When DazCat posted this piece on Instagram he accompanied it with the following words ‘Tried something new, perspective is tricky!’. To me though I think he did a fabulous job.
Daz Cat, M32 Cycle path, Bristol, August 2020
Although Daz Cat does write from time to time he is definitely better known for his cats, dogs and other animals. The perspective works pretty well in this piece, but I am slightly perplexed that I can’t properly read the writing. I’ll let you work it out for yourselves.
Daz Cat, M32 Cycle path, Bristol, August 2020
The cat is something altogether More Daz Catty. Propped up against the letters the rather bored, sullen or sad looking cat is passing the time drinking from a bottle (of milk perhaps?). Overall this is a nice piece, slightly understated, that should give the artist confidence to try more experimental work in future.
I can’t think of a time when I have seen so many John D’oh stencils in such rapid succession including several that I have missed in recent weeks. Many have been about the Government’s inept handling of the coronavirus outbreak, this one however is more about the impacts on people.
John D’oh, M32 Spot, Bristol, August 2020
Rats have commonly been used by Banksy and many other artists in their work and here a rat is used to illustrate the ‘rat race’ with the words ‘After COVID-19 I am not sure I can join the rat race’. Another nice work recording the impacts of the pandemic on Bristol society.
I am really struggling with the new WordPress editor. Everything takes twice as long as it should, and there is simply too much functionality for a user like me. I just want to write posts on my blog, not design up a personal website. Oh well, I’m sure I will get better at it with practice, which is something that definitely applies to street/graffiti art, and when you see apiece like this from Rusk, you know that it is on the back of a huge amount of hard graft over the years.
Rusk, Dean Lane, Bristol, August 2020
The overall design of the letters and the selection of chrome and green are very nicely done. At the right hand end of the RUSKY letters is a muscle-flexing spray can squirting a neon green jet of life into the piece… a nice character. A fabulous piece from a highly accomplished writer and complete gentleman.
In the last twelve months or so the board at Turbo Island has attracted some fabulous pieces by greatly talented artists and now it is the turn of Tom Miller with his debut piece on this wall. And what an amazing start.
Tom Miller, Turbo Island, Bristol, August 2020
Tom Miller has been turning out so many pieces since lock down and I have struggled to keep up with them. Some are for fun like this one, but he has also worked on a couple of commissions which is really good, because an artist’s life is a tough one and paid work can be hard to come by.
Tom Miller, Turbo Island, Bristol, August 2020
There is an abundance of colour and form in this abstract piece and typical of the artist there is a great deal of energy and activity. So much to look at and so much detail, it can be hard for the brain to decipher exactly what is going on, but this is a great strength that Tom Miller has. It is not to everyone’s taste, but I love it.
From time to time I make assumptions on Natural Adventures. Sometimes they are right and at other times they are disastrously wrong, so I am a little nervous about sticking my neck out and suggesting that this piece is by Mutatee.
Mutatee, M32 Spot, Bristol, August 2020
My doubt is that I haven’t seen anything painted by Mutatee before, only little resin models, but the blue-faced character is the same as hers. I realise that the character is from some TV show, so it is possible that another artist painted this. All part of the confusing street art landscape. I shall attribute this fun little piece to Mutatee until told otherwise.
Before I start this post, may I say just how much I dislike the new WordPress editor. It is utterly pants, and although it appears to have more functionality, writing a post takes about twice as long as commands are a little more buried in the architecture. Moan over.
This is something of a curiosity, it is a Hire piece that looks unlike any other Hire piece I have ever seen before. I don’t know what prompted this departure from his usual style, but it is a hugely accomplished piece and one that should give him the confidence to experiment further.
Hire, Dean Lane, Bristol, August 2020
Set on a black background with a pink grid on the lower half and silhouetted skyline above it, Hir has written a four letter word that looks like DIAK, although I can’t be sure about that. There are very few hints that this might be by Hire other than the lower parts of the letters have his distinctive sharp edge to them. Be really interested to see where Hir goes from here.
My camera (or its operator) goofed with photographing this piece from Laic217 on the M32 cycle path. Most of my pictures were way out of focus, but I managed to retrieve a couple that were ok. This is my explanation of why I have put a close-up in the feature image, something I rarely do.
Laic217, M32 cycle path, Bristol August 2020
Laic217 has always had productive patches, but I can’t recall one quite as busy as this summer. It comes as no surprise that this piece is a skeleton, nor that the fabric of his jacket is superbly painted, Laic217 is really mastering painting clothes and materials. Nice to see a little shout out to Pl8o.