5830. St Mark’s Avenue (11)

Phour and Mates, St Mark's Avenue, Bristol, January 2024
Phour and Mates, St Mark’s Avenue, Bristol, January 2024

For a little while, now, I have been aware that Phour has been painting with a new companion, Mates. Their combinations can be seen in walls and fences all around Bristol, but I think that this is the first post with both of them on Natural Adventures.

Phour, St Mark's Avenue, Bristol, January 2024
Phour, St Mark’s Avenue, Bristol, January 2024

This collaborative wall is themed with chrome lettering on a red background. Phour, painting his distinctive and clean letters in a way that is very pleasing on the eye, kicks things off in this straightforward piece. Judging from the little bit of greenery in the letter ‘O’, I would guess that the piece has been here for a little while.

Mates, St Mark's Avenue, Bristol, January 2024
Mates, St Mark’s Avenue, Bristol, January 2024

To the right, Mates makes his debut on Natural Adventures with some very nice letter shapes in chrome, with a black drop shadow on the red background. The letter design feels very familiar, and reminds me of the kinds of fonts you would see in children’s comics like Beano, The Dandy, Beezer and so on. Watch this space for more from this pairing.

5823. St Mark’s Avenue (10)

Conrico, St Mark's Avenue, Bristol, January 2024
Conrico, St Mark’s Avenue, Bristol, January 2024

There is a convention in the world of street art, that is rarely followed, which suggests that when you paint over a piece by other artists, you tag them in your piece, and it is great to see that Conrico has followed that convention, with his piece on a garage door in St Mark’s Avenue, acknowledging Soap and Face 1st whose old piece he overpainted.

Conrico, St Mark's Avenue, Bristol, January 2024
Conrico, St Mark’s Avenue, Bristol, January 2024

Conrico has a style all of his own, often looking like brush work, rather than painting from a spray can. This piece features a snail in a horrible dam setting, with a shell that presents an altogether more inviting scene. The contrast between the two parts of this piece tells a wonderful story of hope and possibilities. This is a really nice piece from Conrico.

3076. St Marks Avenue (9)

I was walking in Easton last week, without the dog, which meant I was able to extend my range a little further and go a bit faster than normal. I decided to visit St Mark’s Avenue to see if anything had changed since I last visited a few months ago. Much was the same, but there were a couple of these bright colour portraits which I didn’t recall seeing before.

Unknown, St Marks Avenue, Bristol, July 2020
Unknown, St Marks Avenue, Bristol, July 2020

Regular readers will know how I rarely post pieces by unknown artists, but sometimes they simply deserve to be written about and maybe I’ll get lucky and find out who the artist is in due course. The white face is decorated with colourful makeup and looks as if it is prepared for a festival of some kind. I think the portrait definitely looks better viewed from the right than from the left – amazing how different it can look from different angles. I have pictures of another piece by the same artist which I will post in due course – I hope with the artist’s identity.

Update 21 August 2020 – I believe this piece is by Rosalita

2930. St Mark’s Avenue (8)

This is the last piece for the time being from St Mark’s Avenue, although I still have several in the archive to share at another time. It is yet another masterful piece from Deamze whose work still occupies the dark recesses of various folders on my computer.

Deamze, St Mark's Avenue, Bristol, September 2019
Deamze, St Mark’s Avenue, Bristol, September 2019

I am not overly fond of the Smurfs. I was just a little too old for them, when they first emerged onto our screens and so I sneered at the show considering it to be babyish. Furthermore, I just don’t like gnome type things. Deamze however has managed to create a rather special Smurfs piece in St Mark’s Avenue, probably some time ago.

Deamze, St Mark's Avenue, Bristol, September 2019
Deamze, St Mark’s Avenue, Bristol, September 2019

The pink and blue shapes spell out DEAMZ although it is difficult to see from the tight angles of the pictures, and the cheeky little Smurf, like so many of Deamze’s characters is painting the wall with a spray can. Great work once again.

2929. St Mark’s Avenue (7)

I bring you the second piece from a little cluster of pictures I took in September last year from a visit to the exceptional St Mark’s Lane in Easton. This magnificent collaboration is from RichT and 45RPM.

RichT and 45RPM, St Mark's Avenue, Bristol, September 2019
RichT and 45RPM, St Mark’s Avenue, Bristol, September 2019

The large wall is not unlike their tour de force which adorned the nightclub in Frogmore Street a while back, in terms of its style. This is a true collaboration where it is difficult to unpick who painted which elements of the work.

RichT and 45RPM, St Mark's Avenue, Bristol, September 2019
RichT and 45RPM, St Mark’s Avenue, Bristol, September 2019

There is a magnificent story going on in this marine scene, both above and below the surface of the water, depicted in two different colour schemes. The underwater part is frenetic with a dangerous combination of large scary fish and high explosives. WTF?.

RichT and 45RPM, St Mark's Avenue, Bristol, September 2019
RichT and 45RPM, St Mark’s Avenue, Bristol, September 2019

This is an extraordinary collaboration and probably doesn’t get seen as much as it deserves to. The narrowness of the lane makes it really tricky to photograph and I have tried my best with these pictures. This is so utterly worth the trip to Easton simply to soak in the detail of the scene. A stunner.

Richt and 45RPM, Frogmore Street, Bristol, November 2015
Richt and 45RPM, Frogmore Street, Bristol, November 2015

2928. St Mark’s Avenue (6)

Back in September 2019 I discovered an alleyway in Easton for the first time. It was one of those moments when I realised just how little I knew about street art in Bristol, that I could have missed this extraordinary spot with so many extraordinary pieces painted there, many of them dating back years.

3Dom, St Mark's Avenue, Bristol, September 2019
3Dom, St Mark’s Avenue, Bristol, September 2019

This piece at the entrance to St Mark’s Avenue (a very grand name for an alleyway) is by 3Dom and features one of his surreal and dreamlike characters that immediately tell you who the artist is. The only other artist in Bristol with whom his work could be confused  is Sled One.

3Dom, St Mark's Avenue, Bristol, September 2019
3Dom, St Mark’s Avenue, Bristol, September 2019

There is some deep pathos in this scene, in the way that the character is looking at a small flower plucked from the human-created devastation all around. An environmental message here. I don’t know how old the piece is, a few years at least, but I am still excited by discovering it.

If you’d like to see more from this artist/tattooist check out his Instagram account

2587. St Mark’s Avenue (5)

It may be an old piece, but that in no way detracts from its class and beauty. Aspire left Bristol about two years ago, and this piece dates back to some time before then I suspect. My recent discovery of St Mark’s Avenue has been a bit of an archeological expedition, digging out perfectly preserved specimens from another age.

Aspire, St Mark's Avenue, Bristol, September 2019
Aspire, St Mark’s Avenue, Bristol, September 2019

Aspire specialises in birds, and I think in particular has a thing for Blue Tits – this is one of at least four that I have posted in his gallery. It is such a pity that he is only an occasional visitor to Bristol, his pieces were really rather special. Our loss is London’s gain.

2504. St Mark’s Avenue (3)

In my favourite recently discovered spot, St Mark’s Avenue in Easton, is this great collaboration between Soap and Zake which I had seen previously on Instagram, but never knew where it was. Well now I know.

Zake, St Mark's Avenue, Bristol, September 2019
Zake, St Mark’s Avenue, Bristol, September 2019

On the left is a portrait by Zake that unusually for this alleyway has been altered by some idiot, goofing the eyes and the lips This is a real shame because it gives the character a completely different and rather sinister ‘personality’ than that of the original. Even though it has been altered, I felt it worth including, partly to demonstrate that not everything I get to see is in its perfect pristine state and also to explain why I try to get out regularly to find new pieces before they have been tagged or ruined.

Soap, St Mark's Avenue, Bristol, September 2019
Soap, St Mark’s Avenue, Bristol, September 2019

On the right is some colourful and uplifting writing fro Soap. The photograph is a little bit rubbish, partly because of the rather unhelpful wheelie bin and also because of the width of the lane at this point is quite tight and ‘front on’ pictures are an impossibility without a wide angle lens. Unlike much of the work in this lane it is relatively recent and was painted this year. As an aside, the tag on the bin is one that can be found pretty much everywhere in Bristol – I don’t know the tagger’s name, but it is probably concealed somewhere within the tag.

2479. St Marks Avenue (3)

Deamze left for Hobart about six months ago, and it would be fair to say that his familiar style and frequent high-class pieces have been missed. What a pleasure it was for me then to come across several of his older pieces, all in excellent condition in St Mark’s Avenue, a new discovery of street art gold for me.

Deamze, St Mark's Avenue, Bristol, September 2019
Deamze, St Mark’s Avenue, Bristol, September 2019

This is a bright and joyful piece of wild style writing that spells out DEAM with a little deam inside just for good measure. I’ve no idea how old this piece is, but it is great to be reacquainted with this Bristol master.

2475. St Mark’s Avenue (2)

This is the second piece I am posting from St Mark’s Avenue and it is a rather fun piece by Sepr. Judging from the weathering of the paint on the door, it looks like it has been here for some years. In line with pretty much everything in this alley, there seems to be remarkably little tagging.

Sepr, St Mark's Avenue, Bristol, September
Sepr, St Mark’s Avenue, Bristol, September

The piece itself presents a magician pulling a rabbit from a hat although rather than just one rabbit, he is actually pulling two rabbits, in a compromised state from the hat and they don’t look too pleased about it. I have long been a fan of Sepr’s work and I love the retro influences in his style that make his pieces so distinctive. Great piece with a great story beautifully executed, you can’t ask fo much more than that.