7342. Jamaica Street (31)

Aimes, Esme Lower, Jody and Conrico, Jamaica Street, Bristol, November 2025
Aimes, Esme Lower, Jody and Conrico, Jamaica Street, Bristol, November 2025

There was a time a few years back when this superb hoarding, the People’s Republic of Stokes Croft outdoor gallery, would be refreshed on a regular basis with all manner of collaborations, these days it tends to be used more for social commentary and messaging, which is not entirely surprising, and welcome. On the downside, it doesn’t get painted with the same frequency, as the messages have longevity. This is a superb, and rather eclectic collaboration from Aimee’s Esme Lower, Jody and Conrico in support of Bristol’s homeless.

Aimes, Jamaica Street, Bristol, November 2025
Aimes, Jamaica Street, Bristol, November 2025

The collaboration begins on the left with a colourful piece by Aimes. The creative piece hints at homes with the brick wall, and also recognises one of the backers of the campaign, the Big Issue, an outstanding set up that has been supporting homeless people for years through a model of engagement in the process of creating and selling print/digital newspapers.

Esme Lower, Jamaica Street, Bristol, November 2025
Esme Lower, Jamaica Street, Bristol, November 2025

The next piece is by Melo who has been on fire recently. The comforting piece is a combination of an illustrative cartoon style that verges on the abstract in places. Two characters, one of them drinking a hot drink and some beautiful flowers, gives us a scene full of hope and opportunity.

Jody, Jamaica Street, Bristol, November 2025
Jody, Jamaica Street, Bristol, November 2025

The portrait piece by Jody, is, I believe a copy of the front cover of the Big Issue, featuring DJ James Hype, who was holding a fundraising event at the Beacon to support homelessness. Jody, as ever has smashed it with the greyscale piece.

Conrico, Jamaica Street, Bristol, November 2025
Conrico, Jamaica Street, Bristol, November 2025

Finally, Conrico has painted some low-cost container houses amidst a floral display, and the words ‘building homes from house’ making the connection between the fundraiser and the outcomes. All in all these four artists have combined to support a powerful and valuable message to the people of Bristol.

6587. Jamaica Street (29)

Zubieta, Jamaica Street, Bristol, November 2024
Zubieta, Jamaica Street, Bristol, November 2024

This was my second attempt at photographing this piece by Zubieta, just outside the People’s Republic of Stokes Croft. The first time I came, there were significant shadows across it, and some people sitting on chairs in front of it – all quite unhelpful. The piece is painted on the PRSC blanket and tent exchange, which in itself tells a story of the times we live in.

Zubieta, Jamaica Street, Bristol, November 2024
Zubieta, Jamaica Street, Bristol, November 2024

Zubieta is a muralist whose work often encompasses nature, particularly floral scenes. I think she uses brushes to paint her murals, rather than spray paints. This decorative piece includes some pink flowers with lips in the centre, a caterpillar, a heart and a figure, and many of the leaves contain beady eyes. The content of the work is not so different from Peggy, but the styles are worlds apart. A nice piece enhancing an otherwise utilitarian storage facility.

4750. Jamaica Street (57)

Erviti, Jamaica Street, Bristol, August 2022
Erviti, Jamaica Street, Bristol, August 2022

I understand that Erviti, who has brought so much fine art to the streets of Bristol, is leaving/has left the great city, which is a real shame. Her impact, alongside the Bristol Mural Collective, has been noticeable and welcome, and her memorable cat under Brunel Way remains intact.

Erviti, Jamaica Street, Bristol, August 2022
Erviti, Jamaica Street, Bristol, August 2022

This piece was painted on the People’s Republic of Stokes Croft (PRSC) open air gallery in Jamaica Street, and was one of several pieces supporting the ‘My Body – My Rights’ campaign, shortly after the abortion ban in the USA. The piece was painted using Graphenstone paint that absorbs CO2 and is, I believe, a self-portrait. Lots to like here.

3311. Jamaica Street (24)

The People’s Republic of Stokes Croft outdoor gallery is a great ‘showcase’ wall that is properly curated and well respected. Rarely is this wall tagged or despoiled in any way. One of the key carers of this wall is Object… so it is great when he gets to put a piece of his own work up, and in this case as part of a collaboration with Msale.

Object... and Msale, Jamaica Street, Bristol, May 2020
Object… and Msale, Jamaica Street, Bristol, May 2020

The collaboration breaks down into three panels and picks up on the coronavirus pandemic theme. On the left we see two people hugging the planet earth which is wearing a face mask, the emblem of 2020.

Object... and Msale, Jamaica Street, Bristol, May 2020
Object… and Msale, Jamaica Street, Bristol, May 2020

The middle panel is a ring and circle of text in a calligraphy style. The outer ring says “apart; together; stay safe”. The inner circle is in a script I can’t read and might be Arabic or something like that.

Object... and Msale, Jamaica Street, Bristol, May 2020
Object… and Msale, Jamaica Street, Bristol, May 2020

On the right is a masked portrait with the word ‘hope’ underneath it and to the right are the words ‘Baki salama’ which means stay safe.

Overall this is a contemporary and uplifting piece from two fine artists.

Object... and Msale, Jamaica Street, Bristol, May 2020
Object… and Msale, Jamaica Street, Bristol, May 2020

2968. Jamaica Street (20)

The public conscience of Bristol is often provided by Object…, a little bit like Jimini Cricket in Pinocchio. If there is an issue about common decency and care of your fellow citizens, then Object… will be there as a champion. So there are no surprises that this artist produced this coronavirus piece during lock down.

 

Object... Jamaica Street, Bristol, May 2020
Object… Jamaica Street, Bristol, May 2020

Object… has close associations with the PRSC outdoor gallery, which he seems to curate, so this wall in Jamaica Street was a safe bet. I love this piece. It says all the things I would want to say and reminds us of a time when compliance with the rules was the norm.  The recent relaxations following on from the Dominic Cummings scandal have added up to a sense of selfishness and free-for-all that I just don’t get. Sometimes I truly despair.

This piece is beautifully illustrated with excellent illustrations of NHS workers and is painted with love. Nice one.

2449. Turbo Island

FTurbo Island is a dynamic spot in Bristol. It is in the heart of Stokes Croft and attracts a spectrum of visitors, many high or drunk, who use the space to sit and while away the day. It also has a nice wall that the People’s Republic of Stokes Croft (PRSC) try to curate, but tagging is a real problem here which is a great shame.

Hazard, Turbo Island, Bristol, September 2019
Hazard, Turbo Island, Bristol, September 2019

I decided to go ahead and post this beautiful portrait by Hazard in spite of the tags because I don’t  think it had been up for much more than a day when I photographed it. I spoke to Hazard about it when I met her at the Cheltenham Art Festival and she was fairly philosophical about it and said ‘well it’s Turbo Island, isn’t it?’.

The portrait is another in shades of blue and red and is really beautiful. There is something even more annoying about the tags that are indiscriminate in their destruction, can’t the DBK lot appreciate beauty? Are they incapable of leaving some beautiful things alone? Untouched it would have looked a little bit like the pieces below:

 

1716. Turbo Island

I became aware of this piece of work when I saw an Instagram post from Tasha Bee describing a collaboration on Turbo Island, Stokes Croft with Mr Draws. I decided to walk home…I usually get the bus because I don’t feel as fresh as in the mornings…and what a good decision that was.

Mr Draws and Tasha Bee, Turbo Island, Bristol, August 2018
Mr Draws and Tasha Bee, Turbo Island, Bristol, August 2018

By the time I got to Turbo Island I had already found two new pieces in roads I don’t often visit, which was a great start, and Mr Draws and Tasha Bee were just finishing off and tidying up.

Mr Draws and Tasha Bee, Turbo Island, Bristol, August 2018
Mr Draws and Tasha Bee, Turbo Island, Bristol, August 2018

This wall hasn’t been sprayed for a long time, and a collection of artists supported by the People’s Republic of Stokes Croft (PSRC) are trying to resurrect it as a ‘legal’ wall with a regular turnover. This is a risk, because the site is prone to impromptu parties and gatherings and often gets pretty messed up.

Mr Draws and Tasha Bee, Turbo Island, Bristol, August 2018
Mr Draws and Tasha Bee, Turbo Island, Bristol, August 2018

The collaboration itself is rather lovely, with Mr Draws’ multicoloured mountains and two figures by Tasha Bee and the message in both Latin and English ‘All things are in common’, which expresses the idea that the world belongs to everyone, rather than the way society is organised where the disposessed and dominated are overlooked to the benefit of the few.

Sadly the piece was tagged less than 24 hours later – predictable but annoying really.

954. Jamaica Street (10)

This is the third piece from the PRSC outdoor gallery that featured Boogie and Voyder, and is by the organiser of the ‘Boogie Down Bristol’ event and all round godfather of Bristol graffiti, Inkie.

Inkie, Jamaica Street, Bristol, July 2017
Inkie, Jamaica Street, Bristol, July 2017

This is a really wonderful piece from Inkie, and I think he was pulling out all the stops on this one to show Boogie what he was made of. The colour selections are great, and match those used by Boogie on the far left of the three. Voyder was clearly on his own agenda.

Boogie, Jamaica Street Bristol, July 2017
Boogie, Jamaica Street Bristol, July 2017

Voyder, Jamaica Street, Bristol, July 2017
Voyder, Jamaica Street, Bristol, July 2017

Inkie, Jamaica Street, Bristol, July 2017
Inkie, Jamaica Street, Bristol, July 2017

828. Jamaica Street (7)

A few weeks ago this stunning and touching tribute piece appeared on the People’s Republic of Stokes Croft (PRSC) outdoor gallery wall. It is a wonderful collaboration between The Paintsmiths and Ryder.

The Paintsmiths and Ryder tribute to Raphael Dufresne, Jamaica Street, Bristol, April 2017
The Paintsmiths and Ryder tribute to Raphael Dufresne, Jamaica Street, Bristol, April 2017

The tribute is to Raphael Dufresne, a popular musician on the local scene who passed away on 14 April 2017, suffering a fatal aneurism whilst at the gym. He was only 27 years old. This piece fills me with a sadness, but what a magnificent way to celebrate his life.

The Paintsmiths and Ryder tribute to Raphael Dufresne, Jamaica Street, Bristol, April 2017
The Paintsmiths and Ryder tribute to Raphael Dufresne, Jamaica Street, Bristol, April 2017

I never heard his music, and feel sorry that I never had the chance of seeing him, it sounds like he had a good soul and attitude to life. He had links with PRSC, which is why this tribute is all the more poignant. Really terrific letters from Ryder and a superb portrait by The Paintsmiths. Sad.

The Paintsmiths and Ryder tribute to Raphael Dufresne, Jamaica Street, Bristol, April 2017
The Paintsmiths and Ryder tribute to Raphael Dufresne, Jamaica Street, Bristol, April 2017

166. Jamaica Street (4)

Following on seamlessly from from post 165 you can see that the PRSC outdoor gallery in now occupied by Soker and 3Dom.

3Dom, Jamaica Street, Bristol, March 2016
3Dom, Jamaica Street, Bristol, March 2016

There is a lovely thread of vapour that joins the two pieces coming from the mouth of the curious 3Dom creature on the right (when ever was a 3Dom piece not curious?) and weaving around the Soker burner.

Soker, Jamaica Street, Bristol, March 2016
Soker, Jamaica Street, Bristol, March 2016

I love these collaborations that bring together wildstyle burners with more conventional art pieces – more will follow.

7.5/10