has such a charming quality to it. Add to that the location on some kind of municipal building behind a secured gate and you have all the makings of great urban street art.
I can’t quite figure it out, but there is something about the balance of the piece and the space it occupies that makes this a real winner for me.
I love visiting new spots, and although I have known about Lawrence Hill roundabout for a little while, I just haven’t managed to visit until recently. Actually I took the dog for a walk there, killing two birds with one stone.
There is a lot of graffiti in each of the tunnels, but of really variable quality. It also looks like turnover is pretty low as some of the pieces looked rather old and tatty. Not this wonderful piece by Zake though. I am more used to seeing his faces on the columns under the M32, so it is great to see something that doesn’t have a width restriction. Three brilliantly expressive faces in differing aspects. Lovely work.
This is quite an unusual hoarding in the centre of Bristol for a couple of reasons. First, I’m not sure what it is protecting, it certainly doesn’t look like anything is being redeveloped. Second, it seems that graffiti writers from ASK are tolerated. Perhaps it is a curated wall, I don’t know.
The middle piece of this ASK collaboration is by the brilliant Voyder, and is one that incorporates his clever brush stroke effect. He really is the master of playing with his audience and introducing stunning ideas and effects. Quite an old piece, but I’ve not had my camera when walking past it before.
As long as Soker keeps turning out fabulous graffiti writing, I will keep photographing and sharing them. This one from a few weeks back was part of a wall shared with Dibz, which I have already posted. It is a beautiful chrome piece with blue and black shadows. Showy and subtle both at the same time.
It is interesting that when I post his pieces on Instagram, they generally get fewer likes than street art pieces, which leads me to conclude that graffiti writing is more of an acquired taste…that is except for his Upfest 2018 Simpsons piece, which was my all-time most popular Instagram post. I wish I knew how these things worked.
Something a bit different today. Where Stokes Croft and City Road meet, there are some poster frames on a wall, which I think have been installed by the People’s Republic of Stokes Croft (PRSC). The posters here could easily be mistaken for the random advertising we are subjected to on a daily basis and which we tend to ignore and filter out as white noise. But take a slightly closer look and you’ll see something quite different.
I don’t know who the artist(s) is/are that put these posters together, but I thoroughly enjoy seeing them when I walk past. Often with some political undertone the wry humour shines through. The first is of a spoof Evening Standard (check the spelling) billboard, stating that ‘things can only get bitter’ a direct reference to the current Brexit crisis that continues to divide the country.
The next poster shows a portrait of David Cameron with paper peeling off where his face is to reveal large corporate office blocks (banks?) behind – surely they are not suggesting the ex PM was driven by capitalist ideology..?
The third poster is a commentary on the ‘social media brain drain’ with a character, loosely based on Mickey Mouse encouraging people to look up from their phones. I wonder how many people look up and read this poster…not many I would guess.
All of these posters are provocative and humorous and I’ll keep looking out for more. Perhaps I’ll get lucky and find out who is behind them too.
Fingers emerging out of clouds set on a blue background with pink spots. Unmistakably a piece by Object… but what is different about this is the gentleness of it and the pink spots are something I’ve not seen him use before.
I love the passion and often rage in Object…’s pieces but every once in a while it is great to see something that is perhaps more subtle. I’m not too sure what the story is here, or why one of the fingers appears to be pushing the crown down, but there is a story. Also I rather like the broken nail by way of observation. This bit of wall is a devil to photograph, but thankfully I was there on an overcast day and so the shadows were not too much of a problem. Nice piece.
Another artist who seems to have upped his game over the last six months or so is Soap. I’m sure that I struggled to find any of his work for an age but now, I am pleased to say, I stumble across new pieces nearly every time I venture out.
This is a bad picture (the light was unkind) of a lovely piece by the artist, and one that extends his ‘standard’ motif into something a little more animated and fun. The addition of eyes creates a new sense of mischief and character. Great colours and really nicely worked patterns – this is a corker from Soap.
Sled One has absolutely smashed it with this extraordinarily brilliant piece of graffiti writing on the new hoardings at the bottom end of Lower Ashley Road. Sadly, the developers have already placed batten squares all over the hoardings in preparation for advertising posters (I guess). How sad that our world is dominated by consumerism and money. These boards were a creative outlet for Bristol street artists to share their art with fellow citizens. Instead, drivers will have to endure seedy adverts desperately thrusting lifestyle aspirations at us in an attempt to sell their grubby products to swell their shareholders wallets. Capitalism is driving everything towards the lowest common denominator of money. No wonder the world is in a mess.
Back to the art and the joy it can bring to our hearts. Sled One is one of the artists I rate most highly in Bristol and this piece (which spells out SLED) is a fine example of his work. He had to paint this in two sessions as he was ‘moved on’ I think when he was sketching it out. Thank goodness he had the perseverance to come back and finish it off. I hope the artists find a way of keeping these hoardings alive, but I fear it could be difficult.
Natural adventures 