Slim Pickings (Tes) and Biers, M32 Spot, Bristol, August 2024
It feels good to give these two a bit of attention, especially Slim Pickings (Tes), because although they are out there painting fairly regularly, I don’t tend to feature them on Natural Adventures as much as I should. I am pleased to see this collaboration between Tes and Biers because it is on one of my favourite spots in Bristol.
Slim Pickings (Tes) and Biers, M32 Spot, Bristol, August 2024
This is a particularly fine example of Slim Picking’s work, with the letters TES beautifully filled in two shades of orange with bubbles. Cleverly the drop shadow and the white spot highlights really make this one pop, fantastic stuff. Biers has incorporated little flashes of orange (upside down crosses) which work really well with his green shades WD40. A fine collaboration from two great graffiti writers.
Although Mr Crawls appears to enjoy painting with Mote, it certainly doesn’t stop him from going out and painting on his own. This column piece, under the M32 motorway, takes us back to some of the artist’s earlier themes, incorporation; old and new styles into the work.
Mr Crawls, M32 Spot, Bristol, July 2024
The cartoon character is a gull or a raptor of some kind wearing a bucket hat. The piece incorporates newer design themes developed by Mr Crawls, such as the skeleton neck and hollow square eyes. You might have spotted a rare appearance by my dog, who accompanies me on most of my photographic trips. Nice work from Mr Crawls.
The flurry of The Art of Sok pieces continues with this beautiful column portrait. There is a clarity and clean finish that the artist manages to perfect with every single piece he paints. Everything is exactly where he wants it, the lines are crisp and the fills solid and bold.
The Art of Sok, M32 Spot, Bristol, July 2024
The character in this piece is nicely worked into the tall thin column and beautifully presented on a lilac background. The simplicity and accuracy of The Art of Sok’s work is his USP, and is something we don’t see too much of in Bristol. A really wonderful comic-book style design, with still more to come from the artist…
This is the second piece by Nuke to appear on Natural Adventures, although it was the first to be painted, in chronological order, of the two. I’m not too sure if the two pieces were a one (two)-off and left during a visit to the city, or whether we can expect more to follow. I suspect the former.
Nuke, M32 Spot, Bristol, July 2024
His work, even though I have only seen the two pieces, is instantly recognisable in the delivery of a character/writing combination that has a haunting and slightly dark vibe about it. There is a blending between the ghostly portrait and the wildstyle letters, that works really well, and the colours reflect upwards from the base, and the white light is projected from the top left. Very nicely done.
I am pretty sure that these pieces from Minto and Bags are part of a collaboration, rather than ones painted in isolation that happen to be next to one another. There is definitely some interaction from the Bags piece that overlaps onto the Minto side, but not necessarily vice versa.
Minto, M32 Spot, Bristol, July 2024
Unlike most of his recent ‘deconstruction’ pieces, Minto has opted for a full size portrait, with the only writing being the ‘Minto’ on the subject’s hat. It comes across as a bit of a quick one, and may have been a dregs piece, because the fills aren’t particularly solid. Certainly this is Minto showing a slightly different side to his work, and for some reason it is a very memorable – maybe it is the green, maybe the hat… who knows?
Bags, M32 Spot, Bristol, July 2024
Bags is a woefully underrepresented artist in Natural Adventures, and I think the only way I could rectify that would be to go through my archives and present several mini-galleries, just to catch up a bit. I think that Bags enjoys collaborating a lot, especially with his No Frills friends such as Biers and Slim Pickings. His letters are always recognisable and presented in roughly the same format, with the fills representing the main differences from piece to piece.
I’m not too sure how it happened, but somehow this piece by the fabulous John D’oh got caught up in my production line, and was supposed to have been posted quite a while ago. Perhaps it feels appropriate that I should post it today, coming so soon after President Biden has said that he will not stand for the presidency in the forthcoming election.
John D’oh, M32 Spot, Bristol, May 2024
This simple ‘spot the difference’ stencil, highlights Joe Biden’s apparently inconsistent approach to the bombing of Gaza by Israel and the bombing of Ukraine by Russia. Turning a blind eye (sponsoring) one and condemning overtly the other. Heaven only knows what might happen if Donald Trump gets a second term. What a mess. Nice commentary piece once again from the talented Mt John D’oh.
I get a little bat squeak of excitement when I see a piece that is obviously by an artist new to me, tempered by mild anxiety that I don’t know who they are and may not get to post their work until I find out more. Everything happened quite quickly with this wonderful piece by Nuke, thanks to Instagram, and I am thrilled to be able to post this debut piece for Natural Adventures.
Nuke, M32 Spot, Bristol, June 2024
This is a very interesting and compelling graffiti writing/character combination piece that has an interesting quality to it. It has a ‘soft-focus’ appearance and yet is clearly defied and masterfully painted. The 20 years refers to the length of time that Nuke has been painting, and his experience certainly plays out in this piece. I don’t know if he was passing through or whether he is staying in Bristol, but this is one of two recent pieces painted in the city by the artist.
For most people, coming across a street/graffiti artist while they are actually painting is probably something of a rarity. Because I am out most days in all the most popular spots, it is quite unusual not to meet someone while they are painting, and on this day I happened upon Zaenone and The Mole as they were working on this collaboration.
Zaenone, M32 Spot, Bristol, May 2024
I had not met Zaenone before, although we have exchanged a few words on social media before. He was fairly quiet when I met him, and I mostly spoke with The Mole. This is a classic piece from Zaenone, typically bookended with characters and the letters ZAEN sandwiched in the middle. The combination has a psychedelic buzz going on, with the hippy characters and the multicoloured fills, topped off with peace symbols.
The Mole, M32 Spot, Bristol, May 2024
The Mole has written INCA and included his familiar mole character on the right of the piece, beautifully filled I might add. I asked him where the inspiration for the word Inca came from, and it is completely as you might expect, he has an interest in the Incas. The Mole character was created and developed during the first lockdown (if I remember correctly). As ever it is always great to welcome these LRS lads back to Bristol for a paint.
Saor, Kosc and Mudra, M32 Spot, Bristol, March 2024
Although this outstanding collaboration from Saor, Kosc and Mudra was painted a few weeks ago, it has taken me quite a long while to get round to posting it, which is largely down to the sheer volume of new art appearing on the walls of Bristol at the moment. I would say that this winter, in spite of the appalling weather, has been one of the busiest I have know for street/graffiti art and my archives are bulging.
Saor, M32 Spot, Bristol, March 2024
Saor has made a few visits to Bristol lately, and has smashed each piece out of the park, and this is another in a succession of unbelievable artworks. In line with the overall collaboration colours, Saor has disguised his SAOR letters in an outstanding geometric design. What I love about Saor’s work is the blended of borders, which means that all of his lines have to be ultra crisp and sharp, which, of course, he excels at.
Kosc, M32 Spot, Bristol, March 2024
In the middle of the triptych is a brilliant samurai portrait piece from Kosc, unfortunately a little obscured by the street sign. There is a lot of precision in the detail of the mask and Kosc has achieved incredible depth and texture in the piece. Kosc is an artist who appears to be at the top of his game these days and is producing some outstanding work.
Mudra, M32 Spot, Bristol, March 2024
Rounding off the collaboration is this unusual piece of pixelated writing from Mudra, which seems to be playing with the letters ‘.CON’ (dot con). The skull in the middle of the letters, is a little strange, in fact I find the whole piece odd, and a bit out of kilter with the rest of the collaboration. There might be a story about the piece that I don’t know about which might explain it. Altogether though this is yet another amazing collaboration from the NTS crew.
Evey, Pekoe and Bnie, M32 Spot, Bristol, March 2024
This is a pleasurable post to write because it involves one of my favourite walls with one of my favourite groups of artists. The RBF ladies have been a little quiet this month, but this collaboration from Evey, Pekoe and Bnie has laid that to rest pretty well.
Evey, M32 Spot, Bristol, March 2024
Evey continues to smash it each time she paints and her improvement from piece to piece is so gratifying to witness. The letters here are nicely designed and cleanly finished, with good fill transitions and well organised spotty details. She appears to be building her confidence with is an important part of improvement.
Pekoe, M32 Spot, Bristol, March 2024
In the middle is another Pekoe portrait piece, full of fun and style. The subject has beautifully painted big hair and a rather smart yellow cap or beret. The blue face is rather RBF, if you know what I mean and the whole piece has an interesting dot – dash border. For me though, the hoop earrings steal the show, they are brilliant.
Bnie, M32 Spot, Bristol, March 2024
Finally, Bnie never ever disappoints with her beautiful letters. This is classy writing, with stunning fills, a wonderful drop shadow and yellow border complete with drips. The colour selection of pinks and oranges works really well against the green patterned background. It is good to note a small Palestinian flag under the ‘B’, should we forget what is happening in Gaza right now. A wonderful collaboration from this RBF trio.
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