Tag: Cycle path

6842. BB Gallery (6)

Creamylines, BB Gallery, Bristol, March 2025
Creamylines, BB Gallery, Bristol, March 2025

I don’t often trek along to the Bristol to Bath cycle path gallery, maybe only twice a year, but recently was rewarded for a visit with this magnificent piece by Creamylines. It is no secret that I am a big fan of the artist and love his ‘stained-glass’ landscapes.

Creamylines, BB Gallery, Bristol, March 2025
Creamylines, BB Gallery, Bristol, March 2025

This work is wider than most of his pieces and there is a lot more going on, with many little figures, eyes and birds to find. In addition, he has included a green character grinning in the top right. Of course, the central focus is on the sun and sky at the top end of the landscape. There is something tranquil about the piece. Bravo.

4902. BB Gallery (4)

Creamylines, BB Gallery, Bristol, December 2022
Creamylines, BB Gallery, Bristol, December 2022

I can’t believe that this is only the fourth post from this charming spot on the Bristol to Bath cycle path. A place which showcases original art by people of all ages and abilities for the benefit of the local community… an urban treasure trove for those who like to explore and discover.

Creamylines, BB Gallery, Bristol, December 2022
Creamylines, BB Gallery, Bristol, December 2022

I have featured several pieces by Creamylines this year, but this is a mini version of his imaginative creations, probably created with Posca pens or something similar, rather than spray cans. There is an element of hope and optimism in Creamylines’ work that offers something of an antidote to the constant onslaught of bad news, and I applaud him for it. There is also an ecclesiastical feel to his work, probably associations with the sun and its rays and the stained-glass appearance. Nice to see this one in this open-air free gallery.

3256. M32 cycle path (79)

An artist that I feel I don’t see nearly enough of is Logoe. I first encountered his work in April 2017 while he was collaborating with Silent Hobo, and it was on that occasion that I was told that Logoe was returning to painting on the streets after a long lay-off, and that he had been a bit of a legend in the past – Silent Hobo’s words.

Logoe, M32 Cycle path, Bristol, October 2020
Logoe, M32 Cycle path, Bristol, October 2020

This piece is typical of his thin hand-written style letters. The letters are beautifully picked out spelling Logoe, but it is the additional decorations that bring the writing to life. The dots through the middle and horizontal thin lines that at first I thought were drips add real interest. It is always really good to stumble across one of these.

3141. M32 Cycle path (74)

It feels like an eternity since I last saw a Biers piece that actually spelled out ‘BIERS’ rather than ‘OhYeah’, and I have to say it makes me very happy. I remember the first piece I ever posted by Biers – it had a piece of toast in it, and shortly after that I met him on several occasions while he was painting and we struck it off really well – it has been a while since I last saw him though.

Biers, M32 cycle path, Bristol, August 2020
Biers, M32 cycle path, Bristol, August 2020

This is a regulation piece of Biers writing and all the more splendid for it. His irregular sized letters are expertly filled with black and red patterning. This is a most satisfying piece.

3140. M32 Cycle path (73)

This might look like a solo piece by Decay, but it is actually a collaboration between Decay and Sludge. Now I don’t know much (or indeed anything) about the latter artist, but it appears the pair teamed up at least twice recently, and this is one of those combined efforts.

Decay and Sludge, M32 cycle path, Bristol, August 2020
Decay and Sludge, M32 cycle path, Bristol, August 2020

The work has all the hallmarks of a fabulous Decay burner painted with some bright colours and the customary red Chuck character, but it is the geometric form in the centre in green and purple and some of the surrounding decorations that have been provided by Sludge. As a whole, the piece is bursting with colour and energy – a confection almost. I love it.

3134. M32 Cycle path (72)

Soker got off to a slow start after lock down, but is gathering speed now, which is great for anyone interested in the work of this great graffiti writer. This lovely piece along the M32 cycle path spelling out SOKEM is a real treat.

Soker, M32 Cycle path, Bristol, August 2020
Soker, M32 Cycle path, Bristol, August 2020

The colour scheme is one he has used before in Bedminster although the style of writing is quite different. Of particular note in this work are the red stri[es on the 3D shading, proviting extra depth, and the blue bubbl;es for interest. Overall a sumptuous piece.

Soker, Norfolk Place, Bristol, April 2019
Soker, Norfolk Place, Bristol, April 2019

3133. M32 Cycle path (71)

Unlike other artists in Bristol, Rezwonk has been relatively quiet since lock down restrictions have eased, although I am aware of a couple of new pieces in Lawrence Hill, there have only been a handful from this master graffiti writer.

Reezwonk, M32 cycle path, Bristol, July 2020
Reezwonk, M32 cycle path, Bristol, July 2020

This gorgeous piece in red, with alternating white and yellow outlines looks deceptively child-like, but is technically complex. The fill, which would have been laid down first, looks almost like crayon, a technique Rezwonk has used before. The two elements that set the piece off nicely are the red detail lines and the copious drips at the bottom of the letters. Great to see,

3123. M32 Cycle path (70)

When DazCat posted this piece on Instagram he accompanied it with the following words ‘Tried something new, perspective is tricky!’. To me though I think he did a fabulous job.

Daz Cat, M32 Cycle path, Bristol, August 2020
Daz Cat, M32 Cycle path, Bristol, August 2020

Although Daz Cat does write from time to time he is definitely better known for his cats, dogs and other animals. The perspective works pretty well in this piece, but I am slightly perplexed that I can’t properly read the writing. I’ll let you work it out for yourselves.

Daz Cat, M32 Cycle path, Bristol, August 2020
Daz Cat, M32 Cycle path, Bristol, August 2020

The cat is something altogether More Daz Catty. Propped up against the letters the rather bored, sullen or sad looking cat is passing the time drinking from a bottle (of milk perhaps?). Overall this is a nice piece, slightly understated, that should give the artist confidence to try more experimental work in future.

3104. M32 Cycle path (68)

This was a quiet one from Decay that snuck out without fanfare. It is great to see Decay experimenting with some new paint textures and ideas, such as spraying large clouds of paint on the wall as a kind of backdrop to his writing.

Decay, M32 cycle path, Bristol, July 2020
Decay, M32 cycle path, Bristol, July 2020

The white shading in the letters has a kind of distressed effect, something interior decorators were particularly fond of in the 1980s. The whole thing is high-class and exactly what you’d expect from Decay. There are two crew names on the piece that are HTM – Hold the Mustard, and LRS – Last Radical Souls, they are a loosely based crew operating all over the world since 2001.

3087. M32 Cycle path (67)

Like so many things, once you get your eye in, you up your game. I am now noticing more pieces by Evey and realise that I probably have a fair few in my archives as well. I have known about her work for a little while, but it wasn’t until her BLM collaboration piece under Brunel Way recently that I wrote my first Evey post. This is the second.

Evey, M32 Cycle path, Bristol, July 2020
Evey, M32 Cycle path, Bristol, July 2020

Evey’s EVEN letters are well proportioned and the there is a nice twist with the second E reversed. Because I am teaching myself to spray paint I tend to notice little mistakes and the blue shading on the second E is slightly wrong which confuses the eye a little. It is Evey’s fills that I absolutely love though – maybe it is the natural subject of leaves and plants, but there is something very comforting one optimistic about them, and that is a good thing in these troubled times. Looking forward to posting more pieces from Evey.