An infrequent, yet most welcome, artist is Smut – ‘everyone loves a little bit of Smut’ remember? Recently Smut has hit a couple of walls with his characteristic clean and tidy script writing.
Smut, St Werburghs, Bristol, December 2021
Although the tunnel at St Werburghs is a honey pot for graffiti and street art, it is a beast for getting decent photographs, and I am disappointed with these ones which are a little blurred. His other piece on the M32 roundabout (to come) is altogether more satisfying. It is always a pleasure finding a Smut piece.
Tes, or Slim Pickings as I call him, is one of the most consistent writers in Bristol with his familiar TES super-tag, but every once in a while he throws something different at us, and this piece is an example of how he switches it up.
Slim Pickings (Tes), River Avon, Bristol, December 2021
The letters are the same, but aren’t presented in his usual very prescriptive form, they are more uniform and spread further horizontally, but the fills and lines are solid and clean, just as we would expect. Great to see something a little different from Slim Pickings.
Each time I see a piece from Pl8o, they just seem to get better and better. Apart from the odd throw up, there is a more considered and designed approach to his work, and this piece, I think really demonstrates the progress made. I recently published a gallery of Pl8o’s work, and you can see the improvements over time, although frankly, his work has always been pretty good.
Pl8o, M32 Cycle path, Bristol, December 2021
I have said before that his letters are very kind on the eye, and he has certainly made the most of them. The numeral 8 in particular is great to have in graffiti writing, it is a bit like OO which also works… Look out for those SCOOJ toy letters next summer (maybe). I am still loving Pl8o’s work
Many of you will be familiar with the phrase ‘you snooze, you lose’, and so it was with my rather late discovery of this wonderful wall in Elton Street. Most of the pieces are is good shape, but unfortunately this beauty by The Hass had been somewhat tagged by the time I got to photograph it.
The Hass, Elton Street, Bristol, December 2021
The piece, in the themed pink and blues used by all the artists on this wall, is a stunning portrait of a leopard., and a really classy piece of street art at that. I think I might have enough pieces by The Hass to pull together a gallery fairly soon, one to look out for.
I ventured out on a rather sunny winter’s day to photograph this wall and rather regret doing so, because the glare is so bright in the photographs, it is difficult to truly appreciate the fine graffiti writing from Taboo.
Taboo, Cumberland Basin, Bristol, December 2021
Following his usual format of a character bound together with his unconventional joined up writing, Taboo introduces us to a psychedelic world in which a Bart Simpson is riding the skies on his skateboard, slightly worse for wear on what appear to be ecstasy pills popping out of his severed head.
Taboo, Cumberland Basin, Bristol, December 2021
The character/writing combination is bright and colourful and so utterly uniquely Taboo. It is always nice to find his work, even when light conditions for photography aren’t too good.
The large tunnel that runs underneath the railway tracks of Bristol Temple Meads station is home to a whole ton of graffiti, but is not a place I visit very often. It was great to see, therefore, on my most recent visit this magnificent skull piece by Dabuten Tronko.
Dabuten Tronko, Cattle Market Road, Bristol, December 2021
I have never met the artist, but would be really interested in doing so at some point, just to get a sense of what makes him tick. His pieces are always really interesting to look at and his technical ability top notch, marry those together and you get a creative beast staring at you from the wall. This grim reaper figure has a bit of a tattoo artist feel to it, although I don’t think Dabuten Tronko is a tattoo artist. A satisfying find.
My love for wheatpastes is a theme that runs through my posts on Natural Adventures, but sadly, there is not much of a paste-up culture in Bristol, and I think, perhaps counterintuitively, that it is less tolerated by the authorities than spray-painting. It is good therefore, that from time to time visiting wheatpasters visit the city and pop up a few decorations for us to enjoy, like this one from qWeRT.
qWeRT, North Street, Bristol, December 2021
If you like what you see here, it might be worth a quick look at the qWeRT gallery I put together some time ago, but have updated just now. qWeRT has used the rather tatty door as a perfect spot for the bug-eyed character to express its love, a great sentiment that we could all do with plenty of.
It has been a pleasure and a privilege to see so many Logoe pieces go up over the past three months or so. I guess that we will have to enjoy them while they are here, because the nature of his work might keep him away from the streets for much of the spring and summer.
Logoe, M32 Spot, Bristol, December 2021
This is an utterly awesome piece of writing on the long wall under the M32, incidentally, one of my favourite walls in Bristol, even if it can be a bit tricky to photograph. Painted on a backdrop of earthy and subdued colours, the piece follows his tried and tested format of joined up script writing spelling out ‘Logoe’ liberally decorated with spots running horizontally through the lettering. All very nicely done and filling the space expertly. More to come from this purple patch from Logoe.
Over the Christmas break, I was able to take some slightly longer lunchtime walks than usual, and walked the length of the River Avon from Sparke Evans Park to Temple Meads Station. , and I am surely glad that I did, because I picked up a whole load of new, and some old, pieces, including this fun piece from Haka.
Haka, Feeder Road, Bristol, December 2021
This writing/character combination incorporates a rather lovely rendition of Thomas the Tank Engine, which Haka has pimped slightly with the addition of CK in front of the number 1 to pay tribute to his friend CK One (RIP), as he does on every piece he paints. This is a fun piece and so typically Haka, if you know what I mean.
I don’t know what has happened to time recently, but there seems to be an awful lot less of it, or my life is just filling up with too much stuff. It doesn’t help that I have gone back to work today and there is a lot of catching up to do. I am getting my excuses in early as to why this post is late.
Inkie, Hotwell Road, Bristol, November 2021
I haven’t had time to research this piece by Inkie, so I am not too sure I can tell you much about it. I do know that it was painted for the Vanguard street art and Toward 2030 project, both of which organise walls for environmental/social themes. ‘Always seeking knowledge’ seems to be an admirable message and one that works well in Inkie’s characteristic writing on such an enormous wall.
Inkie, Hotwell Road, Bristol, November 2021
The wall is not only large, but is also very uneven, with loads of ridges and raised areas that Inkie has had to navigate. There are two studious characters at the bottom of the piece clearly seeking their own knowledge. This is classic Inkie at his very best, and well worth seeking out.