7761. Brunel Way (359)

Biers, Brunel Way, Bristol, June 2026
Biers, Brunel Way, Bristol, June 2026

Since Biers introduced his Rabies letters he has been quite busy about the place, having spent a period in the doldrums feeling a little uninspired. This piece under Brunel Way is presented in softer, more gentle colours than its starker predecessors.

Biers, Brunel Way, Bristol, June 2026
Biers, Brunel Way, Bristol, June 2026

I have never thought about it much, but Biers’ lettering is verging on anti-style, although he tends to stick to a strict convention all of his own from piece to piece. The letters are filled in two tones of orange and cream with reversed out spots, all so characteristically Biers.

7759. Montpelier Park

Solar, Montpelier Park, Bristol, June 2026
Solar, Montpelier Park, Bristol, June 2026

More unusual and compelling graffiti writing from Solar, who is on a great run of form at the moment. This little park in Montpelier, has a wall which can hold 2-3 pieces, and although a little bit out of the way is always worth a look if passing, because it is possible to find the odd gem there. This is one of those.

Solar, Montpelier Park, Bristol, June 2026
Solar, Montpelier Park, Bristol, June 2026

These anti-style letters in green and brown/orange spell SOLAR, with the ‘R’ following the rise in the bank to the right. The observant among you might notice a second piece by the artist in the top left of the pictures – two for the price of one. This piece is similar to one he painted in Sparke Evans Park and which I featured recently. The ‘S’ having the same characteristic panel on it. More nice work from Solar.

Solar, Sparke Evans Park, Bristol, June 2026
Solar, Sparke Evans Park, Bristol, June 2026

7758. St Werburghs Tunnel (586)

Corupt, St Werburghs, Bristol, June 2026
Corupt, St Werburghs, Bristol, June 2026

Street artists and graffiti writers tend to go through productive phases and less productive ones, often dictated not by inspiration or desire, but by life experience and circumstance. Corupt is having a particularly fruitful period and turning out some outstanding pieces.

Corupt, St Werburghs, Bristol, June 2026
Corupt, St Werburghs, Bristol, June 2026

This is a lovely chrome STICK piece in the tunnel which was painted alongside RBN One, a graffiti writer whom Corupt often paints alongside. The chrome letters, in Corupt’s characteristic font are filled with a combination of black spots and bars, all stock-in-trade elements used in graffiti writing. Nice work in the tunnel.

7757. Dean Lane skate park (932)

Taboo, Dean Lane, Bristol, May 2026
Taboo, Dean Lane, Bristol, May 2026

I have recently been having a virtual conversation with Taboo, and it is great to have a bit more of a connection with the artist. Over the last couple of months, I have found a stack of old pieces by Taboo, and he has been painting quite regularly, so I have a lot of catching up to do with his work.

Taboo, Dean Lane, Bristol, May 2026
Taboo, Dean Lane, Bristol, May 2026

This is a perfect example of Taboo’s anti-style graffiti writing, and this might be a good time to offer a definition of what anti-style means:

A rebellious sub-genre that rejects traditional graffiti rules like legible letterforms, flow, and colour theory.

The pink letters here spell out TABOO, and, consistent with a lot of his writing, his letters have a midline running through them giving them a bit of a 3D lift. A nice piece that might be inaccessible to some, but is a fine work in my eyes.

7756. Cumberland Basin

RBN One, Cumberland Basin, Bristol, May 2026
RBN One, Cumberland Basin, Bristol, May 2026

Although he has only relatively recently come onto my radar, RBN One, who writes ARBIEN has been smashing it with his incredibly colourful and dynamic pieces of graffiti writing. I don’t know whether he is painting more often, or whether I am noticing his pieces more, but whatever the reason, it is all good news.

RBN One, Cumberland Basin, Bristol, May 2026
RBN One, Cumberland Basin, Bristol, May 2026

This writing is filled with the tried and tested combination of pinks and blues, which work so well together. The fill patterns and designs are beautifully varied through the letters, with spots, blocks, drips and cracks liberally dispersed across the piece. Classy work from RBN One.

7754. L Dub (90)

Werm, L Dub, Bristol, June 2026
Werm, L Dub, Bristol, June 2026

Werm continues to turn out outstanding pieces of graffiti writing, and has dropped into a steady rhythm of creating calm technically accomplished pieces. A few years back he used to create very busy, highly complex pieces that were almost overwhelming, but his work these days is much more assured, and it feels like he has nothing to prove any more.

Werm, L Dub, Bristol, June 2026
Werm, L Dub, Bristol, June 2026

The colour selection in this piece, grey, pink and green, while a little unusual, seems to work really well. As expected, there is a bilateral symmetry to the letters WERM that is very easy on the eye, and the starbursts at key points across the piece add a touch. A classy piece from Werm at Lawrence Weston.

7753. Stapleton Road

Avem808, Stapleton Road, Bristol, June 2026
Avem808, Stapleton Road, Bristol, June 2026

Avem808 only really came under my radar about a year ago, and since then his work has transformed somewhat and at an incredible pace. I think that he has a bit of time on his hands at the moment, which is why he is able to get out and paint quite frequently.

Avem808, Stapleton Road, Bristol, June 2026
Avem808, Stapleton Road, Bristol, June 2026

His intricate writing has given way a little to the creation of busy and detailed combination pieces, crawling with characters. Here, his letters in red and pink, which I assume spell out AVEM, are joined by a fez-wearing camel, and a raft of other crazy characters. There is a lot going on in this piece and an awful lot to look at, it is almost overwhelming, but worth dwelling on it for a while to see all the little stories unfold in front of you.

7752. St Werburghs tunnel (585)

Minto, St Werburghs, Bristol, June 2026
Minto, St Werburghs, Bristol, June 2026

Minto has been smashing it so far this year, and with this piece in St Werburghs, which I believe was part of a birthday paint jam for Donz, he has taken it all to a new level. This is probably my favourite Minto piece so far.

Minto, St Werburghs, Bristol, June 2026
Minto, St Werburghs, Bristol, June 2026

Everything about this piece feels perfect. The colour selection of pinks and reds set on the white background is outstanding. The overall design of the MINTO letters is in complete harmony with the colour scheme and space on the wall. Sometimes Minto’s work can be a bit busy, but here he has managed to present detail together with complete clarity and precision. A stunning piece of graffiti writing.

7750. Peel Street Green (64)

Sub, Peel Street Green, Bristol, June 2026
Sub, Peel Street Green, Bristol, June 2026

Sub is one of the more prolific writers in Bristol, and hardly a day goes by when I don’t see one of his pieces somewhere around the city. This is a reasonably recent one from the long wall at Peel Street Green.

Sub, Peel Street Green, Bristol, June 2026
Sub, Peel Street Green, Bristol, June 2026

There is a rather nice steely quality to the fill in these SUB letters and the letter surface has a bit of an iridescent sheen, reminiscent of a Pigeon’s breast feathers. Sub has played a little with the letter designs which are veering a little towards a calligraphy script. Nice piece from a hard worker.

7748. Sparke Evans Park (154)

Corupt, Sparke Evans Park, Bristol, June 2026
Corupt, Sparke Evans Park, Bristol, June 2026

Ooof! This is a belter from Corupt. Every once in a while you can find a piece and simply think ‘my work is done today’ that is how I felt when I saw this beauty. I don’t know exactly what it is that makes one piece more special than another, but for me this one has it.

Corupt, Sparke Evans Park, Bristol, June 2026
Corupt, Sparke Evans Park, Bristol, June 2026

Using his STICK letters, Corupt (whose proper name is more likely BS3 – but I have always used Corupt) has crafted so many varied and intricate fills in his letters, but has managed to a buzz without it feeling fussy or pretentious. I love the little star character at the top, which is the tittle of the ‘i’. Set on a gorgeous stormy background too. This is classy graffiti writing.