436. North Street, bus stop at Fairfield Road (2)

This wonderful piece appeared a few days after Upfest had ended, and I guess Feoflip decided to stick around and improve some bare walls. I really love this piece, the soft pastel colours give the piece the look of an illustration. The character looks like it has just walked off the pages of a children’s picture book. I would love to read that story.

Feoflip, North Street, Bristol, August 2016
Feoflip, North Street, Bristol, August 2016

Feoflip was unknown to me before Upfest, but I have now seen several of his pieces all over Bristol, and will be sharing them over the coming weeks. He is fast becoming one of my favourite artists. I love the combination of organic and mechanical, it works very well, as with his piece at Ashton Gate School.

Feoflip, North Street, Bristol, August 2016
Feoflip, North Street, Bristol, August 2016

The more observant reader may also notice the Gregos mask just to the left of this piece which I wrote about last year.

To Dom

 

Tears of a grieving

mother, stained in red tribute

where he used to skate.

 

by Scooj

 

  • I was deeply moved today when I met a lady roughly my age spraying a cardboard stencil tribute to Dom. I stopped to ask her who Dom was. She told me through her tears that he was her son, aged 21, who died two days ago on a basketball court. Too tragic for words. Sometimes life is just so very tough. Such sadness. As a boy Dom used to skate here at Dean Lane skate park.

http://www.walesonline.co.uk/news/wales-news/university-basketball-captain-died-after-11976867

 

 

435. Wilder Street (9)

Just once in a while you see a wall and just go ‘wow’. This was one of those walls. Deamze, Voyder and Soker have collaborated before and seem to really go to town when they do. My only regret posting this is that these pictures really don’t do the wall justice, the pinks are absolutely amazing.

Deamze, Wilder Street, Bristol, September 2016
Deamze, Wilder Street, Bristol, September 2016

Deamze has a brilliant theme going on with a cartoon character rounding off his moniker. A quick Google search informs me it is from Dexter’s Laboratory – not a cartoon I am familiar with…it’s my age.

 

Voyder is in the middle, as usual, and sprays his signature with those beautiful curving letters. I wonder if their positioning is like the ‘Ant and Dec’ thing where one always has to stand on one side, and the other on the other.

Voyder, Wilder Street, Bristol, September 2016
Voyder, Wilder Street, Bristol, September 2016

Joining the work of Voyder and Soker is a ‘tweetie pie’, I’m not sure which of them sprayed it, but it spans the two pieces well.

Soker, Wilder Street, Bristol, September 2016
Soker, Wilder Street, Bristol, September 2016

Soker rounds off the triptych with great wildstyle writing that we are used to seeing from such a master. These three pieces together are genuinely breathtaking. Let’s hope these three get together again soon.

Soker, Voyder and Deamze, Wilder Street, Bristol, September 2016
Soker, Voyder and Deamze, Wilder Street, Bristol, September 2016

 

434. Upfest 2016 (50)

Without question, one of the highlights of this year’s Upfest was this magnificent mural by the fabulous Louis Masai. His works are nearly always highlight threats to the environment or endangered species and on that ticket alone he ranks highly in my own personal favourite artists.

Louis Masai, Redpoint, Upfest, Bristol, July 2016
Louis Masai, Redpoint, Upfest, Bristol, July 2016

His recent murals have featured animals painted with a patchwork quilt kind of effect, and in this case the rhinoceros is being stitched together by a honey bee and a bumble bee.

It is difficult not to be impressed with this work, and not surprisingly Louis Masai’s status in the street art world has grown in the last year or two.

Louis Masai, Redpoint, Upfest, Bristol, July 2016
Louis Masai, Redpoint, Upfest, Bristol, July 2016

Definitely, definitely in my top five pieces from this year’s festival. It is a pity that it is slightly off the beaten track as many visitors to Upfest will have missed it. The piece is on the Redpoint Bristol Climbing Centre on Winterstoke Road.

Louis Masai, Redpoint, Upfest, Bristol, July 2016
Louis Masai, Redpoint, Upfest, Bristol, July 2016

It would be great if he could return next year, although I’m not sure he could better this one.

433. Upfest 2016 (49)

Seeing Bristol street artists’ work at Upfest just felt right. In amongst all the exotic invitees to the festival were the artists that put Bristol on the map in the first place. If there wasn’t a street art scene here in the first place then there would be no festival.

Kid Crayon, Upfest, Bristol, July 2016
Kid Crayon, Upfest, Bristol, July 2016

This cheeky piece by Kid Crayon is yet another great work by one of my favourite Bristol street artists. I read, I think on KC’s Instagram feed, that he was not happy with the piece and that the sun had played havoc with his spray cans. Havoc or not, KC never fails to please, with his bright colours and Picassoesque ‘blue’ figures. Keep them coming!

432. Upfest 2016 (48)

C3 is a street artist I admire very much. The distinctive cut out pasteups C3 produces were very much in evidence at Upfest along the hotly contested spots of North Street. There wasn’t a biography of C3 in the Upfest programme, so I am not certain that the works were entirely official, which in my mind makes them all the better.

C3, Upfest, Bristol, July 2016
C3, Upfest, Bristol, July 2016

The work of C3 will often feature, as in this wheatpaste, a backdrop of newspaper, typically with an image of a woman in black ink and red hair. Instantly recognisable and each telling a story of love or heartbreak. Since seeing C3’s work in Bristol, I have photographed a whole lot more in Shoreditch, which I will share soon. Worth a quick squint at C3’s website too.

430. Upfest 2016 (46)

One of the best things about my personal journey into the world of graffiti art and street art has been the discovery and continuing observation of Tom Miller. Tom is a fine artist who has turned his hand, like many others, to the street and with stunning results.

Tom Miller, Upfest, Bristol, July 2016
Tom Miller, Upfest, Bristol, July 2016

This work was produced for Upfest, and I managed to catch him just as he was signing the piece. Some great shots, but my intrusion came at the expense of a film maker who has been following Tom for a couple of years…I got in the way a bit…oops.

Tom Miller, Upfest, Bristol, July 2016
Tom Miller, Upfest, Bristol, July 2016

All was ok though as we have a mutual interest in Tom,’s work, and my accidental ‘photobomb’ was forgiven.

Tom Miller, Upfest, Bristol, July 2016
Tom Miller, Upfest, Bristol, July 2016

Tom’s work is centered around his construct of ‘imaginite’ which is, I think, the idea of capturing the mind’s thoughts in art. A fabulous concept, and one that draws heavily on the Surrealist movement. I just love his work and this is a beauty.

429. Wilder Street (8)

There are some pieces that you just fall in love with. It is difficult to explain why, it just happens. This is one such piece, and I have been waiting a little while to post it because I wasn’t too sure who the artist was. It is by Acid Collapse, and one of my favourite pieces of the year.

Acid Collapse, Wilder Street, Bristol, June 2016
Acid Collapse, Wilder Street, Bristol, June 2016

I can find out very little about Acid (Juanito) Collapse other than that he is probably from Colombia, that he has a Facebook Page and that he visited Bristol Earlier this year. The rest is a mystery.

Acid Collapse, Wilder Street, Bristol, June 2016
Acid Collapse, Wilder Street, Bristol, June 2016

This piece seems to cross seamlessly from graffiti art to street art and back again. Amazing colour palette, stunning writing and the face is just the best. It would be grate to see him return some time.

 

 

428. Jamaica Street (6)

Directly opposite the Stokes Croft open air gallery is a house which received an unusual makeover by Cheba a few months back. The building was badly tagged and getting a bit grotty, but the unusual pink stellar Cheba work kind of put an end to that.

China Girl Tile, Jamaica Street, Bristol, September 2016
China Girl Tile, Jamaica Street, Bristol, September 2016

I have walked past the mural many times but only very recently become aware of the brightly coloured ceramic pony above the window. It is by China Girl Tile, and so incredibly kitcsh that it is just bloody brilliant. Small and unnoticed by most passers-by it really made me laugh when I saw it.

China Girl Tile and Cheba, Jamaica Street, Bristol, September 2016
China Girl Tile and Cheba, Jamaica Street, Bristol, September 2016

This is almost certainly an ‘extra’ left behind by China Girl Tile after installing her brilliant foxes for Upfest in July. It also works so well with Cheba’s pink ‘number’. So utterly worth seeking out.

427. Stokes Croft, The Full Moon

This large work has been here for well over a year now, but I simply haven’t got round to sharing it until now. Cheba is making something of a name for himself with painting these large scale, full building interstellar galactic murals.

Cheba, Stokes Croft, Bristol, March 2016
Cheba, Stokes Croft, Bristol, March 2016

This particular piece is a bit of a landmark at the centre of a cultural hub in Bristol. Cheba produces these amazing works and he produces them so very well. His technique is recognisable and I would say ‘best in class’ of this king of work.

Cheba, Stokes Croft, Bristol, March 2016
Cheba, Stokes Croft, Bristol, March 2016

I recently saw another large piece by Cheba in Camden Town, not dissimilar to this one. Of course I will write about it one day…maybe in a light year or two.