3087. M32 Cycle path (67)

Like so many things, once you get your eye in, you up your game. I am now noticing more pieces by Evey and realise that I probably have a fair few in my archives as well. I have known about her work for a little while, but it wasn’t until her BLM collaboration piece under Brunel Way recently that I wrote my first Evey post. This is the second.

Evey, M32 Cycle path, Bristol, July 2020
Evey, M32 Cycle path, Bristol, July 2020

Evey’s EVEN letters are well proportioned and the there is a nice twist with the second E reversed. Because I am teaching myself to spray paint I tend to notice little mistakes and the blue shading on the second E is slightly wrong which confuses the eye a little. It is Evey’s fills that I absolutely love though – maybe it is the natural subject of leaves and plants, but there is something very comforting one optimistic about them, and that is a good thing in these troubled times. Looking forward to posting more pieces from Evey.

3086. M32 roundabout J3 (241)

The last time I posted something by this artist I had mis-identified him as Taboo… how wrong could I be? It is actually by Whos, and although his style is somewhat similar to Taboo’s it is very clear that this says WHOS.

Whos, M32 roundabout, Bristol, July 2020
Whos, M32 roundabout, Bristol, July 2020

I have a rather soft spot for this piece. The letters feel very home-made if you know what I mean and the simple black pattern running through the middle of all the letters has a charm about it. Some might walk past this without even noticing it, but not me, I like it and look forward to finding more from Whos.

3085. M32 roundabout J3 (240)

Minto is an artist who at one time lived in Bristol but like so many others before him moved to London. From time to time he returns to Bristol and recently he brought Tizer with him for a couple of days.

Minto, M32 roundabout, Bristol, July 2020
Minto, M32 roundabout, Bristol, July 2020

This was the second of two pieces that Minto painted over two days at the M32 roundabout and I was fortunate enough to be there when he was painting both of them. This is certainly a festival of colour and a beautifully designed piece, but, and I don’t mean to be too picky, I don’t really like the colour combinations. I could do with losing the brown/bronze and the bright green… it all comes over as a bit of a colour hotch potch. Maybe like Hemper he was using up dregs to give us this diverse piece.

Minto, M32 roundabout, Bristol, July 2020
Minto, M32 roundabout, Bristol, July 2020

Of course it goes without saying, I am perhaps focussing on the wrong thing, because the finished piece is so obviously by an enormously talented artist and actually looks pretty good. Of the two pieces he painted over the two days, I think I prefer his first one (yet to be posted).

3083. M32 roundabout J3 (239)

When people say to me ‘I didn’t recognise you at first with your beard’ I know that I haven’t seen that person for at least five months, and that was the opening of my conversation with Decay recently at a paint jam at the M32 roundabout recently.

Decay, M32 roundabout, Bristol, July 2020
Decay, M32 roundabout, Bristol, July 2020

Not only was it good to catch up, but it was also amazing watching him bring this piece together. One of the first parts that he added was the large splatters of grey paint, using a rather interesting contraption attached to the cap.

Decay, M32 roundabout, Bristol, July 2020
Decay, M32 roundabout, Bristol, July 2020

Decay works so effortlessly and with such mastery of his lettering that witnessing this piece coming together was like watching something magical unfold. I believe it to be one of his finest pieces to date and that is a very high bar indeed.

Decay, M32 roundabout, Bristol, July 2020
Decay, M32 roundabout, Bristol, July 2020

There is a lot going on in this piece, but somehow it looks very simple. Perhaps the lack of black outlines for the letters adds to the simple feel, but the complexity lies in the shades of grey and shadows and the injections of colour and shapes. I love this piece, top notch.

3081. M32 roundabout J3 (238)

This piece was photographed during a crazy purple patch of brilliant artists hitting the M32 walls a couple of weeks back and I just so happened to be fortunate enough to see them at work two days running. On the second day, when I took these pictures, I had returned to the roundabout to photograph the finished pieces from the day before and was treated with finding a whole ton more artists at work. It doesn’t happen often but when it does it is so rewarding.

Hemper, M32 roundabout, Bristol, July 2020
Hemper, M32 roundabout, Bristol, July 2020

I managed to introduce myself to Hemper for the first time and although I have seen him painting before, I’ve not really had the opportunity to say hello. When I arrived Hemper was about half way through this freestyle piece. It is something rather different and resembles slightly a stained glass window.

Hemper, M32 roundabout, Bristol, July 2020
Hemper, M32 roundabout, Bristol, July 2020

Hemper was using up dregs from cans hence the explosion of colour, and sprayed the colours first, before carefully going over each colour with the black outline to create this wonderful effect. A great piece on a great day.

3078. M32 roundabout J3 (238)

This fine piece by Soker was a part of the graffiti writer paint jam from a week or so back. I do think that there is a lot to be said for prepping a wall beforehand for artists of a certain calibre such as Soker, that makes a kind of statement that this work is worth proper treatment – some might view this as taking the edge out of graffiti and I would understand that, but I like it.

Soker, M32 roundabout, Bristol, July 2020
Soker, M32 roundabout, Bristol, July 2020

This piece is on the face of it wonderfully simple, until you take a look at the orange fills with blue drips and the use of five colours graded horizontally in the letters. The purple spots just add something special (Imagine the piece without them). Great work from a graffiti master.

3075. M32 roundabout J3 (237)

Inkie’s work is consistently outstanding. What a privilege it was to happen upon a paint jam a short while ago at which some of the great and the good of the Bristol and London graffiti writing scene converged on the walls of the M32 roundabout on two consecutive days. A highlight of the year so far.

Inkie, M32 roundabout, Bristol, July 2020
Inkie, M32 roundabout, Bristol, July 2020

This piece needs no introduction. Rather I suggest that you simply admire the burning tones and typical ‘fairground’ lettering style that has become representative of the Bristol street art scene. A huge surprise and a red hot piece – happy days.

3072. M32 Cycle path (67)

Colourful is the word that springs to mind when I look at this fine piece of writing from recently discovered (by me) Phour. Many graffiti writers fade their colouring horizontally, but Phour has done this vertically so the colour transitions happen as you read along the piece.

Phour, M32 cycle path, Bristol, June 2020
Phour, M32 cycle path, Bristol, June 2020

Phour along with graffiti writers like Mr Draws, Oner, Slim Pickings (Tes) and Fiva, to mention but a few, writes his name, clear and simple without too much disguise or wildstyling which makes his work really easy to identify. I find this piece most pleasing. Great colours, neat and tidy and it has a fearless joy about it. Looking forward to seeing a whole load more from Phour.

3070. M32 roundabout J3 (236)

In amongst the frenzy of activity in June and July as artists have woken and gone crazy for painting, the steady beating pulse of Bristol graffiti art continues in the form of work from PWA artist Face 1st. Reliable and dependable, Face 1st turns out his face-based pieces that rarely disappoint. His works have become so much a part of the furniture that sometimes we don’t even notice them (when I say we, I don’t mean me of course).

Face 1st, M32 roundabout, Bristol, July 2020
Face 1st, M32 roundabout, Bristol, July 2020

This is a lovely piece in russet tones and present us with FACE hair over a smiling girl’s face. There is something warm and familiar about his work, and something so very Bristol too. This is a modest low-profile piece and I love it.

3069. M32 Cycle path (66)

As with so many artists, Bnie has been very active since the easing of lock down and I can’t ever remember a time when the frequency of her work has been as high as it is now. This all amounts to great news for fans of her beautiful writing.

Bnie, M32 cycle path, Bristol, July 2020
Bnie, M32 cycle path, Bristol, July 2020

In typical fashion, Bnie gives us a really tidy and clean BNIE with some complex and stylish fills. Her creativity and imaginative fills are her USP and she really leads the way with these patterned letters. A fine piece.