Tag: Street art

4383. Greenbank (39)

This epic collaboration between Conrico, Acer and Zake, an unlikely trio of collaborators, appeared on the Greenbank hoardings about two weeks ago and is truly eye catching in its boldness and presence.

Conrico and Acer, Greenbank, Bristol, April 2022
Conrico and Acer, Greenbank, Bristol, April 2022

I know that pairings of these three artists have happened in the past, but I don’t think I can recall that the three have collaborated together before. Starting at the left hand side, Conrico has provided a landscape backdrop, that actually runs to either side of the whole collaboration. Conrico definitely seems to enjoy painting these landscapes, and they have that paintbrush appearance that he achieves, I think by using banana caps. The mountain range and greenery is in stark contrast to the outstanding ACER writing in the prism colouring and superb letter design that Acer is painting with at the moment.

Acer, Greenbank, Bristol, April 2022
Acer, Greenbank, Bristol, April 2022

It has been fun observing Acer, whose central theme is geometric design, change his ‘look’ several times over the years. This latest rainbow lettering is such a strong statement, and demands to be looked at and enjoyed.

Zake and Conrico, Greenbank, Bristol, April 2022
Zake and Conrico, Greenbank, Bristol, April 2022

To the right hand side of the collaboration is the painting of Zake and Conrico, with the latter rounding off his mountainous landscape which incorporates a rather cheesy full moon in a blue sky scape.

Zake, Greenbank, Bristol, April 2022
Zake, Greenbank, Bristol, April 2022

The Zake portrait is as good as any I have seen from him, and is a reminder of just how far the artist has come over the last two or three years, especially if you look back at his column pieces at the M32 Spot. The features and shadows are outstanding in this face, and there is a movement from Zake’s figurative style towards a more realistic style… watch this space to see what direction his work goes in. What an eclectic and amazing collaboration from these three artists.

4382. L Dub (33)

I do love my walks to the L Dub spot and although it only happens occasionally, both my dog and I love the remoteness of this curious brownfield site, brimming with wildlife, that runs alongside the M5 motorway. These occasional visits are always worthwhile because at the end of the walk is a water treatment pumping station and a pedestrian underpass with plenty of wall space for graffiti/street artists to play with. On my last trip a week or so ago, it would appear that some members of the LRS crew had been having fun.

3F fino, L Dub, Bristol, April 2022
3F fino, L Dub, Bristol, April 2022

This piece is by 3F fino and creates a scene from Fineas and Ferb, a cartoon TV series that my children used to love, and which features Dr. Heinz Doofenshmirt, the villain of the piece. The bubble fill for the lettering is absolutely outstanding and has a sense of evil chemistry about it, and the character has been faithfully recreated. All in all a fabulous piece from 3F fino, one of his best in my opinion, and worth the long walk alone.

4381. Dean Lane skate park (481)

Truly, good things come to those who wait, and what a long wait it has been to see a public piece by Pelmo, but this is one of three very recent pieces that I know about and it is great to see he is out and about painting again.

Pelmo, Dean Lane, Bristol, April 2022
Pelmo, Dean Lane, Bristol, April 2022

This small piece in Dean Lane skate park features one of his oversized characters flipping a little skateboard. What a joy to find this. I have long been a fan of Pelmo’s unusual work, that tells stories about people of extraordinary proportions doing ordinary things. There is something most endearing and compassionate in the way Pelmo portrays his characters with love and affection. Watch this space for more.

4380. Cumberland Basin

Mote certainly finds some secluded spots to practice his art and this one is tucked away in Cumberland Basin, which I only found because I decided to extend my usual circuit of the area a little. I’m not too sure how long this piece has been here, but it looks reasonably fresh.

Mote, Cumberland Basin, Bristol, April 2022
Mote, Cumberland Basin, Bristol, April 2022

The monsters that Mote creates are nicely thought out and designed, and his crisp, sharp lines and solid fills give away the identity of the artist in his unsigned pieces. Another common theme in Mote’s work is the use of strong colours, especially green, yellow and red all featuring in this piece. His monsters are all rather loveable and have added to the wonderful free art gallery that is available to all on the streets of Bristol.

4379. River Avon (30)

So far on Natural Adventures, we have seen a few pieces from this artist under the name Asre, but they were all the same character, this is another one from his portfolio, a rather cheeky comic strip kind of character. The artist’s Instagram handle is @runaway_joey, and somehow this character seems to fit that moniker rather well – he looks like a Joey.

Asre, River Avon, Bristol, April 2022
Asre, River Avon, Bristol, April 2022

There are several of these around Bristol, but this one on the River Avon wall has lasted really well. Full of character and very nicely sprayed with some nice thick clean lines – Asre is no one trick pony, that’s for sure.

4378. Dean Lane skate park (480)

After a very quiet lockdown period, there seems to have been no stopping Biers, who now writes WD40, from decorating walls all over the city. This piece from a couple of weeks back is on one of the best known walls in Bristol, and a particular favourite of mine – I have even done a special gallery of it, that needs updating.

Biers, Dean Lane, Bristol, April 2022
Biers, Dean Lane, Bristol, April 2022

In this lively piece, Biers takes something of a self-deprecatory look and critique of his own work that is not entirely complimentary. I would beg to differ with his analysis, as I think it is a rather tidy piece with loads of activity and movement, and the character with the speech bubble is nicely done too. Don’t be so hard on yourself Biers.

4376. St Werburghs tunnel (288)

The last time I met these two, Benjimagnetic and Acer, they were painting this exact spot with an epic piece that regrettably had been painted over by the time I went back to photograph it. I wasn’t going to make the same mistake again, and having seen it on Instagram, made the tunnel my first port of call.

Benjimagnetic, St Werburghs, Bristol, April 2022
Benjimagnetic, St Werburghs, Bristol, April 2022

The left hand of this collaborative wall is a superbly clean and light piece of wildstyle writing from Benjimagnetic, spelling out BEN. The colours and shapes are inspiring, and the little grey shaded areas provide a little bit of solidity to the frame. Lovely work.

Acer, St Werburghs, Bristol, April 2022
Acer, St Werburghs, Bristol, April 2022

On the right, Acer continues to dazzle us with his highly stylised rainbow lettering, spelling out CHAOS. Is this a random word, or a description of the mad, mad world we live in? This is a thing of beauty and great skill, I love the grey shadows of the black shadows. An absolutely fabulous collaborative wall.

Benjimagnetic and Acer, St Werburghs, Bristol, April 2022
Benjimagnetic and Acer, St Werburghs, Bristol, April 2022

4375. St Werburghs tunnel (287)

This is definitely one of those occasions when you get more for your money, to loosely use an expression, because as we already know, street/graffiti art is completely free… imagine that, completely free art for all to enjoy, no entrance fee required. A double helping from Klashwhensober, which is surely a treat to savour. In this double act, we have two of his monikers, ‘Klash’ and ‘Sober’.

Klashwhensober, St Werburghs, Bristol, April 2022
Klashwhensober, St Werburghs, Bristol, April 2022

To the left is Klash written in his long slim lettering and a gorgeous transition fill from blue to pink, with some lovely patterns spanning the letters. The whole thing is coated in a kind of green goo, that Face 1st would approve of.

Klashwhensober, St Werburghs, Bristol, April 2022
Klashwhensober, St Werburghs, Bristol, April 2022

To the right of the pair of the work is the word Sober which again has lovely slim curvy letters and a superb red/orange 3D shadow shared across both words – with regard to the 3D shadow, Klashwhensober has a vanishing point somewhere behind the piece and the shadows work in both directions. The imaginative patterns and fills are a joy to behold, and a specialism that Klashwhensober works really hard on.

Klashwhensober, St Werburghs, Bristol, April 2022
Klashwhensober, St Werburghs, Bristol, April 2022

I met Klashwhensober again yesterday on the M32 cycle path, and it was another pleasurable experience. We chewed the fat for a little while, and discussed different pieces and styles, amongst other things. I think that we must have similar body clocks, as we keep meeting – three times now in just over a week.

4374. Sparke Evans Park (38)

Dopes is an artist who appears to like spraying in tight little spots tucked away on the margins of popular graffiti spots, or maybe I just happen to find his pieces in such places.  This one is underneath the bridge in Sparke Evans Park, alongside a Maesyhook piece that until a week ago had been there forever (to make an appearance on Natural Adventures soon).

Dopes, Sparke Evans Park, Bristol, April 2022
Dopes, Sparke Evans Park, Bristol, April 2022

Set out in chrome on a turquoise background, Dopes spells out his name, with a rather curious character figure making up the ‘O’. A subtle splash of pink decoration and border gives the piece a little bit of zing and lifts it up above other chrome throw ups.

4373. Sparke Evans Park (37)

For a little while I feared that Maesyhook might have abandoned Bristol in favour of some other city or country, as her work appeared to drop off, and some of her Instagram posts were not from Bristol, but thankfully it would seem that she is here, and normal service is resumed.

Maesyhook, Sparke Evans Park, Bristol, April 2022
Maesyhook, Sparke Evans Park, Bristol, April 2022

I have always really liked Maesyhook’s work as it is unlike anything else we see, which makes a refreshing change. This tiger in her preferred pink and blue colours is low-key but rather beautiful. It is very illustrative and could easily be a character in a children’s picture book ‘the pink tiger who came to tea’ maybe. It is so, so good to see maesyhook painting again.