This is an outstanding piece of graffiti writing from Minto, and is a great example of what is not there as being as important as what is there – if that makes any kind of sense. There is a lot of empty space alongside multiple illustrations and decorations throughout.
Minto, M32 roundabout, Bristol, March 2025
The letters spell out MINTO, and there are some regular motifs that the artist has used before, such as the character and a pair of sneakers at the base of the letter M. I’m not sure whether there is a coherent story or whether the piece is simply a collection of ideas and thoughts bundled up together. Either way, there is plenty to look at in this energetic piece.
Lis seems to do herself proud every time she goes out to paint, and this is another fine outing, with a couple of small pieces in Dean Lane. Here she has painted one of her mushrooms, but this time as a rather cute skateboarding character, which is totally appropriate for the spot.
Lis, Dean Lane, Bristol, March 2025
I anticipate a great future for Lis, who I am sure will start to attract commissions, the more she practices and the more exposure she gets. As well as this character piece, she also left behind a little ‘extra’ on a nearby wall, featuring a cluster of toadstools. This is going to be a most enjoyable journey as Lis goes from strength to strength.
A quick couple of posts today, written last night, because I have an early start today, running a workshop in the middle of nowhere, somewhere in rural Shropshire. This is another fine piece from my short visit to Liverpool from one of my favourite wheatpasters, LostHills.
LostHills, Jamaica Street, Liverpool, March 2025
You might notice that this isn’t a paste up, but a painting, something LostHills has been doing more of in recent years. His characters are based on Jake the Dog from Adventure time, but I am not sure what the cultural reference is in the piece. A nice one to find.
Although I have only posted one other piece by Coloquix before, I am familiar with the artist’s work, and have been following their Instagram feed for years. I was surprised to find this painted shutter piece, because More often I am used to seeing wheatpastes by Coloquix.
Coloquix, Kitchen Street, Liverpool, March 2025
The stylised character is the trademark of the artist, and here she nestles in a quarter moon with a friendly face. The horizontal bars of colour run across the piece nicely and overall it is a happy soulful piece and a good find during my stroll in Liverpool.
Liam Bononi, Jamaica Street, Liverpool, March 2025
There are many parallels between Bristol and Liverpool, in part due to the established trading routes with America and the West Indies. Unfortunately, both cities prospered through the trade in slaves, alcohol and tobacco, along with a huge amount of other less controversial goods. Place and street names tend to reflect the development of a city, and it is no surprise that both Bristol and Liverpool have a Jamaica Street, and that both are in areas that have seen a lot of change.
In Liverpool, the area around Jamaica street is a hotspot for street art, and I was lucky enough to find some superb pieces during my recent visit there, including this old piece by Liam Bononi.
Liam Bononi, Jamaica Street, Liverpool, March 2025
Liam Bononi has become one of the great high-end artists in Europe and is a favourite for premium walls and festivals, and this piece, I think, was painted sometime last year. Much of his work contains contorted, agonised or corrupted portraits, perhaps reflecting an inner struggle. This beautiful portrait piece appears to be cracked and disfigured as if it were a broken mirror, and as a result is a little unsettling. Although based in the North of England, Liam Bononi does manage to travel around the country a little, which is great news.
Unknown artist, Cumberland Basin, Bristol, April 2025
Regular readers will know that I don’t like to post work by artists unknown to me, and I will often hold photographs of pieces back until I know who they are by. In some instances, particularly when I don’t think I will ever find out, I relent and post the piece anyway. This beautiful horse is one such example.
Unknown artist, Cumberland Basin, Bristol, April 2025
I don’t often see horses painted in Bristol, there is not much crossover between equestrians and street artists. This is a nicely painted two-tone piece in which the horse appears to be almost ghost-like, or in the form of a ‘patronus’ (for Harry Potter fans). The words ‘Lotty is horsey’ might give some clues about the originator, but I am left none the wiser. The piece was too good and unusual not to post.
In the Dean Lane skate park there are a lot of ramps and slopes that provide a perfect canvass for street artists. There are two drawbacks: the first is that they are a challenge to paint and the second is that they get scuffed up pretty quickly by the skating, scootering and biking activity.
Zake, Dean Lane, Bristol, April 2025
I think I got to this cheeky Zake portrait piece reasonably soon after it was painted, because it is in quite good condition. This is a classic Zake portrait, with lots of expression, and plenty of contours and depth. A fine small piece from the cartoon character specialist.
Now that Face 1st isn’t living in Bristol, and he paints less frequently, he appears to be a little more judicious in what he paints, and seems to be experimenting a lot more with his writing and his fonts.
Face 1st, M32 roundabout, Bristol, April 2025
This is a wonderful chrome combination piece with Face 1st’s trademark laughing girl character and hair made up of the word FACE. This time though the letters have more of a calligraffiti style to them, and are nicely finished. Somehow, Face 1st is, for me at least, emblematic of the Bristol scene, and I am so pleased that he comes back reasonably regularly to remind us of his talent and style.
I have met ESKA on a couple of occasions, and he is a genuinely nice bloke. In our chats, I was under the impression that he was passing through Bristol, as he has quite an itinerant lifestyle. However, it seems that he is hanging around longer than I thought, which is brilliant news, because his work is outstanding, and quite different from the Bristol style we are used to seeing here.
Eska, Dean Lane, Bristol, February 2025
This is a fine piece on the back of the long ramp in the skate park. Normally, his letters spell out ESKA, but I am not convinced that is the case here. His colour choices are superb, and there is a remarkable anamorphic effect, with great depth in the piece.
Eska, Dean Lane, Bristol, February 2025
One of the special features of Eska’s writing is hidden in the small details, such as the little figures watching on at some futuristic spaceships or something like that. Always, his work contains plenty of hidden messages and symbolism, and of course they are finished to an incredibly high standard. Long may his stay in Bristol last.
Keeping up with Dibz and Fade, even over the winter months, has been challenging. Their high-end graffiti writing is creative and imaginative, and some of the best you’ll see in Bristol and beyond. Sometimes the pair paint in themed colour schemes and play off one another, but this collaboration presents two very different pieces with only a shared background to link them.
Fade, Dean Lane, Bristol, February 2025
On the left, Fade has painted a stunning tribute piece for Chaos, who in his own words is ‘lost but not forgotten’. The yellow letters are filled with three horizontal stripes, nicely blended, without any hard edges. The little white trims do a lot to create depth, as does the thick black border. A beautifully finished piece, as you’d expect from Fade.
Dibz, Dean Lane, Bristol, February 2025
To the right, Dibz has painted a crazy colourful explosion of a piece, which is a ‘heavenly birthday’ tribute piece for Benson Much, and knowing this, you can make out the letters BENSON. This is an absolute stunner, there are no two ways about it. Each component of the work has been allocated a different colour, not only on the surface, but also in the drop shadow. This demonstrates Dibz’ complete understanding of light and shade and colour matches and when combined with his extraordinary talent you are left with something that you can’t help but admire. A fabulous collaboration.
Natural adventures 