Superb. But we expect that from Smak. Writing like this is something that we are privileged to see in Bristol on a pretty regular basis. There is a cohort of about 10 or so graffiti artists who are at the top of their game and Smak is at the front of the pack.
Smak, M32 roundabout, Bristol, June 2020
This particular piece from a couple of weeks ago is a real stunner and is one of his more colour-rich pieces. The App reminds me a little of a piece he did on the M32 cycle path about a year ago.
Oh it has been such a long time, but definitely worth the wait. This piece by Tuco is characteristically cheerful and bright. It is amazing how artists can convey different moods using just letters and colours. This piece says to me ‘fun’.
Tuco, Dean Lane, Bristol, June 2020
I guess like many of us Tuco is a busy man and just doesn’t get to paint very often which is a shame. The use of two shades of green combined with the pinks and white all set on, and contrasting well with, a blue background gives this piece an air of confidence and ease. Great work… come back soon.
I believe that this is the penultimate piece from the magnificent Poland v Spain paint jam from back in May and it is by Spanish artist @clara_que_sssnoh. Blimey, that’s a mouthful and is the artist’s Instagram handle… I am not sure what other name he goes by, but that is most certainly unwieldy.
Clara_que_sssnoh, M32 roundabout, Bristol, June 2020
The piece itself is yet another outstanding work of writing, and I think that this whole wall was possibly the best show of graffiti writing here in one go for a considerable time. The letters are nice and regular with some great features in the fills. I hope to see more from the artist, but only when I know his name.
There aren’t really the words to describe how good this bull piece by The Hass is. The trip down to Cattle Market Road would be worth it for this piece alone. The bull, so the story goes, escaped from the cattle market (we are talking some years ago) and terrorised the locals until it was captured.
The Hass, Cattle Market Road, Bristol, June 2020
The Hass coordinated the gathering of five artists to decorate the hoarding around the development site at the back of Temple Meads station, and I have to say the collection is one of the highlights of the year so far, and this piece is the highlight of the highlights.
The Hass, Cattle Market Road, Bristol, June 2020
The composition and colours are utterly stunning and contrast so amazingly with the blue sky and piles of rubble behind the hoarding. I think that the buildings represent the old Post Office sorting office that was knocked down to create this brownfield development opportunity. The bull looks a little bit more like a Spanish bull rather than a British one, but I’ll forgive The Hass for that.
I don’t want to go overboard on a description, but rather just leave you to enjoy and study the piece for yourself. Magnificent.
I hadn’t seen Jee See for quite some time, so it was really great to catch up with him during a paint jam under Brunel Way organised by Skor85. By the time I got there he had already completed his Seismic column piece and was sitting in the sun chilling out.
Jee See, Brunel Way, Bristol, June 2020
In this piece, Jee See has worked the column well. I have to say that as a photographer, cylindrical columns are a major pest for two main reasons, it is hard to avoid reflected light and often the piece wraps around the column. In this instance Jee See has done me a real favour.
Jee See, Brunel Way, Bristol, June 2020
At the base of the ‘seismic’ is a character resembling a bit of a mash up of ‘A Clockwork Orange’ and Marc Bolan. Just as a footnote, Jee See stands for Goshiku Chavu (Japanese interpretation of Gothic Chav). You can see Goshiku Chavu written to the left of the character. This is all very Jee See.
There is no end to my busy period, I rarely seem to have time to come up for air. I am writig this when I should be tucked up in bed. To make things easier for me until I get a bit of a break I have once again plundered my archives for some more street art/graffiti doors, first published in 2018. Enjoy…
Graffiti door, Lydstep Terrace, BristolAlex Lucas, Charlotte Street, Bristol, November 2017Paul Monsters and Loch Ness, Upfest, Bristol, July 2017Buff Monster, Upfest, Bristol, July 2017Door, 161 Essex Street, New YorkBarcelona door, March 2018Alex Lucas, Stokes Croft, Bristol, February 2018NEVERGIVEUP, Moon Street, Bristol, April 2018Unify, Shoreditch, London, February 2018Andy Council, West Street, Bristol, April 2018
So that’s it for another week. I’m off fishing in Cornwall this evening and for the weekend… I’ll be thinking of you all.
If you have made it this far, you probably like doors and you really ought to take a look at the Norm 2.0 blog – the originator of Thursday Doors where there are links to yet more doors in the comments section at the end.
I am still puzzled about how I have only recently (over the last year or so) noticed work by Turoe One. I know he has been around for a long while, but It is only in recent months that I can recall seeing his work just about every time I look up. I guess it is a bit like when you hear a new word that you have never heard before, and then, would you believe it, you hear it again and again and think how did I miss that?
Turoe One, Brunel Way, Bristol, June 2020
A digression I know, but I wonder how many Turoe pieces I missed before he came onto my radar. This is a fine specimen and perfectly turned out. It would appear from the last few pieces that Turoe is going through a bit of a ‘green’ period at the moment, or maybe he simply over ordered on the green paints. I happen to rather like green pieces, so that is good.
A new piece from Bnie and something really quite different from her. Bnie is an artist that I love, particularly for the fills she uses in her letters. Well, in this large piece there are no letters, only fills on a geometrically divided background.
Bnie, Cattle Market Road, Bristol, June 2020
Five creative and beautifully consistent patterns have been cleverly distributed along the length of the hoarding and there is an oblique reference to cows (Cattle Market Road) in the black and white cow-print pattern. This is a fine piece and sits comfortably with the other artists in this magnificent outdoor gallery.
A gallery of seismic proportions from Bristol’s Jee See (G. C. – Goshiku Chavu).
All photographs by Scooj
Jee See, Dean Lane, Bristol, August 2020Jee See, Brunel Way, Bristol, June 2020Jee See, Dean Lane, Bristol, September 2019Jee See, Dean Lane, Bristol, November 2018Jee See, The Bearpit, Bristol, January 2018Jee See, Upfest, Bristol, July 2018Jee See, Dean Lane, Bristol, July 2018Jee See, Dean Lane, Bristol, July 2018Decay and Jee See, The Bearpit, Bristol, April 2018Jee See, Stokes Croft, Bristol, February 2018Jee See, The Bearpit, Bristol, November 2017Jee See, Dean Lane, Bristol, December 2017Jee See, Upfest, Bristol, July 2017Jee See, M32 Spot, Bristol, June 2017Jee See, Stokes Croft, Bristol, April 2017Jee See, Dean Lane, Bristol, March 2017Jee See, The Bearpit, Bristol, January 2017Jee See, Picton Lane, Bristol, September 2016Mr Klue and Jee See, The Bearpit, Bristol, February 2016Mr Klue and Jee See, The Bearpit, Bristol, February 2016Jee See, Dean Lane, Bristol, October 2016Jee See, Dean Lane, Bristol, May 2016
In this recent piece by Soge on a ramp in Dean Lane skate park, the artist is showing off his versatility with a rather different style than the one we are more accustomed to seeing. I don’t know the origins of why street artists use this ‘Hello my name is’ card, but I have seen it several times over the years and rather like it. (Note to self, do a special post on these?)
Soge, Dean Lane, Bristol, June 2020
I think that I have seen more pieces by Soge since lock down eased than any other artist and have been enjoying his resurgence greatly. This piece is very easy on the eye and the greens of the lettering contrast well with the red and white base. More quality work from Soge.