Oriental – Natural adventures

6570. Cumberland Basin

Conrico, Acer One and Andy Council, Cumberland Basin, Bristol, May 2024

You might be able to detect that I have been rooting around in my archives again, which I like to do every once in a while, because there are so many pieces that I’d like to share, but that get left behind. How this amazing collaboration from Conrico, Acer One and Andy Council ever got omitted I’ll never know, but I am making up for it now.

Conrico and Acer One, Cumberland Basin, Bristol, May 2024

The three part piece is a wonderful co-creation in which all the distinctive elements come together seamlessly. The landscape background with hints of an oriental coastal scene is by Conrico and creates a wonderful setting for the letters of Acer One, that spell out WABI SABI in two sections either side of the centrepiece by Andy Council,

Andy Council, Cumberland Basin, Bristol, May 2024

The central portrait of a roaring tiger has everything you’d expect from a piece by Andy council where each of the elements of the tiger are ‘stitched’ together to form a coherent and, frankly, stunning whole. I think that the rose pink clouds emphasising the tiger head were painted by Conrico. The overall collaboration is a triumph of three very different styles coming together to create something truly excellent.

6215. Brunel Way (279)

Acer One, Dibz, Jody and Fade, Brunel Way, Bristol, July 2024

I don’t think that I have ever seen so many production pieces as I have this year. The driving force behind these productions is the Dibz/Fade FUA brotherhood, and they have been oh so busy over the last eighteen months or so. In this full wall piece, they have been joined by Acer One and Jody, and what an amazing piece it is (gone now of course – overpainted by further FUA productions).

Acer One, Brunel Way, Bristol, July 2024

The production is bookended by two pieces by Acer One using his highly designed lettering spelling out ACER on the left-hand side and JODY on the right-hand side, thus ensuring that all four artists are named overtly in the production. The writing is painted over a moon/sun icon, and commensurate with the oriental feel of the entire collaboration.

There is a second set of inner bookends provided by Dibz and Fade, who present their wildstyle writing in a similar style and adopting an identical colour palette and decorations. In terms of painting, these two are brothers from different mothers, and while it is possible to tell the art of one from the other, it is becoming more difficult to do so.

Everything about the production points towards the centrepiece which is provided, as is often the case, by Jody, and he has surpassed even his very high standards with this astonishingly beautiful portrait piece. Jody has been working on this robot/human interface a fair bit lately, and this follows on from his remarkable Upfest piece (not yet posted here). It is the detail in the piece here that is so admirable, the hair and garland, the features of the face, machinery in the neck and patterns on the kimono. The portrait is a fitting climax to the whole production and shown how the coming together of different elements complement one another in perfect balance. Awesome stuff.

5860. M32 roundabout J3 (557)

Kosc, M32 roundabout, Bristol, February 2024

Oh my! This is Kosc at his very best, and even by his high standards, he has excelled himself. It is obvious that Kosc works very hard to develop his skills and looks to improve from piece to piece, stretching his repertoire and pushing boundaries. When you strive and work hard, you get your returns and this feels like a landmark piece to me.

From the background I would guess that this is an oriental scene and portrait, featuring a beautiful woman with flowers in her hair. The greyscale portrait has a softness of touch about it, accentuated by the solid chunky letters either side. I am not too sure why the ‘C’ melts away, but there must be a reason behind it.

To me, what absolutely makes the piece perfect, is the stunning landscape setting featuring mountains and trees and old buildings, painted in subtle shades of blue. Whether it is deliberate or not, the spilt paint on the ground draws the piece out towards the viewer and adds to the overall impression. Brilliant work from an artist at the top of his game.

5856. Devon Road (20)

Conrico, Devon Road, Bristol, February 2024

A week or so ago I decided to visit the Devon Road area of Bristol, which I have neglected for quite a long while but where turnover tends to be rather slow. I was rewarded with this magnificent piece at the end of Devon Road, by Conrico. I might be pushing the boat a little, but I think that this could be the best piece I have seen from Conrico, and that is saying something.

There is a wonderful story of an oriental flavour unfolding. Our central character is a fox wearing a fabulous blue robe, tossing a spray can in his right hand and clutching a roller in his left. Is there something autobiographical going on here? The fox is standing in a scene that could so easily have been inspired by the willow pattern. Each of the elements of this piece , the pond, the building the trees and the cloudy sky, combine to create a truly fantastic whole. Bravo!

2569. New Stadium Road (21)

Another fine collaboration, this time from Conrico and Crafty Cicada, with a strong oriental theme going on. While I have posted many pieces by Conrico, this is the first from Crafty Cicada who I can only presume was on a visit to Bristol and kindly left us this beautiful work.

Conrico, New Stadium Road, Bristol, November 2019

The left hand side of the collaboration is unmistakably by Conrico and as always is more than just a piece of artwork because his work always has such a strong narrative, a story going on. In this piece a cartoon character is serenely sitting cross-legged, as if meditating on the back of a very large catfish – so what’s the story?

Crafty Cicada, New Stadium Road, Bristol, November 2019

The other half of this collaboration by Crafty Cicada is an altogether more stylised with a fish (of unknown genus and species), a rising sun, some bamboo and some Japanese Kanji characters. There is a peace and tranquility here, and on seeing this, I would be very interested to see more from the artist.

A lovely and unexpected collaboration on a wall favoured by Conrico.

2266. Stokes Croft

A few more striking wheatpastes from Frenchman Tian on the streets of Stokes Croft. Unfortunately with all the rain we’ve been having, several of these have started to peel off and disapppear, but I guess that is the ephemeral nature of street art.

There appear to be two colour variants of this stencil piece of an oriental woman looking so beautiful with flowers in her hair, this blue one, and a slightly less colourful sepia one.

I am so full of admiration for the way Tian works his art – first sourcing a great photograph, then creating a stencil from it, then printing off and cutting out paste ups and finally finding the precise and thought-out locations for each of them. He is a true master of his craft and I am an enormous fan.

Tian, Stokes Croft, Bristol, May 2019

2102. Nelson Street (10)

Kin Dose (part 2)

So, continuing on from my last post, it seems almost inconceivable that the same artist could paint two street masterpieces on the same building in the space of a couple of weeks, but somehow Kin Dose has done it and pulled it off with consummate style.

Kin Dose, Nelson Street, Bristol, March 2019

In this second piece the artist has created a scene with an oriental ‘Hokusai’ sea and waves harbouring a lotus flower and koi carp. In the centre of the sea is an island with an ornate dragon whose face is highlighted by a full moon.

This piece is rather difficult to photograph because of the nature of the wall, which incorporates a staircase, and the amount of street furniture knocking around, so I would recommend that any Bristolian reading this gets themself down to Nelson Street to witness this for themselves.

The dragon is beautifully painted and nicely detailed, but it is the amazing contrast with the red sky and white moon that really lifts this beast from the wall. The tail of the dragon disappears into the sea to the left of the piece.

The whole thing is magnificent. How much more can Kin Dose give?

2101. Nelson Street (9)

Kin Dose (part1)

I am struggling to write this post, mainly because I am lost for words at how very good the mural by Kin Dose, just off Nelson Street in the centre of town, is. In my view this is a worldie and we are honoured and privileged to see a wall of such beauty in Bristol.

The whole scene is of a beautiful geisha under the shade of a paper parasol gracefully holding out her hand upon which a splendid kingfisher sits. This is close to street art perfection, and were it not for the bloody wheelie bins, which I attempted to move, it would pretty much be there.

The background to the piece is composed of layers of graffiti and burners blended into a japanese scene of mountains and buildings. There is something similar to the style of PichiAvo in this.

The face of the geisha is absolutely beautiful and not in any way overcomplicated. The flowers cascading from her hair add a real touch of class. The last component of the piece is the kingfisher perching on her hand.

I feel it would be wrong not to point out that the kingfisher is a small bird, and in this piece, ever so slightly out of proportion. But I am nit-picking and I hate myself for it, because this is a truly wonderous piece and really ups the game for the high-end street art talent in this great city. Bravo! Kin Dose.

But it gets even better. Not content with creating one oriental wall on this building, Kin Dose returned to paint a second one a week or so later…see my next post.

1272. Nelson Street (4)

I am including this piece, in spite of the fact that it has been around forever, because I have only rarely seen it, when I am in this part of town and the shutters are down. It is by DNT, who normally reserves his talents for the Stokes Croft area.

DNT, Nelson Street, Bristol, November 2017

The shutter piece is situated on Nelson Street at the oriental supermarket, and has a western-oriental flavour to it. The cherry blossoms, characteristic of the Far East, fringe a portrait of a girl, almost geisha like but with western eyes.

I like this piece, especially as it is quite different from the kind of stuff I’m used to seeing by DNT. Worth waiting for.

	scooj on Thursday doors – 8 Janua…
	scooj on Thursday doors – 8 Janua…
	scooj on 7391. Peel Street Green (…
	scooj on Thursday doors – 8 Janua…
	scooj on Thursday doors – 8 Janua…

	scooj on Thursday doors – 8 Janua…
	scooj on Thursday doors – 8 Janua…
	scooj on 7391. Peel Street Green (…
	scooj on Thursday doors – 8 Janua…
	scooj on Thursday doors – 8 Janua…

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