Tag: ASK

2060. Dean Lane skate park (197)

When these two get together, it is always a recipe for something interesting, rarely missing the mark. Sled One and Smak have collaborated on this wall before at least once and possibly many times, but this is an absolute peach.

Sled One, Dean Lane, Bristol, February 2019
Sled One, Dean Lane, Bristol, February 2019

The two have used a McDonald’s theme for this collaboration, using the corporate colours of the food giant. I confess that I find it a slightly curious brand to celebrate, but that is my snobby bias coming into play, which I am not particularly proud of. Sled One has incorporated some fries and bubbling cheese into his writing which is utterly sharp and brilliant.

Smak, Dean Lane, Bristol, February 2019
Smak, Dean Lane, Bristol, February 2019

Smak takes the fun a little further with a little slogan ‘the big Smak and cheese’… very droll. Again, this is a supreme piece of writing, so sharp and clean. A great coming together of ASK and RAW. I rather like the bicycle, which I had to keep moving out of the way, but it kind of goes well with the yellow of the piece. So good.

2055. Norfolk Place (4)

There is something about Cheo’s work that oozes class. I think it stems from his great compositions and characters, but most of all his incredibly clean lines. The whole thing looks like it has been painted with fat felt tips rather than spray cans.

Cheo, Norfolk Place, Bristol, April 2017
Cheo, Norfolk Place, Bristol, April 2017

I love the smoking cat character with his gold chain in the centre of the piece, and I’m not too sure what the white creature on the left is, but he is clearly animated about something.

Cheo, Norfolk Place, Bristol, April 2017
Cheo, Norfolk Place, Bristol, April 2017

I struggle to read Cheo’s writing, mainly because he doesn’t simply write ‘CHEO’  which would of course make things much easier. Crazy that I’ve only just posted this one.

2030. King Square Avenue (4)

Somehow this Deamze piece passed me by. Probably because this spot always seems to have one of his pieces in it…he owns the space. It is not a street with much other street art, so trips there are infrequent and therefore any refresh of this wall can be easily missed.

Deamze, King Square Avenue, Bristol, August 2018
Deamze, King Square Avenue, Bristol, August 2018

The work is not unlike his previous one here (see below) in so much as it is in his sharp and jagged style and has a hog character. So crisp and clean, just another example of the brilliance of this artist. Although I took the picture in August last year, I have only just got round to posting it. Worth the wait.

Deamze, Kings Square Avenue, Bristol, April 2017
Deamze, Kings Square Avenue, Bristol, April 2017

2024. Nelson Street (6)

This is quite an unusual hoarding in the centre of Bristol for a couple of reasons. First, I’m not sure what it is protecting, it certainly doesn’t look like anything is being redeveloped. Second, it seems that graffiti writers from ASK are tolerated. Perhaps it is a curated wall, I don’t know.

Voyder, Nelson Street, Bristol, February 2019
Voyder, Nelson Street, Bristol, February 2019

The middle piece of this ASK collaboration is by the brilliant Voyder, and is one that incorporates his clever brush stroke effect. He really is the master of playing with his audience and introducing stunning ideas and effects. Quite an old piece, but I’ve not had my camera when walking past it before.

2023. Dean Lane skate park (190)

As long as Soker keeps turning out fabulous graffiti writing, I will keep photographing and sharing them. This one from a few weeks back was part of a wall shared with Dibz, which I have already posted. It is a beautiful chrome piece with blue and black shadows. Showy and subtle both at the same time.

Soker, Dean Lane, Bristol, January 2019
Soker, Dean Lane, Bristol, January 2019

It is interesting that when I post his pieces on Instagram, they generally get fewer likes than street art pieces, which leads me to conclude that graffiti writing is more of an acquired taste…that is except for his Upfest 2018 Simpsons piece, which was my all-time most popular Instagram post. I wish I knew how these things worked.

2018. Lower Ashley Road (2)

Sled One has absolutely smashed it with this extraordinarily brilliant piece of graffiti writing on the new hoardings at the bottom end of Lower Ashley Road. Sadly, the developers have already placed batten squares all over the hoardings in preparation for advertising posters (I guess). How sad that our world is dominated by consumerism and money. These boards were a creative outlet for Bristol street artists to share their art with fellow citizens. Instead, drivers will have to endure seedy adverts desperately thrusting lifestyle aspirations at us in an attempt to sell their grubby products to swell their shareholders wallets. Capitalism is driving everything towards the lowest common denominator of money. No wonder the world is in a mess.

Sled One, Lower Ashley Road, Bristol, January 2019
Sled One, Lower Ashley Road, Bristol, January 2019

Back to the art and the joy it can bring to our hearts. Sled One is one of the artists I rate most highly in Bristol and this piece (which spells out SLED) is a fine example of his work. He had to paint this in two sessions as he was ‘moved on’ I think when he was sketching it out. Thank goodness he had the perseverance to come back and finish it off. I hope the artists find a way of keeping these hoardings alive, but I fear it could be difficult.

1982. Stokes Croft, the Canteen

There is a new piece in town on one of the most famous walls in Bristol thanks to Banksy’s ‘Mild Mild West’ piece, which I am privileged to enjoy every time I walk to work. I had noticed a short while ago that the wall below had been prepped and there was a notice indicating that something new was going to be painted soon.

Soker, Stokes Croft, Bristol, January 2019
Soker, Stokes Croft, Bristol, January 2019

The piece in question is this ‘study’ by Soker (yes two Soker posts in a row), and when I first saw it I thought it was incomplete. I read subsequently that it is a piece designed to look like a sketch on lined paper with annotations. In meeting that brief, Soker has once again excelled and the piece will be keeping good company with the teddy bear above. Clever stuff.

1981. Raleigh Road, vector (27)

How can it be that my archive is stuffed full of great art? This is a case in point, a fabulous piece of graffiti writing from Soker from back in June 2017 that I didn’t post at the time. I really ought to pull my finger out, but short of posting four or five pieces a day (which I don’t have time for), I’m not sure how to do it.

Soker, Raleigh Road, Bristol, June 2017
Soker, Raleigh Road, Bristol, June 2017

Should I be more selective in what I post first time round? I don’t think I can really do that, because this blog is about honesty and seeing the world warts ‘n’ all. There are other people who publish sanitised street art for the ‘coffee table consumer’, I like to think that Natural Adventures is a little more inclusive and raw (as well as documenting contemporary Bristol artists). This piece has a retro feel to it and would not look out-of-place on the New York subway. Always great work from Soker.

1979. M32 roundabout J3 (122)

More archive stuff, this one from Deamze in 2016. You can be certain that it isn’t recent, because Deamze is currently in Hobart, Tasmania turning out some utterly awesome work. I am not sure if he has moved out there for good or if this is a temporary arrangement, but either way our loss is their gain.

Deamze, M32 roundabout, Bristol, August 2016
Deamze, M32 roundabout, Bristol, August 2016

I have seen this particular design and colour scheme a couple of times before from Deamze, but that doesn’t detract from it in any way. In fact it might be that the other works were from roughly the same time, which would make sense.I wonder if ‘Quick’ refers to this being a quick one.

1965. Armada Place (15)

I don’t think I can ever recall being disappointed with a Sepr piece in the few years that I have been enjoying street art. His distinctive cartoon style and sense of fun ooze from his works which usually raise a smile.

Sepr, Armada Place, Bristol, January 2019
Sepr, Armada Place, Bristol, January 2019

In this piece, marking the end of 2018, we see a sunbather being mildly abused by some birds (gulls?). One is stealing his ring, another emptying cream on his tummy, another drinking his cocktail and the last using a magnifying glass to burn his toes. Now when I first saw this, I thought someone had drawn a cock and balls on the man’s stomach, but the more I have looked at it, the more I think it is a sketch drawn by the bird with the tube of sun cream. A brilliant piece – comedy on a hoarding. Nice to see that Sepr and Epok have decorated the nearby wheely bin too.