7565. St Mark’s Avenue (14)

Kosc, St Marks Avenue, Bristol, March 2026
Kosc, St Marks Avenue, Bristol, March 2026

I haven’t seen anything by Kosc for ages, so I am assuming that this is quite an old piece that I haven’t seen before, because it is quite a while since I last visited St Mark’s Avenue. I have just checked his feed on Instagram, and he painted this in August 2025.

Kosc, St Marks Avenue, Bristol, March 2026
Kosc, St Marks Avenue, Bristol, March 2026

This is a masterful combination piece with a character in green alongside four large stacked letters spelling his name. It is amazing how Kosc has been able to craft such an amazing portrait using only tones of green with black, extraordinary. I sincerely hope we don’t have to wait too long to see more from this hugely talented artist.

7549. St Mark’s Avenue (13)

Conrico, St Mark's Avenue, Bristol, March 2026
Conrico, St Mark’s Avenue, Bristol, March 2026

This charming piece by Conrico is dated 2025, which gives you some indication of how infrequently I visit this spot. Given its age, it has lasted pretty well and hasn’t been tagged at all, the main tell-tale sign of age is the rain-splattered dust kicked up along the bottom margin of the piece.

Conrico, St Mark's Avenue, Bristol, March 2026
Conrico, St Mark’s Avenue, Bristol, March 2026

A delightful and optimistic cat is featured, peering over the edge of a table on which sits some Japanese sushi, a culinary theme that Conrico has used before. For anyone who has owned cats, this is a familiar scene, especially the extended claws making ready for a smash and grab manoeuvre. Superb story-telling from Conrico.

7544. St Mark’s Avenue (12)

Sorts, St Mark's Avenue, Bristol, March 2026
Sorts, St Mark’s Avenue, Bristol, March 2026

It has been a long time since I last visited St Mark’s Avenue, and it has been a long time since I last discovered a piece of graffiti writing by Sorts. So two long awaited events occurred a week or two back when I made a spontaneous decision to step into Easton.

Sorts, St Mark's Avenue, Bristol, March 2026
Sorts, St Mark’s Avenue, Bristol, March 2026

There were a few pieces in St Mark’s Avenue that I hadn’t seen before, starting with this beauty from Sorts. By the look of it, this combination piece, with a cheeky character on the left, is reasonably recent, or at the very least it looks fresh, and there aren’t any rain and dust splatters along the bottom fringe, which you tend to see on older pieces. The letters are nicely presented and filled in quarters with contrasting colours and patterns. It would be great to see more from Sorts.

5830. St Mark’s Avenue (11)

Phour and Mates, St Mark's Avenue, Bristol, January 2024
Phour and Mates, St Mark’s Avenue, Bristol, January 2024

For a little while, now, I have been aware that Phour has been painting with a new companion, Mates. Their combinations can be seen in walls and fences all around Bristol, but I think that this is the first post with both of them on Natural Adventures.

Phour, St Mark's Avenue, Bristol, January 2024
Phour, St Mark’s Avenue, Bristol, January 2024

This collaborative wall is themed with chrome lettering on a red background. Phour, painting his distinctive and clean letters in a way that is very pleasing on the eye, kicks things off in this straightforward piece. Judging from the little bit of greenery in the letter ‘O’, I would guess that the piece has been here for a little while.

Mates, St Mark's Avenue, Bristol, January 2024
Mates, St Mark’s Avenue, Bristol, January 2024

To the right, Mates makes his debut on Natural Adventures with some very nice letter shapes in chrome, with a black drop shadow on the red background. The letter design feels very familiar, and reminds me of the kinds of fonts you would see in children’s comics like Beano, The Dandy, Beezer and so on. Watch this space for more from this pairing.

5823. St Mark’s Avenue (10)

Conrico, St Mark's Avenue, Bristol, January 2024
Conrico, St Mark’s Avenue, Bristol, January 2024

There is a convention in the world of street art, that is rarely followed, which suggests that when you paint over a piece by other artists, you tag them in your piece, and it is great to see that Conrico has followed that convention, with his piece on a garage door in St Mark’s Avenue, acknowledging Soap and Face 1st whose old piece he overpainted.

Conrico, St Mark's Avenue, Bristol, January 2024
Conrico, St Mark’s Avenue, Bristol, January 2024

Conrico has a style all of his own, often looking like brush work, rather than painting from a spray can. This piece features a snail in a horrible dam setting, with a shell that presents an altogether more inviting scene. The contrast between the two parts of this piece tells a wonderful story of hope and possibilities. This is a really nice piece from Conrico.

3076. St Marks Avenue (9)

I was walking in Easton last week, without the dog, which meant I was able to extend my range a little further and go a bit faster than normal. I decided to visit St Mark’s Avenue to see if anything had changed since I last visited a few months ago. Much was the same, but there were a couple of these bright colour portraits which I didn’t recall seeing before.

Unknown, St Marks Avenue, Bristol, July 2020
Unknown, St Marks Avenue, Bristol, July 2020

Regular readers will know how I rarely post pieces by unknown artists, but sometimes they simply deserve to be written about and maybe I’ll get lucky and find out who the artist is in due course. The white face is decorated with colourful makeup and looks as if it is prepared for a festival of some kind. I think the portrait definitely looks better viewed from the right than from the left – amazing how different it can look from different angles. I have pictures of another piece by the same artist which I will post in due course – I hope with the artist’s identity.

Update 21 August 2020 – I believe this piece is by Rosalita

2930. St Mark’s Avenue (8)

This is the last piece for the time being from St Mark’s Avenue, although I still have several in the archive to share at another time. It is yet another masterful piece from Deamze whose work still occupies the dark recesses of various folders on my computer.

Deamze, St Mark's Avenue, Bristol, September 2019
Deamze, St Mark’s Avenue, Bristol, September 2019

I am not overly fond of the Smurfs. I was just a little too old for them, when they first emerged onto our screens and so I sneered at the show considering it to be babyish. Furthermore, I just don’t like gnome type things. Deamze however has managed to create a rather special Smurfs piece in St Mark’s Avenue, probably some time ago.

Deamze, St Mark's Avenue, Bristol, September 2019
Deamze, St Mark’s Avenue, Bristol, September 2019

The pink and blue shapes spell out DEAMZ although it is difficult to see from the tight angles of the pictures, and the cheeky little Smurf, like so many of Deamze’s characters is painting the wall with a spray can. Great work once again.

2929. St Mark’s Avenue (7)

I bring you the second piece from a little cluster of pictures I took in September last year from a visit to the exceptional St Mark’s Lane in Easton. This magnificent collaboration is from RichT and 45RPM.

RichT and 45RPM, St Mark's Avenue, Bristol, September 2019
RichT and 45RPM, St Mark’s Avenue, Bristol, September 2019

The large wall is not unlike their tour de force which adorned the nightclub in Frogmore Street a while back, in terms of its style. This is a true collaboration where it is difficult to unpick who painted which elements of the work.

RichT and 45RPM, St Mark's Avenue, Bristol, September 2019
RichT and 45RPM, St Mark’s Avenue, Bristol, September 2019

There is a magnificent story going on in this marine scene, both above and below the surface of the water, depicted in two different colour schemes. The underwater part is frenetic with a dangerous combination of large scary fish and high explosives. WTF?.

RichT and 45RPM, St Mark's Avenue, Bristol, September 2019
RichT and 45RPM, St Mark’s Avenue, Bristol, September 2019

This is an extraordinary collaboration and probably doesn’t get seen as much as it deserves to. The narrowness of the lane makes it really tricky to photograph and I have tried my best with these pictures. This is so utterly worth the trip to Easton simply to soak in the detail of the scene. A stunner.

Richt and 45RPM, Frogmore Street, Bristol, November 2015
Richt and 45RPM, Frogmore Street, Bristol, November 2015

2928. St Mark’s Avenue (6)

Back in September 2019 I discovered an alleyway in Easton for the first time. It was one of those moments when I realised just how little I knew about street art in Bristol, that I could have missed this extraordinary spot with so many extraordinary pieces painted there, many of them dating back years.

3Dom, St Mark's Avenue, Bristol, September 2019
3Dom, St Mark’s Avenue, Bristol, September 2019

This piece at the entrance to St Mark’s Avenue (a very grand name for an alleyway) is by 3Dom and features one of his surreal and dreamlike characters that immediately tell you who the artist is. The only other artist in Bristol with whom his work could be confused  is Sled One.

3Dom, St Mark's Avenue, Bristol, September 2019
3Dom, St Mark’s Avenue, Bristol, September 2019

There is some deep pathos in this scene, in the way that the character is looking at a small flower plucked from the human-created devastation all around. An environmental message here. I don’t know how old the piece is, a few years at least, but I am still excited by discovering it.

If you’d like to see more from this artist/tattooist check out his Instagram account

2587. St Mark’s Avenue (5)

It may be an old piece, but that in no way detracts from its class and beauty. Aspire left Bristol about two years ago, and this piece dates back to some time before then I suspect. My recent discovery of St Mark’s Avenue has been a bit of an archeological expedition, digging out perfectly preserved specimens from another age.

Aspire, St Mark's Avenue, Bristol, September 2019
Aspire, St Mark’s Avenue, Bristol, September 2019

Aspire specialises in birds, and I think in particular has a thing for Blue Tits – this is one of at least four that I have posted in his gallery. It is such a pity that he is only an occasional visitor to Bristol, his pieces were really rather special. Our loss is London’s gain.