.
I am not getting
any younger and I don’t
like change… I said it.
.
by Scooj
.
I am not getting
any younger and I don’t
like change… I said it.
.
by Scooj
On Bristol’s fair Downs
she settles by a clover
plant, oblivious.
by Scooj
Pretty much without exception, all of Laic217’s pieces harbour menace to a greater or lesser extent. Even though much of his work is weird, and he specialises in facial distortions, this one is weirder than most.

The fly is grotesque – a bluebottle of sorts. An interesting thing going on is the ‘fly’ is feeding on what looks like a steaming poo which makes up the numbers 217. I hope this is a joke and not some subconscious self-esteem issue.

Even though the image is quite disgusting, you really have to admire a creature of horror movie proportions wearing a bucket hat with a smiley on it. Acid wins the day. A trippy piece?
Well I told you he was prolific, and I have only just got started on posting pieces by J. Dior. This time we see some kind of mythological centaur/tiger hybrid, with an interesting foot at the end of its tail. There are some curious things going on in Dior’s head.

The writing ‘In the Right’ doesn’t really give many clues to what the piece is about, in fact it rather muddies the water a bit. I note that the ‘tattoo’ on the Centaur’s arm says Jadore (J’adore – ‘I love’ in French) is this deliberate or is he just playing with his name? For the time being, and until I get to ask him face to face I will continue to call him J. Dior. His style really is distinctive and unmistakable. A fun piece.
.
A tired peace lily
emblematic of these times;
needs some TLC
.
by Scooj
Three thousand runners
with numbers pinned to their fronts
and there on their backs
a message, the loved ones lost.
I wept for my step father.
by Scooj
It seems that street/graffiti artists tend to have peaks and troughs in their activity. I suppose that, like the rest of us, life, jobs, family and so on just get in the way a bit. I introduce this piece with this observation because Sled One, who was extremely productive last year, seems to be a little quieter. This may just be a false perception, and I am not seeing his stuff as much as I used to – I might be in the wrong place at the wrong time.

This is of the usual high standard that Sled One attains, it appears, with such ease. This wildstyle writing is so very easy on the eye, like much of his work. I particularly like the ‘accent’ lines he uses to emphasise the letters or that wisp around the piece giving it a sense of animation. I will not tire of his outstanding work.

It is always rather gratifying when a new artist appears on the scene; there is something new to write about and to look out for. NEVERGIVEUP is new to Bristol, and another member of the Polish contingent, so I am led to believe, which includes Hire and Laic217.

NEVERGIVEUP seems to specialise in these highly stylised and designed goofy rabbits. The more observant of you might wonder what it is about graffiti artists drawing goofy bunnies (Hire also sprays them) – maybe it is a Bugs Bunny thing. Who knows?

This is one of several bunnies that has appeared in The Bearpit over the last few weeks, and although he hasn’t been here long, NEVERGIVEUP is making an impression already.
This is a fun little piece in Dean Lane by Guts, another artist new to these pages. I met him on the same occasion as I met Jimmer Wilson and Lumagro. I have absolutely no idea what the in joke is about, but it made me laugh anyway…”Joe Habgood Rides Scooters”.

This is the type of childish speech bubble that absolutely encapsulates graffiti, I think. A public space sprayed and a cheeky message. Harmless but subversive. It works for me, probably because I have a tendency to be a bit childish too – just ask Mrs Scooj or the Scoojlings. Great colours and great monster face. I like this…and it is still there some weeks on.
If you want to read more about Guts or several other Bristol artists, then I cannot recommend highly enough Auntie G’s fabulous blog post on a recent Bristol exhibition ‘3 is the Magic Number’ – A superb insight into the Bristol art scene and interesting commentary on the crossover between fine art and street art.
There was a time when every few posts that I wrote was another work from the productive master of writing – Deamze. He is still as productive as ever, but his pieces are having to compete for space with the dozens and dozens of other Bristol artists that I try to cram into this website.

This is a piece from under the M32 motorway, not far from the M32 Spot. This is an area that Deamze appears to favour, and there are always several of his pieces nearby. This piece is in his format of a cartoon character accompanying some highly designed wildstyle writing.

As with so many of his pieces, I am not too sure who the cartoon critter is. I thought at first it might be Wally Gator, but it isn’t…it appears to be a dragon. Any ideas? Another classy piece from the Bristol master