1657. Dean Lane skate park (151)

A beautiful ‘TES’ from Slim Pickings, this time in the wonderful claret and blue colours that we might associate with Burnley or West Ham. Once again, and as one would expect, the lines are crisp and clean and the fillings solid and neat.

Slim Pickings, Dean Lane, Bristol, July 2018
Slim Pickings, Dean Lane, Bristol, July 2018

I think this is the last of Slim Picking’s work that I have in my archive, so I rather hope he will be out there at Dean Lane or somewhere else doing his stuff that he does so well.

1656. St Werburghs tunnel (36)

Only recently on my radar, and now I see her work everywhere. This is a great fun piece by Pekoe in St Werburghs tunnel (a spot that is hosting some really great art lately) which displays her trademark third eye and female portrait.

Pekoe, St Werburghs, Bristol, August 2018
Pekoe, St Werburghs, Bristol, August 2018

What make this particular piece so appealing in my eyes is the nicely crafted bubblegum and the way it obscures all that lies behind it with just a hint of transparency. I am enjoying my voyage of discovery with this artist.

1655. Armada Place (12)

This collaboration between Sepr and Daniel Leggs came as a lovely surprise about a week ago while taking a small detour on my way to work. I think the piece had been painted only the day before so it was thankfully free of tags.

Sepr, Armada Place, Bristol, August 2018
Sepr, Armada Place, Bristol, August 2018

I am familiar, as will some readers be, with the work of Sepr who I have written numerous posts about in the past, and whose work I hugely admire. This piece just serves to prolong that admiration as we witness a cat and mouse cartoon where the mouse is looking pretty smug because the cat is trapped, as a footstool, under the man’s legs. Got to love the pink crown too.

Daniel Leggs, Armada Place, Bristol, August 2018
Daniel Leggs, Armada Place, Bristol, August 2018

Daniel Leggs is not known to me and his Instagram account reveals little other than that he is a graffiti writer. I haven’t seen his work in Bristol before, so I am guessing he’s not from these parts. I think he might have some connection with the No Frills community, and his writing has some similarities with that of Biers. I love the rather abstract colourful fills he has used around the piece, without which it would not be half as good. Another pink crown. Great work boys.

1654. St Werburghs tunnel (35)

Gloopy dayglow acid house skeleton courtesy of Laic217. Is there any more to say about this wonderful piece in St Werburghs tunnel? Well as it happens there probably is…for example I rather like the way he has made his name stand out as if raised from the wall by the skilful application of light and dark shading on the edges of the letters – great technique.

Laic 217, St Werburghs, Bristol, August 2018
Laic 217, St Werburghs, Bristol, August 2018

I feel like I haven’t seen much of his work lately and I know I have missed several pieces, but it is always nice to catch one when in the right place at the right time. Where will I find the spray can skeleton next?

Laic 217, St Werburghs, Bristol, August 2018
Laic 217, St Werburghs, Bristol, August 2018

1653. New Stadium Road (6)

Another day, another Deamze piece…his work rate is really phenomenal and the quality of his designs and their execution is unparalleled. It is easy to become blazé about his work, because his standard is so consistent, but if you take a good look at this piece, there is so much to admire.

Deamze, New Stadium Road, Bristol, August 2018
Deamze, New Stadium Road, Bristol, August 2018

The colour selection works well with yellow tones set on a blue background. There is a lot of intricacy to the interlocking letters and precision in the shapes. Yet another outstanding example of this incredible talent.

1652. M32 cycle path (17)

I really rather like this creature created by Kool Hand in the cycle path that runs alongside the M32. Technically, although a cycle path, it has been out of asction for several months now due to construction work, which probably makes spraying this particular wall a little less hazardous.

Kool Hand, M32 cycle path, Bristol, August 2018
Kool Hand, M32 cycle path, Bristol, August 2018

I’ve noticed that Kool Hand seems to favour using a white background, which really helps to bring out the contrasting colours he uses for his characters. Always crisp and clean, Kool Hand tends to use only a few bold colours, together with a little shading to create these striking pieces. This creature reminds me of primative marine life forms from earlier geological ages. Nice work.

1651. Hillgrove Street (7)

I don’t visit Hillgrove Street as much as I used to when I first started writing about street art, probably because turnover of work is very low there, so there is rarely new stuff to find. However, it is always worth checking every now and then, and these two (relatively) new pieces bear this out.

qWeRT and RIP, Hillgrove Street, Bristol, August 2018
qWeRT and RIP, Hillgrove Street, Bristol, August 2018

The wheatpaste on top is by qWeRT, who seems to have blitzed Bristol some time during late spring or early summer. This is another charming googly eyed pair…there is always so much hope and love in these paste ups.

The bird below is a nice simple stencil by RIP who is an occasional visitor to Bristol, and always leaves behind as few treasures to uncover. Both pieces complement each other and are placed carefully. Placement is a key skill for small stencils and paste ups. All good.

1650. The Bearpit (157)

Wowzer…(not a word I use often), what a fabulous piece in The Bearpit from Face 1st. I have to say that I am just loving his development to full body pieces, and that hair…it’s just brilliant.

Face 1st, The Bearpit, Bristol, August 2018
Face 1st, The Bearpit, Bristol, August 2018

Now I happened to get really lucky a few days back and met Face 1st, Soap and Tasha Bee all at once all for the first time while they were collaborating at the M32 roundabout – more about that in another post. It was such a pleasure to meet Face 1st at last, after three years of posting, and it was rather gratifying and humbling that he had read this blog and even shared some posts with his mother. Watching these guys at work simply inspires me to get out there and start spraying – I would love to be able to do what they do as well as they do it. I guess I need to practice…a lot.

I love, love this piece, and have noticed that he is doing more of these and going big – so much to look forward to.

As an aside – this post is scheduled to publish while I am on an aeroplane bound for Italy…the wonders of modern technology.

1649. The Bearpit (156)

These are the characteristic swirling whirling abstract patterns created by Bristol artist Run Z. Although I haven’t seen that many of his pieces, they do seem to crop every now and again and they are instantly recognisable as his work.

Run Z, The Bearpit, Bristol, July 2018
Run Z, The Bearpit, Bristol, July 2018

The works will often follow a colour theme and this one seems to incorporate a green, blue and white palette. There is something of a stained glass window feel to these works and in fact I think the designs would make fabulous windows.

1648. Upfest 2018 (10)

I round off the first 10 Upfest 2018 posts with this rather nice little shutter piece by Silk Crystal, which was one of at least two ‘extras’ that accompanied his official Upfest piece. This happens a lot on North Street, and I would think that probably upwards of 40% of shutters there have been enhanced by Upfest artists over the years.

Silk Crystal street art, Upfest, Bristol, July 2018
Silk Crystal street art, Upfest, Bristol, July 2018

Silk Crystal is a silk screen and street art company that operates around the North Devon coast and works a lot to commissions. This particular piece chimes for me with its marine theme (a lot of these this year) and certainly improves the shutter – now to get to work on the rest of the shop’s appearance!