6812. Dean Lane skate park (814)

Dibz and Fade, Dean Lane, Bristol, March 2025
Dibz and Fade, Dean Lane, Bristol, March 2025

Although Dibz and Fade have had a reasonably quiet winter, they have still managed to get out frequently enough to collaborate on some very impressive walls. This wall is one of their favourites, and because of its shape requires them to paint closer together than some of the other longer walls they like to paint.

Dibz and Fade, Dean Lane, Bristol, March 2025
Dibz and Fade, Dean Lane, Bristol, March 2025

In this piece, they each get to showcase their style and technique, using different base colours. Stepping back you can see that Fade’s work, in yellow, has a slightly softer finish, with more curves, than the slightly less forgiving angles on the green writing by Dibz. I don’t know too much about the character in this piece, but I am guessing both artists contributed to it. Naturally there is lots more to come from these two.

6794. Cumberland Basin

Daz Cat, Cumberland Basin, Bristol, March 2025
Daz Cat, Cumberland Basin, Bristol, March 2025

I have spoken ad nauseam about how Daz Cat’s work has become more sophisticated in recent years, so I won’t go on about it now except to say that this is a wonderful, complex piece that encapsulates the new level that he has found for himself.

Daz Cat, Cumberland Basin, Bristol, March 2025
Daz Cat, Cumberland Basin, Bristol, March 2025

A cat-human character, wearing bright yellow sunglasses, is playing host to a cat character nestled in her hair. There is a story, but I can’t fathom it out. Daz Cat has selected some calming purples and oranges for this piece, which work very nicely together. There is plenty of depth in the portrait, which the three-quarter profile helps to achieve. A really cracking piece from Daz Cat.

6789. Dean Lane skate park (811)

Bean, Dean Lane, Bristol, February 2025
Bean, Dean Lane, Bristol, February 2025

If, like me, you are interested in numbers, today’s post contains a rising sequence of numbers – 6789. In our base ten counting system, this is the last time this true sequence will be possible, because 78910 doesn’t work, and also even if it did I’d have to be writing posts for the next 100 years or more. Actually, I am wrong, so ignore that. The next number that will work is 12345, which I might reach if I carry on for 10 more years. Enough with the numbers already.

I am always delighted when Bean returns to Bristol and lets us know that he is alive and well. I hope that when he is finished for the summer with his studies, he will get busy on our streets.

Bean, Dean Lane, Bristol, February 2025
Bean, Dean Lane, Bristol, February 2025

I believe Bean to be one of the great talents emerging from the Bristol scene. His character pieces are growing in sophistication and here he has combined a joyful youth with the letters BEAN, which are reversed out on his T-shirt. There is a message ‘positivity and all that jazz’ which is either speaking to the viewer or to himself or, perhaps, both. I take energy and hope from this piece.

6786. Dean Lane skate park (810)

Cornico and Daz Cat, Dean Lane, Bristol, February 2025
Cornico and Daz Cat, Dean Lane, Bristol, February 2025

The curved wall at Dean Lane has played host to so many fabulous pieces (and some not so fabulous). This collaboration from Conrico and Daz Cat is a wonderful piece, full of creativity and colour, with the two distinct styles coming together in great harmony.

Cornico and Daz Cat, Dean Lane, Bristol, February 2025
Cornico and Daz Cat, Dean Lane, Bristol, February 2025

The left hand side of the wall belongs to Conrico, who has written his name in one of his familiar landscapes, with a distant monster that might be Godzilla emerging from the stylised choppy sea. To the right, Daz Cat has painted a sage-like old fish/axolotl type character watches on as if he might have the answer to an unknown question. Is that an orange platypus in his packet? Lots of stories in this brilliant collaboration.

6784. Cumberland Basin

Face 1st, Zake and Soap, Cumberland Basin, Bristol, February 2025
Face 1st, Zake and Soap, Cumberland Basin, Bristol, February 2025

It was great to see this PWA collaboration recently, something that is a little less frequent these days now that Face 1st has moved away from Bristol, but true to his word, he does still come back now and again to decorate our streets. Here he is joined by Zake and Soap.

Face 1st, Cumberland Basin, Bristol, February 2025
Face 1st, Cumberland Basin, Bristol, February 2025

Face 1st has been experimenting with his letters recently, and perhaps it is a way of refining his technique and growing himself as an artist. There is a symmetry to the letters which spell out Face First, painted in a deep gold colour which contrasts with the pink background and sets the colour theme for the whole collaboration.

Zake, Cumberland Basin, Bristol, February 2025
Zake, Cumberland Basin, Bristol, February 2025

The centrepiece is a character face painted by Zake, with all the depth we are used to seeing in his work created by the use of light and shade. Zake has cleverly picked up on the gold colour and used it as the bottom-lit element, highlighting his character’s features.

Soap, Cumberland Basin, Bristol, February 2025
Soap, Cumberland Basin, Bristol, February 2025

Rounding off the triptych is a piece of writing from Soap, who also appears to be trying something a little different. His letters look like a halfway house towards calligraffiti, with some order and form to the letters in terms of shape and size, and some interesting details creeping in. A truly wonderful PWA collaboration from three beating hearts of the Bristol street/graffiti art scene.

6779. Raleigh Road (10)

Mote, Raleigh Road, Bristol, February 2025
Mote, Raleigh Road, Bristol, February 2025

Although he hasn’t been painting too much this year, Mote has certainly been cherry-picking his spots, seeming to prefer rather nice, clean virgin spots, which makes him a bit of a pioneer for others to follow. This is a nice new hoarding on Raleigh Road and the perfect spot for a bit of ‘Motism’.

Mote, Raleigh Road, Bristol, February 2025
Mote, Raleigh Road, Bristol, February 2025

Mote is a master of creating unthreatening imaginary monster characters, and this cat monster falls perfectly into his specialism. The cat isn’t quite cute, and there is some pathos about the piece, maybe it is the stitching that has parallels with Frankenstein’s monster. As ever, it is always great to find new Mote pieces.

6775. Cumberland Basin

Posh, Cumberland Basin, Bristol,February 2025
Posh, Cumberland Basin, Bristol, February 2025

Over the years, I may have photographed a handful of pieces by Posh, but I think it is only recently that I have started posting them. I think that I might be able to retrieve one or two from my archives, as and when I find them. This interesting piece was painted as part of the Space Jam film paint jam, prompted by World Wall Stylers, although, apart from some of the colours used, I don’t see much of a link between this piece and the movie.

Posh, Cumberland Basin, Bristol,February 2025
Posh, Cumberland Basin, Bristol,February 2025

I am not able to decipher the letters, but they are wonderfully painted and quite unusual in their irregular construction. It is the monocled characters that are the trademark of Posh’s work, though, complete with well groomed moustaches and top hat. I think that I could really get into Posh’s work, particularly if I found it more often. Something a little different to enjoy.

6773. Sparke Evans Park (125)

Hire and Ceus, Sparke Evans Park, Bristol, February 2025
Hire and Ceus, Sparke Evans Park, Bristol, February 2025

It looks like Hire and Ceus have formed a partnership, with a couple of recent collaborations, and although their styles are very different, it somehow feels right that these two should team up. This piece in Spark Evans Park was painted as part of the Space Jam themed World Wall Stylers challenge for February.

Hire, Sparke Evans Park, Bristol, February 2025
Hire, Sparke Evans Park, Bristol, February 2025

To the left is one of the letter variants that Hire uses, ODIAH, which although carrying many of the artist’s characteristic elements, is softer than some of his writing of the past. Great colours, and a subtle outline glow, are augmented by a central section of characters and the Space Jam logo. I am not sure who painted the characters, but they are brilliantly done.

Ceus, Sparke Evans Park, Bristol, February 2025
Ceus, Sparke Evans Park, Bristol, February 2025

Ceus, whose style is altogether more ‘heavenly’, has created a fabulous piece of writing with some of the best fills I have seen from him. The CEUS letters are largely pink and lilac, but are complemented with some red and purple touches. The whole piece is a thing of beauty. I have a feeling that the characters might have been painted by Ceus, as the clouds are in the shape of wings, which is a trademark element used by him. A fine collaboration.

6770. Cumberland Basin

Mr Crawls, Cumberland Basin, Bristol, February 2025
Mr Crawls, Cumberland Basin, Bristol, February 2025

Mr Crawls has been having a productive and creative winter, turning out a suite of stylised cartoon character birds. This one is accompanied by some monolithic letters ‘NS’? I don’t know what the letters are all about, but he has incorporated them skilfully.

Mr Crawls, Cumberland Basin, Bristol, February 2025
Mr Crawls, Cumberland Basin, Bristol, February 2025

The skeleton bird design is one that Mr Crawls has used before and to be honest is a little bit sinister, not his usual cheery bird representation. There is a lot to like about mr crawls’ work at the moment, and his expanding repertoire keeps things interesting.

6768. Peel Street Green (37)

Hemper, Peel Street Green, Bristol, February 2025
Hemper, Peel Street Green, Bristol, February 2025

Hemper continues with his odyssey through various styles and ideas, so much so that I am beginning to wonder whether some of his new pieces can possibly be by him, such as this curious combination piece in Peel Street Green.

Hemper, Peel Street Green, Bristol, February 2025
Hemper, Peel Street Green, Bristol, February 2025

It looks like there is a message here ‘open your mind’ and perhaps that is a mantra he is working with currently. The letters are in the style of the monster energy drink logo, and the character looks like he has been drinking a little too much of it. It is so refreshing to see Hemper pushing so many boundaries, not only creatively, but also energetically. A wonderful and weird piece.