Here we have another Bearpit piece by the irrepressible NEVERGIVEUP, whose monsters just keep on giving. In this piece there is an inclusion of the Clifton suspension bridge, but I am not certain that he sprayed this or whether it was a part of an existing mural. Somehow the style doesn’t look like his.
NEVERGIVEUP, The Bearpit, Bristol, September 2017
As with all his monsters, NEVERGIVEUP creates a textured effect on the skin using concentric contours, in this case in red and yellow, dotted around the skin of the creature. I always like it when characters are themselves spraying. An archetypal piece from this artist.
Without doubt, this is one of my favourite pieces of recent weeks. Bright and garish, I first saw this when driving around The Bearpit roundabout, and made a mental note to take a closer look next time I walked into work. Fortunately this large wheatpaste was still there, and I was able to look at it more carefully and find out who it was by.
Christian Hooker, The Bearpit, Bristol, October 2017
The artist is Christian Hooker who judging from his Instagram account handle is from New York (@nychooker). Quite what he was doing here I don’t know but I am really pleased that he visited the city and even more pleased that he left us a couple of gifts.
Christian Hooker, The Bearpit, Bristol, October 2017
The pasteup itself is mocking Trump (I guess) and he posted it on Instagram under the heading ‘subvertising’ which is a term new to me, but I really rather like it. It is, a little like Lemak’s work, a stencil piece that has been printed off and pasted up. I simply love it. Having just visited NYC, I was a little disappointed not to see any of his work. Maybe next time.
No prizes for guessing the artist who sprayed this in one of the tunnels in The Bearpit. It is a political piece with the slogans ‘I resist’ and ‘eat the rich’. The work depicts a hero figure (batman) saying ‘pay me I’m yours’ which is a fairly direct reference to corruption. if none of that helps with identifying this artist, then the organic style and tentacles should.
Object…, The Bearpit, Bristol, July 2017
It is, of course, by Object… and if the piece itself didn’t tell you that, then the signature at the bottom would have. I like his pieces. Edgy and no beating about the bush. Part of the fabric of The Bearpit.
This was a truly sublime piece that went up in Raleigh Road back in July this year, a little while before Upfest. It is always great to see dog street art, and this piece is a real treat. It is by Nilko White, a french artist from Paris, who I guess was taking a trip to the UK and teamed up with some local artists, maybe Hempster (the writing to the right of the dog) and found this hoarding to decorate.
Nilko White, Raleigh Road, Bristol, July 2017
It is a really great piece and quite different from much of the stuff we see in Bristol. It took me a while to find out who the artist was but Instagram (as is so often the case) came to the rescue. I’m not too sure what the Staffordshire terrier is about, but there is a story here. Maybe these are dogs the artist knows. A refreshing piece.
I took this picture a couple of months ago in Bedminster, and of course it is instantly recognisable as a piece by Laic217. All the signature elements are there, a portrait, distortion, this time through broken glass, the bucket hat and smiley.
Laic217, Bedminster, Bristol, July 2017
it was after seeing this piece, that the frequency of work Laic217 was churning out decreased markedly. I am pleased to say that he appears to be back up and running and firing on all cylinders.
Laic217, Bedminster, Bristol, July 2017
Although this is not my favourite of his pieces, it is striking, and the colours really stand out.
On Friday 28 July, the day before Upfest, I strolled to work via The Bearpit, which I like to do as often as I can. Clearly one of the Wheatpasters who regularly visit Bristol for Upfest, Losthills, had been hard at work, and this was the first of many of his pieces that I saw this year.
Losthills, The Bearpit, Bristol, July 2017
It is a cheeky little paste up (which of his isn’t a little cheeky?) of Jake the Dog, living the dream as an Empire soldier from the Star Wars films. The piece is full of humour and is a cheerful thing to see on my pedestrian commute to work.
A familiar piece in a familiar place from a familiar artist. This is a beautiful abstract piece by Shab, sprayed in one of his favourite spots in Dean Lane skate park. I do like it when artists kind of ‘claim’ a spot, although it is not so good when they guard it jealously.
Shab, Dean Lane, Bristol, October 2017
Always pleasing on the eye, Shab’s work holds a kind of mystery for the viewer, and a fascination too. Of course, the eye usually plays a part in his work, and adds some realism to this abstract world. Such subtle colours in the eye, set against the black and white surround.
Shab, Dean Lane, Bristol, October 2017
I have always liked and probably always like the work of this highly respected Bristol master.
I have grown so accustomed to seeing NEVERGIVEUP’s work dominating The Bearpit, that it was a pleasant surprise recently to see one of his monsters turn up in Dean Lane. In the short space of time that he has been living in Bristol, he has really let his presence be known. He is prolific and unappologetic…when he sees a wall he paints it.
NEVERGIVEUP, Dean Lane, Bristol, October 2017
I haven’t yet seen his work at the M32 or in Stokes Croft yet, but I guess it is just a matter of time. Another fine monster from this young Polish master.
The light in these images is a bit wishy washy, and doesn’t do this lovely mural by Meghan O’Malley justice at all. The mural wasn’t up for long, before it was overpainted, so I am pleased to have been able to see it, especially as it features three magnificent fish.
Meghan O’Malley, The Bearpit, Bristol, October 2017
I had to do a little research to find out more about the artist, and it turns out she is a murallist living in Bristol. A quick glance at her website should convince you that she is a highly accomplished artist who has an eye for the surreal. This fish piece however is simply beautiful.
Meghan O’Malley, The Bearpit, Bristol, October 2017
Having recently graduated in Drawing and Applied Arts from the University of the West of England (UWE), I very much hope to see more of her work on the streets in the near future. Definitely one to look out for.
I have just attended a communications conference in Bristol, at which I found out that this piece and two others in The Bearpit were part of a campaign organised by Wild Walls (part of Wildscreen) and that these three fish mimic the recycling icon. All good, except that I found this out by chance. My feeling is that campaign pieces need better calls to action, or they risk being lost in the white noise.
On the hoardings in South Street Park, not far from the Miss Wah and Korp collaboration, was this exceptional piece by Hazard. I am not all that familiar with Hazard’s work, but she has been recognised by The Guardian as one of the top five female street artists in the UK, and you can see why.
Hazard, Upfest, Bristol, July 2017
Her pieces are often feature a female portrait with ornate hair ornamentation, and this is a really superb example of her work. It is interesting to see that she completed the portrait first and then went on to decorate the hair with scarves and feathers. The horns add another strange element to the whole thing.
Hazard, Upfest, Bristol, July 2017
I didn’t get a chance to meet her, but with any luck she will be back in Bristol before too long. I have a feeling, from reading her biography on her website, that she might live somewhere in the West of England, but that is just a hunch.
Natural adventures 