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I sit suspended
in my wood-slatted deck chair;
coming up for air.
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by Scooj
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I sit suspended
in my wood-slatted deck chair;
coming up for air.
.
by Scooj
A few weeks ago this stunning and touching tribute piece appeared on the People’s Republic of Stokes Croft (PRSC) outdoor gallery wall. It is a wonderful collaboration between The Paintsmiths and Ryder.

The tribute is to Raphael Dufresne, a popular musician on the local scene who passed away on 14 April 2017, suffering a fatal aneurism whilst at the gym. He was only 27 years old. This piece fills me with a sadness, but what a magnificent way to celebrate his life.

I never heard his music, and feel sorry that I never had the chance of seeing him, it sounds like he had a good soul and attitude to life. He had links with PRSC, which is why this tribute is all the more poignant. Really terrific letters from Ryder and a superb portrait by The Paintsmiths. Sad.

Some weeks ago now, I had a great walk home from work, and discovered several wheatpastes by qWeRT. This one was rather better concealed than others I had spotted, and photographing it was a little awkward because the householder was sitting in the doorway, soaking up the sun. I asked if they minded me taking a picture…I don’t think they had even noticed this little gem on their own doorstep. Oh well.

I am fond of these googly eyed characters, there is something endearing and playful about them. As you will know by now, I am fond of a good paste up, and this one doesn’t disappoint.
A quick one from Jee See on the Carriageworks carrying his trademark ‘seismic’ lettering, this time with accompanying ‘Why sick?’. I’m not too sure what it all means, but it is bright and upbeat.

Since I took this picture, I have at last met Jee See, and what an utter gent he is. More about this soon. I like this picture with the sun and shadows and the skulking Silent Hobo character on the adjacent space. All good.
Brightness penetrates
through the leafy canopy;
Summer here at last.
by Scooj
The temporary hoardings in Raleigh Road are something of a honey pot for several members of the ASK crew. Given that there is little, if any, tagging on this space, I wonder if it is a curated legal wall. I guess I ought to know really.

This is an amazing wispy and colourful piece by Soker, and slightly different from the work we are used to seeing from him. It is interesting that the board had been blacked out before the piece was sprayed, suggesting that this was part of an organised event.

Soker, Keeping Things Fresh (KTF).
Well it has been a few days, hasn’t it? this is one of the best Laic217 pieces that I have seen. I think he is moving on to a new level, and he has worked this wall perfectly. As tribute to the quality of this piece, it has remained untagged and intact for at least a fortnight, which shows the respect from other artists.

Although I have seen this theme before (fire from a spray can) from other artists, I think he has excelled with this, in particular I like the way he has shaded the reflected light on the face and head of the skull, grading from white/yellow to purple/black.

I still have many more recent pieces by this most prolific artist in my archives, and I will unapologetically post them all. Really fabulous work.
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I’ve just missed my bus
the next is a while away
enough time for this.
by Scooj
This is a historic moment, for me at least. I saw this piece on a lunchtime trip to the Deaners and the paint was still wet. The artist, Lumagro, was hanging out with DC Guts and Jimmer Willmott (pictured). The reason this is history in the making is that this is Lumagro’s debut piece, and what a stunning introduction.

I believe the artist may be from Spain or a Spanish speaking country, and there certainly appears to be more than a little Mediterranean/European influence in this piece. I absolutely love it and want to see more of his work.

Distinctive and classy, Lumagro owns this space…albeit for a short time. I think this piece shows that you can produce a sophisticated simple work without overdesigning. Just brilliant. Bravo.
I am so very much enjoying the journey Mr Draws is on at the moment. His trademark mountains seem to be a distant memory, and he is vigorously experimenting with his letters. This is a lovely piece, sprayed over the top of a Kid Crayon work (recently featured) which had been tagged.

Mr Draws is always looking to stretch himself, and uses the walls of Bristol to practice and modify. All the time he is improving his technique and mastery of his craft. This one has a childlike quality to it – candy or marbles or something like that.