Tag: Urban

828. Jamaica Street (7)

A few weeks ago this stunning and touching tribute piece appeared on the People’s Republic of Stokes Croft (PRSC) outdoor gallery wall. It is a wonderful collaboration between The Paintsmiths and Ryder.

The Paintsmiths and Ryder tribute to Raphael Dufresne, Jamaica Street, Bristol, April 2017
The Paintsmiths and Ryder tribute to Raphael Dufresne, Jamaica Street, Bristol, April 2017

The tribute is to Raphael Dufresne, a popular musician on the local scene who passed away on 14 April 2017, suffering a fatal aneurism whilst at the gym. He was only 27 years old. This piece fills me with a sadness, but what a magnificent way to celebrate his life.

The Paintsmiths and Ryder tribute to Raphael Dufresne, Jamaica Street, Bristol, April 2017
The Paintsmiths and Ryder tribute to Raphael Dufresne, Jamaica Street, Bristol, April 2017

I never heard his music, and feel sorry that I never had the chance of seeing him, it sounds like he had a good soul and attitude to life. He had links with PRSC, which is why this tribute is all the more poignant. Really terrific letters from Ryder and a superb portrait by The Paintsmiths. Sad.

The Paintsmiths and Ryder tribute to Raphael Dufresne, Jamaica Street, Bristol, April 2017
The Paintsmiths and Ryder tribute to Raphael Dufresne, Jamaica Street, Bristol, April 2017

827. City Road (4)

Some weeks ago now, I had a great walk home from work, and discovered several wheatpastes by qWeRT. This one was rather better concealed than others I had spotted, and photographing it was a little awkward because the householder was sitting in the doorway, soaking up the sun. I asked if they minded me taking a picture…I don’t think they had even noticed this little gem on their own doorstep. Oh well.

qWeRT, City Road, Bristol, April 2017
qWeRT, City Road, Bristol, April 2017

I am fond of these googly eyed characters, there is something endearing and playful about them. As you will know by now, I am fond of a good paste up, and this one doesn’t disappoint.

826. Stokes Croft, the Carriageworks (26)

A quick one from Jee See on the Carriageworks carrying his trademark ‘seismic’ lettering, this time with accompanying ‘Why sick?’. I’m not too sure what it all means, but it is bright and upbeat.

Jee See, Stokes Croft, Bristol, April 2017
Jee See, Stokes Croft, Bristol, April 2017

Since I took this picture, I have at last met Jee See, and what an utter gent he is. More about this soon. I like this picture with the sun and shadows and the skulking Silent Hobo character on the adjacent space. All good.

824. Dean Lane skate park (56)

Well it has been a few days, hasn’t it? this is one of the best Laic217 pieces that I have seen. I think he is moving on to a new level, and he has worked this wall perfectly. As tribute to the quality of this piece, it has remained untagged and intact for at least a fortnight, which shows the respect from other artists.

Laic217, Dean Lane, Bristol, May 2017
Laic217, Dean Lane, Bristol, May 2017

Although I have seen this theme before (fire from a spray can) from other artists, I think he has excelled with this, in particular I like the way he has shaded the reflected light on the face and head of the skull, grading from white/yellow to purple/black.

Laic217, Dean Lane, Bristol, May 2017
Laic217, Dean Lane, Bristol, May 2017

I still have many more recent pieces by this most prolific artist in my archives, and I will unapologetically post them all. Really fabulous work.

823. Dean Lane skate park (55)

This is a historic moment, for me at least. I saw this piece on a lunchtime trip to the Deaners and the paint was still wet. The artist, Lumagro, was hanging out with DC Guts and Jimmer Willmott (pictured). The reason this is history in the making is that this is Lumagro’s debut piece, and what a stunning introduction.

Lumagro, Dean Lane, Bristol, May 2017
Lumagro, Dean Lane, Bristol, May 2017

I believe the artist may be from Spain or a Spanish speaking country, and there certainly appears to be more than a little Mediterranean/European influence in this piece. I absolutely love it and want to see more of his work.

Lumagro, Dean Lane, Bristol, May 2017
Lumagro, Dean Lane, Bristol, May 2017

Distinctive and classy, Lumagro owns this space…albeit for a short time. I think this piece shows that you can produce a sophisticated simple work without overdesigning. Just brilliant. Bravo.

 

 

822. Dean Lane skate park (54)

I am so very much enjoying the journey Mr Draws is on at the moment. His trademark mountains seem to be a distant memory, and he is vigorously experimenting with his letters. This is a lovely piece, sprayed over the top of a Kid Crayon work (recently featured) which had been tagged.

Mr Draws, Dean Lane, Bristol, May 2017
Mr Draws, Dean Lane, Bristol, May 2017

Mr Draws is always looking to stretch himself, and uses the walls of Bristol to practice and modify. All the time he is improving his technique and mastery of his craft. This one has a childlike quality to it – candy or marbles or something like that.

821. The Bearpit (72)

This is the second piece by J. Dior that I have written about, but I can assure you that there are a great many more to come; he is most prolific. I have only really noticed his work on the streets since the Spring, so wonder if he moved into Bristol, or just decided to take the plunge and start painting on the streets.

J. Dior, The Bearpit, Bristol, May 2017
J. Dior, The Bearpit, Bristol, May 2017

His style is pretty much unique on the Bristol scene. It has a wonderful childlike naivety about it, but somehow draws you in – there are stories here. This piece is very unusual, because it features nudity, something rarely seen in street art. I am intrigued by the fact that Dior will paint a nude image, but when it comes to the writing ‘My p***y’ he doesn’t use the word pussy. I like his work, but still know nothing of the artist.

820. Dean Lane skate park (53)

I really like the work of Hire, especially as I now know what to look for in his work. His writing is really well disguised and has something medieval about it, swords clashing…or maybe that is just me. I suppose another interpretation would be Gothic.

Hire, Dean Lane, Bristol, May 2017
Hire, Dean Lane, Bristol, May 2017

I think it is the detail and jagged shapes that I like about his work, and although technically good, there is something rather raw about it. Really great graffiti writing.

819. Raleigh Road, Tobacco Factory (8)

The best part about this picture is that I got to meet the artist Lemak, who I have admired for some time, and who creates some of the very best multi layered stencils I have seen. This piece, space cadet, is an exceptional example of the complex and painstaking work Lemak produces.

Lemak, Raleigh Road, Bristol, May 2017
SAMSUNG CAMERA PICTURES

He was telling me that it takes a very long time to cut the stencils for something like this, which is pretty much life size. The payback comes with selling limited numbers of the stencilled original. Talented beyond doubt, and his income drives further work…something of a virtuous circle.

Lemak, Raleigh Road, Bristol, May 2017
Lemak, Raleigh Road, Bristol, May 2017

Lemak is a real gent, and happy to stop and have a chat. This piece was part of the paint jam organised by Stephen Quick, and sprayed at the same time as the Quick/Adamaszek collaboration featured here a couple of weeks ago. This is a great stencil.

818. Raleigh Road, Vector (12)

These hoardings on Raleigh Road are becoming a favourite spot for Cheo, Soker and Voyder, amongst others. This piece by Cheo contains many of the hallmarks of his work…a bee, a cigar, a gold chain, a crisp design, clearly well prepared and some great writing.

Cheo, Raleigh Road, Bristol, May 2017
SAMSUNG CAMERA PICTURESCheo, Raleigh Road, Bristol, May 2017

I cannot decipher the writing, but Cheo hashtagged the Instagram image of this piece with #nintendope, #piranhaplant, #Nintendo and #Mario, which perhaps gives some insight into the inspiration and subject matter.

Cheo, Raleigh Road, Bristol, May 2017
Cheo, Raleigh Road, Bristol, May 2017

I’m always pleased to see Cheo pieces, especially ones as crisp as this one.