Sometimes collaborations really work well, and this beauty between Decay and John D’oh is quite a beauty. Half way along North Street, I first saw it during Upfest (it was a weekend and the shutters were down) although I don’t think it was sprayed for the festival.
Decay and John D’oh, North Street, Bristol, July 2016
It is a striking shutter piece and John D’oh’s stencil is rather special. I am not sure who it is of, but it works so well with the colours favoured by Decay. For me this is a special Bristol piece to be treasured.
Here is a great piece of precision wildstyle from local Bedminster graffiti artist, Dibz. All of his works have this characteristic jagged look, and ere always lovely and clean.
Dibz, Raleigh Road, Bristol, March 2017
I don’t see his work on the streets too often, but he has a fine black book from which photographs are frequently posted on his Instagram feed. Always nice to see one of his sharp pieces up close though.
I know that there are a great many Bristol street/graffiti artists that are not yet on my radar, which seems mad after two years of writing about them. The main reason is that some don’t sign their work and or have no social media footprint and are really hard to track down, so I see their work, but don’t know who they are.
Lokey, Dean Lane, Bristol, March 2017
This is a great 3D piece by Lokey, an artist I had heard of, but whose work I had not knowingly seen. I now find I have photographed some of his work before. There is something pleasing about this piece, it is very easy on the eye, and the fillers around the lettering add a nice touch. I will be on the look out for more.
Ah! what joy to see one of the Bristol favourites back in his home town. Mau Mau is an established artist who features a crafty and irreverent fox in most of his works. I haven’t seen much new stuff in Bristol, so it was great to see this a week or so ago. A skateboarding fox with a bit of attitude.
Mau Mau, The Bearpit, Bristol, March 2017
The last work I saw from Mau Mau was in Camden Town in London during the summer (yet to be posted), and I felt that he really ought to be doing more in Bristol. Well here it is, and it is beautifully done too. It is hard not to like a fox, isn’t it?
It is always great to see a new Tom Miller piece, and this is a wall he has favoured in the past. I can’t keep up with this particular wall, and have some pieces that have never made it to the blog. Maybe if I was retired…
Tom Miller, The Bearpit, Bristol, March 2017
This work has all the hallmarks of a Miller piece; body parts bursting with a suffusion of colour and ‘imaginite’ – the way thoughts might look if they could be painted. There is a little story going on here, chasing after love perhaps. I would like to think it is a happy picture and not a morose or sad one. I really am a big fan of Tom Miller’s work.
This is a remarkable and really well sprayed piece on one of the stairways of The Bearpit by Deamze. Quite often Deamze will write his name or some other word and incorporate a cartoon character. This time he has really gone to town, and been a little political too (which of course I love).
Deamze, The Bearpit, Bristol, March 2017
His chosen characters, Dennis the Menace and Minnie the Minx are from the famous British comic strip the Beano. Deamze has recreated these with absolute perfection.
Deamze, The Bearpit, Bristol, March 2017
The whole piece spells out ‘exist resist’ and carries the taglines ‘question authority’ and ‘Government is theft’. I have a feeling that the unending austerity, pressure on schools and the health service, compounded by the significant economic impacts that leaving the EU will impose, will lead to a great deal of protest in this country in the coming years. I hope future protests will be as peaceful and colourful as this.
Deamze, The Bearpit, Bristol, March 2017
I cannot say enough good things about this piece. The location is also well thought out, to be able to accommodate the long words but also with a footfall of predominantly sympathetic eyes passing it every day.
Deamze, The Bearpit, Bristol, March 2017
It is work like this that makes my pleasure a pleasure.