7531. Dean Lane skate park (908)

Weas, Dean Lane, Bristol, March 2026
Weas, Dean Lane, Bristol, March 2026

The lifecycle of a wall is often fascinating, and under this piece by Weas(el) is a little bit of recent history that can be made out, because artists have painted over one another without buffing the wall. The sequence, over about 10 days or so was a beauty by Werm, then a piece from Seed, followed by another piece that I never saw and finally this one from Weas – I’ll show the others at the end of this post.

Weas, Dean Lane, Bristol, March 2026
Weas, Dean Lane, Bristol, March 2026

Weas’ work can be found literally all over Bristol – one of his tags has even made it onto a utility box very near my house. Although his ‘mega-tags’ are fun, he actually is, in my view, a much better artist when he turns his attention to his graffiti writing. His letter fills always give the impression that he is a man in a hurry, or that he likes his paint to go a long way. His letter style is quite easy on the eye, and of course combines the writing with the mega-tag I mentioned earlier. Weas certainly likes to make his mark.

Werm, Dean Lane, Bristol, February 2026
Werm, Dean Lane, Bristol, February 2026
Seed, Dean Lane, Bristol, February 2026
Seed, Dean Lane, Bristol, February 2026
Weas, Dean Lane, Bristol, March 2026
Weas, Dean Lane, Bristol, March 2026

 

7515. Dean Lane skate park (907)

Jee See, Dean Lane, Bristol, February 2026
Jee See, Dean Lane, Bristol, February 2026

I was tipped-off by Jee See that he had painted this piece in Dean Lane, and a couple of days later he was painting on the roundabout, unfortunately I arrived at that one literally minutes too late, as someone was painting over his piece there. At least I got to this one in time.

Jee See, Dean Lane, Bristol, February 2026
Jee See, Dean Lane, Bristol, February 2026

I have enjoyed Jee See’s work for years now, having first met him a long time ago under the M32, while he was painting a column there. His SEISMIC pieces have become a signature design, in which he folds his letters on top of one another and makes them stand out with deep drop shadows. This one is painted in rather downbeat greys and blacks, but manages to command this end of the wall. Great to see Jee See out and about.

7512. Dean Lane skate park (906)

Seed, Dean Lane, Bristol, February 2026
Seed, Dean Lane, Bristol, February 2026

I enjoy observing new artists who try to break out onto the scene, and after all, all graffiti/street artists have to start somewhere. As they progress, they will make mistakes, both in their art, and equally importantly regarding etiquette. Even I fall foul of this from time to time – there are codes and principles, even if there are ‘no rules’. On this occasion, Seed painted his large letters recently, over a beauty by Werm. Generally speaking you shouldn’t paint over something that you are not equal to or better than, and Seed isn’t yet at Werm’s level. The logical consequence is that you end up with only high-end pieces on all walls, and that is where taggers and bombers come in, freeing up walls to be painted again.

Seed, Dean Lane, Bristol, February 2026
Seed, Dean Lane, Bristol, February 2026

Seed is learning gradually, and improves from piece to piece, but his work is still rather crude. His letters here are large and square, and his 3D drop shadow missing on the bottom of them. He is experimenting with some plasma lines to break up the large swathes of pink. He has also included a little cartoon-style character, completing the combination piece. Keep practicing and perhaps stick to practice walls for the time being.

7499. Dean Lane skate park (905)

Werm, Dean Lane, Bristol, February 2026
Werm, Dean Lane, Bristol, February 2026

What a superb piece from Werm in the Deaner. The symmetry created from the letters WERM is excellent, and something Werm plays with a lot in his work. This might be the tightest one yet. The brownish fill is in two tones and is best described as a chocolate mousse look – regulars will know that I am not fond of brown, but I’ll let it go in this instance.

Werm, Dean Lane, Bristol, February 2026
Werm, Dean Lane, Bristol, February 2026

The deep drop shadow veering to the left provides depth and the light blue background plenty of contrast, bit devices lifting the letters nicely. The red border creates a nice boundary between the letters and background, and I like the ‘cloud’ detail in the blue background. This is an interesting piece that deserves a while to enjoy it.

7480. Dean Lane skate park (904)

Asre, Dean Lane, Bristol, February 2026
Asre, Dean Lane, Bristol, February 2026

Two artists that have had a great and productive year are Asre and Zinso, and I guess that their friendship/collaboration has in part helped each to keep at it. This is a nice, gentle piece by Asre in one of his favoured spots in Dean Lane.

Asre, Dean Lane, Bristol, February 2026
Asre, Dean Lane, Bristol, February 2026

The large letters are forgiving in form and filled with a subtle combination of lilac and soft pink ‘bubbles’. Two further things come to the aid of the letters, the black drop shadow and the vibrant green providing contrast. An uplifting piece from Asre.

7477. Dean Lane skate park (903)

Trafficity, Dean Lane, Bristol, February 2026
Trafficity, Dean Lane, Bristol, February 2026

There was a time when finding a Trafficity piece was something of a rarity, but it feels like he has ever so slightly turned up the dial over the last couple of years and is in a good rhythm. Trafficity’s work is quite remarkable in that he sticks to his intricate design piece after piece, with only colour changes and minor decorations. His consistency is his trademark.

Trafficity, Dean Lane, Bristol, February 2026
Trafficity, Dean Lane, Bristol, February 2026

Like Cort (see previous post), Trafficity belongs to the PAD crew, which is mainly composed of Polish artists. Bristol is full of these little communities of artists, sometimes defined by nationality, sometimes by gender, sometimes by friendship or sometimes a combination of all of these. The letters spell ZIOS, which is reasonably easy to see once you know. It is always good to find pieces by Trafficity.

7476. Dean Lane skate park (902)

Cort, Dean Lane, Bristol, February 2026
Cort, Dean Lane, Bristol, February 2026

Cort tends to bring some lovely colours into his work, often choosing ones that both contrast with and complement each other well. This approach brings into focus just how important colour selection can be, and that it is not a random process for most artists, but a carefully considered process.

Cort, Dean Lane, Bristol, February 2026
Cort, Dean Lane, Bristol, February 2026

The sunlight on this piece isn’t very helpful, but I think you get the picture. The KORT letters are so typically written in his unusual style, and pairs of letters are filled in common. It looks like he was running low on some colours, or the piece has been badly rain affected, because it is possible to see the paint lines in some of the fills. Another nice piece from Cort.

7468. Dean Lane skate park (901)

Sled One, Dean Lane, Bristol, February 2026
Sled One, Dean Lane, Bristol, February 2026

There is something rather nice when artists who are at the top of the ladder find time to get back to their roots with a bit of graffiti writing, and I don’t think there is anybody who does it better than Sled One.

Sled One, Dean Lane, Bristol, February 2026
Sled One, Dean Lane, Bristol, February 2026

This is a lovely piece on my favourite curved wall, which has been rather neglected of late, with the letters ASK, After School Klub, the most established Bristol crew. Sled One would have almost certainly free-styled this piece and probably rather quickly, but such is his talent that it looks pretty much perfectly conceived and executed. Cracking work.

7459. Dean Lane skate park (900)

Benjimagnetic, Dean Lane, Bristol, January 2026
Benjimagnetic, Dean Lane, Bristol, January 2026

It has been a while since I last saw Benjimagnetic paint the letters BEN, as he appears to have preferred the letters GRO lately. The colour selection for this piece is absolutely fabulous, and the two tones of purple add to the splendour.

Benjimagnetic, Dean Lane, Bristol, January 2026
Benjimagnetic, Dean Lane, Bristol, January 2026

The whole thing is much more contiguous than some of his pieces, which can be rather more deconstructed. There is a really subtle, but effective, thin black drop shadow to the left of the letters, offering some definition. The letters are set on a chrome background which includes a little line drawing sketch around the outside. A classy piece from Benjimagnetic.

7428. Dean Lane skate park (899)

Pekoe, Dean Lane, Bristol, September 2025
Pekoe, Dean Lane, Bristol, September 2025

Having had a wonderful first day of skiing yesterday, I decided to write today’s posts last night so that things weren’t quite so rushed in the morning. This is another banging piece by Pekoe from my archives too last September, another one that slipped through the cracks.

Pekoe, Dean Lane, Bristol, September 2025
Pekoe, Dean Lane, Bristol, September 2025

Pekoe and her RBF friends have has a quiet 2025, which I hope is just a blip, because I love their work, especially as they tend to paint together, bringing me lots of pieces to admire at once. This is a delightful portrait piece of a blue_faced lady with wonderful garlands in her hair. It feels like a bit of a throw-back to some of her older work and it is really beautiful. More please in 2026.

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