My children, like all siblings, take great pleasure in asking me which of them is my favourite. Because I have a pigeon pair, I say to my boy, ‘you are my favourite son’, and my girl, ‘you are my favourite daughter’. It has worked so far, but the truth is that it is possible to have different favourites for different reasons. I say all of this because Bloem is definitely one of my favourites, but I have arrived at that point through liking her style, watching her develop, and also because she is a lovely person who makes time to chat and talk about her work.
Bloem, Peel Street Green, Bristol, October 2024
In this piece Bloem visits some of her favourite themes, a hand with long nails clutching a beautiful flower and a spiked chain. The classic coming together of beauty and jeopardy and threat. The whole thing is presented in shades of pink and set on a framed black background. This is a really mature piece with a story being told and plenty of symbolism. Great work from Bloem.
Sure and steady, Trafficity is probably the most dependable and consistent graffiti writer in Bristol, and although he doesn’t paint all that often, he has a rhythm, and you can be pretty sure to find two or three of his pieces every year. His consistency is evident in the gallery of his work that I have compiled.
Trafficity, Peel Street Green, Bristol, June 2024
The letters ZIOM are fairly heavily disguised, and as I have observed many times before, there appears to be another word sitting along the top, in lime green in this piece, that looks like it spells MUMM, but I might be imagining things. The colour palette is easy on the eye and the piece nicely presented. I rather like the little shout-out to Haka, whose long-standing piece here was overpainted.
Acesartworld, Peel Street Green, Bristol, May 2024
Acesartworld, who appears to have recently changed his moniker to Ace has recently taken a significant change in direction in his work towards painting Transformer-influenced masks. Having painted several of these in Bristol this year, I don’t think he needs to sign them any more as they are quite unique.
Acesartworld, Peel Street Green, Bristol, May 2024
I think that this piece speaks of a tidy and regimented mind, paying attention to the symmetry and detail set on a buffed wall, creating clarity – there is no ambiguity or subtlety here – what you see is what you get. These mask pieces have created quite a nice ‘collectable’ series, and I fully expect to see more as the summer unfolds.
Desi and Mr Two Gram, Peel Street Green, Bristol, May 2024
Peel Street Green is a really great spot for showcasing your work, and Desi and Mr Two Gram have absolutely smashed it with this colourful and cheerful themed collaborative wall. I particularly like the inclusion of characters, which is something neither of these artists does all that often, but they should, because these are brilliant.
Desi, Peel Street Green, Bristol, May 2024
Desi has returned to writing DESI, after a spell of writing VEIL, and appears to write with such confidence and flair these days. Her work has really come on in leaps and bounds, and her finishing has improved no end. The character, with pink overtones, in keeping with the writing, looks, stylistically, like a character from the Dexter’s Laboratory cartoon series. A great combo piece.
Mr Two Gram, Peel Street Green, Bristol, May 2024
Mr Two Gram and I had a long conversation a little while ago, under the M32, during which I asked him whether he ever painted characters, and he replied that it was something he was considering… well I am glad that he did, because this combination of writing and cartoon character is superb. Mr Two Gram’s letters are so distinctive and always neatly turned out, and the colour scheme works well here too. As with Desi’s piece, the hair and eyes match the writing, ensuring the character is relevant to the piece. Great work and a wonderful collaborative extravaganza.
It feels a little odd that this is only the 30th piece that I have posted from Peel Street Green. Admittedly, I arrived at the show very late with this spot, and have only been swinging by the place since November 2021. What I particularly like about the long wall here is that it has delineated large sections which tend to be occupied by one artist in each, creating an informal outdoor gallery atmosphere. The artwork here can be very hit-and-miss, but this one from Grimes is most certainly a hit.
Grimes, Peel Street Green, Bristol, May 2024
The letters in this busy work spell out the artist’s name in lime green and khaki colours, augmented with some wonderful black accents, and a cheeky grin in the ‘G’. The drop shadow is expertly done, helping the piece to pop from the wall. The graffiti writing is set on a swirly patterned red backdrop, contrasting nicely with the greens. I like the little shout-out to Cort whose piece Grimes painted over. Respect.
Cort tends to keep a very low profile, and I think he likes to keep it that way. On the few occasions that I have met him, he has been a man of few words, letting his artwork do the talking. Although he is not as productive these days as he has been in years gone by, the quality of the work has made up for the infrequency.
Cort, Peel Street Green, Bristol, April 2024
This piece in Peel Street Green is a belter, and he has replaced his usual CORT letters with the word DRUNK. I wonder if that references the state he was in when painting it, or whether there is another story behind the letters. The piece is nice and sharp with good colours and some nice letter fills. There is both fun and movement in the whole thing that gives it some vibrancy, and it certainly stands out in this long gallery wall.
This piece from Haka is simply perfect in every way.
Our country is in a mess, largely thanks to the appalling Government that have been in power for the last 14 years, and their lurch to the right. Their latest culture war that they are waging on the good people of the UK, is that anyone protesting for peace in Gaza and an immediate ceasefire is branded an Islamist, which when you look at it, is absurd. Calls for an end to the war, and indeed countless other wars, are treated as a threat or anti-government, rather than being a cry to stop the needless killing and suffering. What else can citizens do to express their concerns other than protest. I would think that the vast majority of British people are against the war in Gaza, after all what kind of person would want the killing to continue? Only those who stand to gain financially or politically.
In this piece Haka peacefully makes his own statement ‘Free Palestine’, accompanied by a small peace flag. Does this make him a fundamentalist or an Islamist? I don’t think so. Nor does it make any of the other street artists who have painted commentary pieces about the war in Gaza some kind of threat to our British values. On the contrary, British values are based on compassion, fairness, decency, honesty and truth. It is politicians and political leaders who bend these values to suit their own narratives, and in this respect the right wingers have excelled themselves in recent years. Decent people have had enough. We need a change of government, but alongside that we need to return to a united society, because we have some far greater challenges ahead of us which we must face together. There is no room for selfishness any more, that way leads to our mutually assured doom.
Sermon over.
Haka, Peel Street Green, Bristol, February 2024
This piece is beautifully recreated in the style of Dr Seuss and perfectly captures the moment. The innocence of the camel adding to the pathos of the message. Haka has created something both beautiful and powerful and I salute him. This is not a ‘hate’ piece, it is a cry for peace piece.
Mr Klue, Peel Street Green, Bristol, February 2024
Mr Klue has definitely woken from his winter slumbers and is doing what he does so well, and decorating the walls of Bristol with his unique abstract ethereal letters. I am not too sure though that I have ever seen a piece of his on this wall before, and it is nice to see him break away from the security of his favourite spot in the tunnel.
Mr Klue, Peel Street Green, Bristol, February 2024
I suspect that Mr Klue has a large stock of blue, green and white tints, as his last three pieces have all had very similar colour schemes. The letters spell, as usual, KLUE, but are so very well disguised. I am guessing, and hoping, that this early year flurry of pieces extends well into 2024.
Having only recently graced the pages of Natural Adventures, Sub, I have a feeling, is going to feature more and more going forward. This large piece in Peel Street Green combines his big letters with a pussycat character. The piece was overpainted last week with some writing that incorporated (and by implication, took credit for) the cat… Sub has since returned and restored his own letters.
Sub, Peel Street Green, Bristol, February 2024
Sub’s letters tend to be super-large and simply filled, but it is the inclusion of his cartoon, manga-style cat, that adds lots of interest to the piece. This is a nice clean and tidy piece, and it will be interesting to see if the incorporation of characters will become more of a thing for the artist. Nice work.
Although he only paints occasionally, Serm always leaves a good impression. This is a nice large piece of graffiti writing on the long wall at Peel Street Green. One of the interesting features of this wall is that it is broken down into about eight equal sized sections, each one just the right size (actually on the slightly large size) for an individual to showcase their work. Each ‘frame’ is rarely dogged, and some pieces can remain here for quite a while.
Serm, Peel Street Green, Bristol, February 2024
Serm writes with large chunky letters and a deep 3D drop shadow, in this case in lilac/purple shades that contrast with the green/yellows in the letter fills. There is a certain amount of panache about his work, and it is a genuine pity that he doesn’t manage to get out and paint more often.
Natural adventures 