Graffiti – Page 639 – Natural adventures

1679. Stokes Croft

Only a few days ago I posted some work by qWeRT in Cortona, Italy that must have been pasted up some years ago, judging by the shift in style (and also the fact that the Italian pieces were signed QWERTY). This is much more what qWeRT’s stuff looks like at the moment.

I love this particular wheatpaste with our googly eyed hero riding a scooter, and seeming so right for this particular area. The door is really quite a messy scrawl of tags, and indeed I think I must have walked past this piece several times before I actually noticed it…it is fairly well camouflaged. Hurrah for qWeRT coming to Bristol and leaving us these little presents dotted about the place.

1678. The Bearpit (158)

Mr Draws is an artist I have always rather liked. His work always brings a smile to my face…it is bright and cheerful, simple and striking and it has a habit of cropping up anywhere in Bristol.

Mr Draws, The Bearpit, Bristol, July 2018

This is one of his faviurite spots in The Bearpit, and this quick one uses the space perfectly. Never too sophisticated, but always really easy on the eye. Mr Draws has plans to leave the UK for Germany soon, but I’m not sure if that is still going ahead. If so, I will surely miss his cheerful work – I still have loads in my archive that will keep me going for a while.

1677. New Stadium Road (7)

There seems to be no stopping Soker at the moment, it seems that everywhere I go in Bristol there is a new piece by him. What this means is that there will be several posts following this one in the near future featuring his work.

Soker, New Stadium Road, Bristol, August 2018

I rather like this one in the foot tunnel under the M32 spot, and for once my photographs aren’t too polluted with the awkward light conditions that seem to be omnipresent on this wall. I like the colours – blue and yellow/gold are always a strong combination, but what I really like about this piece is the kind of effortlessness it conveys, Soker just seems to be, like several of his ASK fellows, an artist at the top of his game.

1676. Dean Lane skate park (154)

The other day, just before heading off to Italy, I had a quick trawl around my favourite spots in Bristol just to get as up-to-date with new pieces as I could before missing out on a week of photographing street art. Dean Lane was fairly busy, as it was being prepped for the annual Hardcore funday that weekend. Feek was working on one of the large ramps (to follow) and I met DJPerks (a fellow admirer of street/graffiti art) for the first time. I think that we ‘hunters’ (I’m not sure if I like the tag) are almost as elusive as some of the artists. While talking to him, this green piece caught my eye.

Nightways, Dean Lane, Bristol, August 2018

It is by Nightways, a visitor to Bristol, but I am not too sure where he calls home. He sprayed this piece as a three colour challenge, and I think it has turned out rather well. His Facebook page is a little cryptic, and he seems to have a thing for bears, although looking at his Instagram it all seems to be monkeys. Whatever his thing is, I rather like this piece, and hope he comes to visit again soon.

1675. Dean Lane skate park (153)

I only took this picture a couple of weeks ago and it has been buffed over at least twice since then. It is by the irrepressible Laic217 who never tires of creating these wonderful skulls and skeletons in various guises.

Laic217, Dean Lane, Bristol, August 2018

This skull is donning a gas mask, or is it a sophisticated protection mask from the fumes of spray paint? I guess perhaps the latter and the yellow patterns are the paint fumes. It works either way really. The detail in the eye sockets of the skull is awesome and the bucket hat with the smiley so full of character. Laic217 has smashed it with this one.

1674. Westbury Hill

I have known about this mural for several years, but just never stopped to take a picture of it until very recently, and it looks as good close up as it does from a distance. It is by the hugely talented and lovely Bristol Artist Andrew Burns Colwill.

Andrew Burns Colwill, Westbury Hill, Bristol, August 2018

Painted in 2011, this mural depicts a giant looking out of a window and uses the trompe l’oeil technique to provide a false perspective that there is a window in the wall and that render has fallen, exposing brickwork underneath. It is in fact a flat wall.

I love the little details in the piece…the rose in the window sill and the ivy dropping down from the top of the window, and of course the cracks and the brickwork make this a truly magnificent piece, that I expect the good people of Westbury-on-Trym take for granted.

There is something rather forlorn about the giant’s expression and there is an untold story unfolding – the words ‘and the giant looks on, still waiting…..’ – tell us all is not well and I fear a broken heart is just around the corner. A most wonderful piece.

1673. M32 roundabout J3 (91)

Unusually I find myself rather conflicted about this extraordinary recent piece by 3Dom on the M32 wall. I am such a big admirer of his work, but for reasons I cannot identify, this one doesn’t really tick my boxes. It is technically beautifully done, and the blue patterning around the outside is masterful, but there is something about the face that doesn’t work for me. It is peculiar, but I feel a little disloyal, though I don’t suppose that you can like everything all the time.

It is great to see more of his work about the place though, and this piece did manage to survive longer than the Sepr piece two to the left which had been buffed by the time I got there.

1672. Cortona, Tuscany, Italy

It is an extraordinary thing to travel to a foreign land and enjoy all that feels exotic and different, to bathe in a culture and history so different from your own. More extraordinary still is to stumble upon the familiar in such a context, but that is exactly what I did on a recent visit to Cortona in Tuscany.

Of course, while walking through the streets of the town I needed no encouragement to take a peek down the side streets to see what surprises might lurk. I have to say that wheatpastes by qWeRT were not exactly what I had in mind, but that is precisely what I found.

Altogether I think I discovered five pasteups by this ‘Natural Adventures’ regular, each in a different stage of decay. I would guess that these had been up for a few years, and I find it all rather touching that the civic authorities haver chosen not to take them down.

What also interests me is that there are copies of the same wheatpastes, but they appear each to have been hand painted separately rather than printed. I admire qWeRT’s choice of destination for these wheatpastes and am thrilled to have inadvertantly found them.