.
Evening shadows
creep ever longer, urging
nightfall to advance.
.
by Scooj
631. The Bearpit (39)
In The Bearpit, there are four premium spots, each one is at the end of each of the four tunnels. These are the places that are most sought after, but also the ones most frequently tagged, so anything sprayed here is always going to be reasonably short lived.
It was lucky then that I came across this piece by the London-based artist Pure Evil while it was still fresh and unmarked. Pure Evil is an artist I knew nothing about until I started researching this post, and realised that perhaps I should have known a little more. His biography on his website is well worth a read – he has covered a lot of ground.
I note also, that he is selling prints of his Bristol Bearpit piece for cool £2,000 on his website. I am guessing from that kind of price tag that he must be strongly established in the art world. Obviously I prefer the freebies he leaves on our city walls. I rather like this work, and will be more vigilant when I visit London to see if I can find any more. Let’s hear it for more scary bunnies.
“My enemies are in power – and my heroes are dead” – that speaks for a lot of us.
630. Ashley Road (11)
More from the incredibly prolific Laic217. This time the piece is in a major ‘hotspot’ where it can be seen by a great many cars and passers-by. He returns to one of his favoured motifs, the distorted/disfigured face with hat and references to acid. Also he has incorporated his liking for brick walls, which works really well here.
Another feature of this work is the reference to the test card transmission – something that TV viewers over a certain age will be very familiar with. One of the most pleasing things about this particular site is that the rather officious notice that was plastered over one of Aspire’s pieces here has been completely sprayed over – a victory for graffiti art.
It doesn’t stop here, still more to come from this artist who is really beginning to make his mark.
Morning stroll
Time for reflection
and private conversations
with the departed.
by Scooj
629. Lime Road (1)
I love surprises, and this was one hell of a surprise. I took a lunchtime stroll down North Street, because I knew there were some new pieces, but only caught sight of this one on my way back. What a find.
Of course, it is a bunny with a grenade by the amazing Chinagirl Tile – I have always wanted to find one of these, but to have one in Bristol is simply amazing. The new piece is only a street away from the amazing foxes and soup tin she installed for Upfest 2016.
Chinagirl Tile is always a very welcome visitor to Bristol, and I hope very much she will be returning soon. Let’s hear it for the wabbits.
Weekend break
.
Leaving en famille
a lengthy operation
on our way at last.
.
by Scooj
628. Raleigh Road, Vector (5)
This is a brilliant new hoarding in an area that Voyder likes to spray in a lot. He used to spray in the car park next to these boards, but it is out of bounds at the moment while the construction work is going on, so the hoardings will do. His last piece here was the ‘sticker’ piece which I still think is one of his best.
This one is vibrant and eye catching, and if you take a closer look, you can see that the letters are constructed with bones. A fun piece from this Bristol master.
La Bohème
.
Exquisite music
oozes from the car speakers
easing the journey.
.
by Scooj
Evensong
Pink tinged wisps scattered
across a darkening sky
as blackbirds chatter.
by Scooj
627. The Bearpit (38)
Another political message and contorted body from the philosophical ObjectØØØ. The tunnels of the Bearpit provide probably the best space in Bristol for political comment as the area attracts some of the most socially deprived or uncared for people in the city. It is a place where culture and the impacts of government cuts converge in an angry outpouring and sense of injustice.
ObjectØØØ’s pieces always capture this sense of outrage – you are never in doubt about what he cares about. It is good that he chooses to do something about it through his artwork. This is a powerful piece, carrying the slogan ‘lucky not better’. In the piece, ObjectØØØ has painted a pained figure, a fallen angel maybe, appearing to crash to the ground. His trademark feathers and wing mark this out as one of his works. A really great piece.
Natural adventures 